Towards a More Visceral Living
I often feel that without a detailed study of our music we become lost but, even worse, with only a detailed study of our music we become boring. Embracing a more complicated visceral living through firsthand experiences and outside fields can lead us to unexpected ends. I hope we use our music to examine these living ideas, adding to our cultural knowledge along the way.
Skirts or Pants? How About Both
As women, by and large, we have been taught to view ourselves as made up of independent spheres, separating our profession from our gender, and from our craft. One challenge is to allow and encourage our various roles to operate and shape us in tandem, rather than in silos.
Sixteen Composers Receive AAAL Awards Totaling $175,000
The American Academy of Arts and Letters has announced the sixteen recipients of this year’s awards in music, which total $175,000. The winners were selected by a committee of academy members and will be presented at the academy’s annual ceremonial in May.
Sounds Heard: Janice Misurell-Mitchell—Vanishing Points
The music of Chicago-based Janice Misurell-Mitchell seamlessly weaves elements from high modernism with jazz, Latin, blues, and even funk into an amalgam that is completely its own thing. Vanishing Points, the second retrospective disc of her music, collects six of her chamber music compositions spanning four decades.
New England's Prospect: The Agnosticism of Boston's Equilibrium Concert Series
The idea that 21st-century new music is stylistically agnostic might be somewhere between a truism and an extrapolation, but Boston’s Equilibrium Concert Series actually comes pretty close to that ideal.
Three Strikes Against Success
In 1988, I arrived in the US ready to start a career as a jazz musician. So my boyfriend (now husband for over 20 years) Peter Kienle and I formed a fusion group with a bassist and drummer from the University of Alabama where I was completing a master’s degree. But one day during rehearsals, I noticed that the bassist didn’t address his questions about my charts to me, but rather to Peter.
Music for Difficult Days
Turning to music for comfort and solace is not a subject that is talked about much—not out loud, at any rate—in our community, even though it is a perfectly natural inclination, and something that many of us engage in regularly.
Rethinking How We Teach Composition, Part 2
We still have a long way to go in terms of shifting the model of what a composition teacher can provide. First, we must address the master/apprentice mentality. I propose we to do this by continuing to allow more inquisitive learning to take place alongside modeling. Secondly, we desperately need to openly and pragmatically identify the inherent challenges of gender in composition.
Sounds Heard: Things You Already Know
It’s always exciting to find a “new” favorite piece of music or music maker, but digging deeper into a known artist’s catalog offers its own myriad rewards. This week we apply that to new releases from Chris Campbell, David T. Little, and Aaron Irwin.
Keep Dallas Wired: The Dallas Opera Plugs Into Death and the Powers
While his background is as academically rigorous as it could possibly be, Tod Machover’s compositional work, as well as his instrument and software design, leans in a direction that can certainly be described as approachable to a broad audience. This was on display in the recent production of his Pulitzer-nominated opera Death and the Powers by The Dallas Opera.
Putting Artists in the Limelight
New Music USA has just announced the awardees of our inaugural round of project grants. All awarded project pages, complete with artist profiles, work samples, project information, dates, and photos have been published on newmusicusa.org. This means that the world at large can explore, listen to, watch, and experience the diverse array of these awardees’ works on our website.
Great Expectations: The Composer's Progress
There are a number of composers who don’t conform to the traditional model, and the truth is that there really is no typical career trajectory for a composer. The only way to navigate a career as a composer, I have found, is to be prepared for anything.
Rethinking How We Teach Composition, Part 1
Teaching composition requires a balance between the student and the teacher; between the micro and the macro. The strategy includes the teacher’s understanding of the creative process, the student’s reflection on that process, and a design of individually tailored tasks for the student—a set of activities mutually agreed upon. Constant shifting between the big picture and the small steps is critical.
Kamala Sankaram: Being One with the Performance
Like many music makers of her generation, Kamala Sankaram creates and performs work which is an amalgamation of a wide range of musical traditions. But at the root of everything she does, there is usually a strong sense of narrative. Most recently, she took on the most vaunted form of “dramma per musica”—opera—with Thumbprint, which was one of the highlights of the 2014 Prototype Festival.
New England’s Prospect: Boston Symphony Chamber Players Celebrate 50 Years
The Boston Symphony Chamber Players are celebrating their 50th anniversary with five premieres, nearly doubling the group’s commissioned repertoire all at once. The four new pieces on the February 9 concert were deliberately local.
Sounds Heard: Big Robot
Viewing last year’s self-titled DVD from Indianapolis “computer-acoustic trio” Big Robot is an exercise in forbearance. The DVD includes six audiovisual pieces, the last of which is divided into three movements; all of this material works by suggesting and then withholding, cannily but almost ceaselessly, the formal and rhetorical identifications, explicit visual and auditory referents, and narrative connections that, by the end of the DVD, we’re made to crave.
Art in the Age: Going for (more than) a Song
We have to view concert presentations as much more than just about music. Whether it is through the use of lighting or video projections, choreography, or unusual staging, presenters and performers no longer have the option of trusting the music—however innovative or unusual—to be the sole draw for their audience.
Big Data Only Gets You So Far, or Why Social Science Is Really Hard
While the findings of the National Center For Arts Research are encouraging for the state of the arts economy and their methodology is strong, the NCAR’s final analysis has no way to access an individual person who can exist in any or all of the categories they are attempting to study. I’m an administrator, but I’m also a composer, and an audience member, and a donor. It changes with the day, who I’m talking to, and where I’m standing.
Very Modern Love Songs: Your Weird, Steamy Playlist for V-Day
Valentine’s Day is here, and for contemporary music enthusiasts, it can be hard to compile the proper playlist. From openhearted to kinky, we’ve got some pretty wide-ranging ideas of what romance is. Without further ado, here’s your 2014 playlist of avant-garde baby-makin’ music.
Framing Your Voice, Part 2
I have encountered many personalities who have shaped the composer I am, but the most distinct memories are from my interactions with two very different composers during the summer of 1998 at Darmstadt: Helmut Lachenmann and György Kurtág.
Fair Trade for Sheet Music
In a world that increasingly relies on the economy of free, it’s important to establish that some things aren’t free, and in fact have an actual dollar value associated with them. I sincerely believe that we, as a society, can’t claim to value something—be it an object, a service, or our culture in general—if we refuse to ascribe an actual price to it or to some part of it.
Steve Reich Wins 400K Euro BBVA Foundation Frontiers of Knowledge Award
Steve Reich is the first American composer to be awarded the BBVA Foundation Frontiers of Knowledge Award in the Contemporary Music category. The award, which comes with a cash prize of €400,000, has previously been awarded to Pierre Boulez, Salvatore Sciarrino, Helmut Lachenmann, and Cristóbal Halffter.
Sounds Heard: Keeril Makan–Afterglow
It is always a pleasure to encounter music that serves as a reminder of some basic creative ideas: that music is a physical thing, connected to the body and to breath; that simplicity is often the most satisfying option; that the present moment and all that it holds is important. All of these notions are present in composer Keeril Makan’s latest release on Mode Records, Afterglow.
Citizenship
We must see ourselves as collaborators within a much wider network of musicians and citizens, helping each other as best we can—be it through something as complex as presenting performances or something as simple as sharing each other’s work on social media—regardless of personal payoff.
