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Articles
Hilary Purrington

On the Value of Time

Because composers’ processes are diverse and often opaque, potential commissioners sometimes don’t know how to value what we do. This lack of understanding can result in a reluctance to discuss compensation and often justifies gross demands on our time and abilities.

Articles
Frank J. Oteri

Winners of the 2022 BMI Student Composer Awards Announced

BMI (Broadcast Music, Inc.), in collaboration with the BMI Foundation (BMIF) has announced the seven winners and three honorable mentions in the 70th Annual BMI Student Composer Awards during the first in-person ceremony for these awards in three years.

Podcasts and Discussions
Frank J. Oteri

Anthony Davis: Any Means Necessary

For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it’s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns.

LooseLeaf NoteBook
Julia Adolphe

Sasha Cooke: Managing Imposter Syndrome & the Benefits of Couples Therapy

Mezzo-soprano Sasha Cooke shares her experience of imposter syndrome, a feeling that one is not worthy or deserving of one’s success.

Articles
Frank J. Oteri

Raven Chacon Wins 2022 Pulitzer Prize in Music

Raven Chacon has been awarded the 2022 Pulitzer Prize in Music for Voiceless Mass. The annually awarded $15,000 prize is for a distinguished musical composition by an American that has had its first performance or recording in the United States during the previous year. The work, which premiered on November 21, 2021 in Milwaukee, Wisconsin,… Read more »

Articles
Jessie Cox

Music For Tomorrow’s World

I engage the future not as something that comes later on, that replaces a complete and whole present, but rather that the future is a method of thinking that shows something that is already here.

Articles
Multiple Authors

Different Cities Different Voices - Austin

Austin’s economic and social reality is complex and our art communities are forever adapting to the challenges and opportunities presented by these realities.

LooseLeaf NoteBook
Julia Adolphe

Myroslava Khomik: Creativity as Spiritual Work in Times of War

Ukrainian-born violinist Dr. Myroslava Khomik shares how anyone with creativity and compassion can work as a spiritual leader during times of global crisis.

Articles
Geeta Dayal

Out of the Box: In Defense of Analog Criticism

The prevailing narrative is that social media and digital streaming services have taken over the space that critics once inhabited. But I would like to present a more optimistic concept of the future, which we could build by reframing music criticism’s cultural value.

Articles
Alexandra Petkovski

Musical Meal Prep: Managing Rapid-Fire Deadlines for the Aspiring and Evolving Music Creative

Having worked as a composer, producer, songwriter, and artist throughout the Film/TV, contemporary, video game and commercial music worlds, I have learned that a good creative creates, a great creative finishes. Here are several fundamentals I’ve come to lean on that help me in navigating through music industry deadlines, multiple project balancing, and multi-tasking generally.

Articles
Frank J. Oteri

Hearing Beyond The Categories of the 64th Annual Grammy Awards

There are many people to celebrate among the recipients of the 64th Annual Grammy Awards, and since several that we care about deeply were excluded from the TV show and, as a result, you might have missed them, we’re shining some light on them here.

Podcasts and Discussions
Frank J. Oteri

Sarah Hennies: Getting at the Heart of a Sound

How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates. Despite the extremely broad stylistic range of her output, everything from her early collaborative work as part of an experimental rock band to a multimedia documentary to extended duration solo and chamber music compositions for various instrumental combinations, it all shares a concern for extremely precise sonic gestures and involves a great deal of repetition. While Sarah Hennies prides herself on scores that are extremely economical (a score for a nearly 34-minute piece is a mere two pages), the sonorities feel extremely generous.

A photo of the staff members of Creatives Care shown reflected in the window of a high rise building foregrounding the Manhattan skyline.
LooseLeaf NoteBook
Julia Adolphe

Creatives Care: How Therapy Enables Creativity & Finding Affordable Care

Psychiatrist Alana Mendelsohn, MD, PhD, Catherine Hancock, and Katya Gruzgliina share the mission of Creatives Care, which aims to partner artists with affordable mental health care providers and help individuals assess what kind of therapy might be right for their specific needs.

Frank J. Oteri

2022 ASCAP Foundation Herb Alpert Young Jazz Composer Award Winners Announced

The ASCAP Foundation has announced the recipients of the 2022 Herb Alpert Young Jazz Composer Awards. The recipients, who receive cash awards, are selected through a juried national competition. All in all, 21 composers were awarded and an additional 6 received honorable mention.

Articles
Anna Pidgorna

Ukraine’s Musical Front

As Western orchestras, choirs, chamber groups and soloists scramble to find music by Ukrainian composers, and record renditions of the Ukrainian anthem, what is happening to the musicians who must live through this nightmare firsthand?

Articles
Peter Speer

Synthesizing Environmental Sounds

Let’s do a quick exercise: listen to a sound, any sound (a baby crying, a phone ringing), and ask yourself: can I hum it? Trace the movement of the sound with your hand in the air and observe: is it rising and falling in a pattern? The answers to these questions point toward the equipment needed to recreate them.

Interviews
Frank J. Oteri

Alice Parker: Feeling the Same Emotion at the Same Time

Composer, arranger, conductor, and teacher Alice Parker has been a fixture of the choral music community since working with the legendary Robert Shaw Chorale when she was fresh out of college in the late 1940s. Parker has devoted herself almost exclusively to music for the voice, since she strongly believes that people find their common ground through singing together.

LooseLeaf NoteBook
Julia Adolphe

Andrew Norman: Anxiety & Creative Process

Composer Andrew Norman shares how his creative anxiety has led him into a current period of writer’s block.

Baltimore
Articles
Multiple Authors

Different Cities Different Voices - Baltimore

No artist in Baltimore lives here because they’re making a lot of money or getting a lot of commissions or opportunities. These music creators live here because they’re inspired every day. This place is fertile ground for truly original artmaking.

Articles
Vanessa Ague

Genres Won't Go Away But They Won't Be The Same

When I think about music 10 years into the future, the one thing that jumps out in my mind most is the perennial question of genre: How we define it and how it’ll change. Will there be any genres in 10 years? What will post-genre and cross-genre and everything in-between look like? Which new genres will emerge and take over the musical landscape?

Articles
Belinda Reynolds

Then, Now, Tomorrow: Collaboration in Writing Music for Student Players

Contemporary music is still desperately needed in the teaching repertoire for most orchestral instruments. But I have found that EVERY style can be student friendly if it is tested and presented in a way as to welcome the learner into its universe and not alienate them.

Articles
Amelia Brey

Unbound by “Programming”: A Counter-Hegemonic Reimagining of Contemporary Performance

Can we foment a culture in which composers’ utterances are deemed valuable solely on the basis of having been uttered, regardless of hegemonic notions of musical quality?

Huang Ruo
Interviews
Frank J. Oteri

Huang Ruo: Creating Four Dimensional Experiences

For Huang Ruo, music–like theater–exists in a four-dimensional space. There is also a larger purpose in most of Huang Ruo’s work, whether it is to call attention to stories of people, particularly Asians and Asian-Americans, whose voices have often not been heard, or to provide an environment for reflection and healing.

Interviews
Julia Adolphe

Ryan McAdams: How Myths of Artistic Leadership Fuel Destructive Behaviors

Conductor Ryan McAdams shares how the myth of the “ideal” conductor, perpetuated at conservatory and within Western culture, glorifies destructive lifestyles such as living in isolation, excessive behaviors, constant striving for perfection, appearing omniscient, and hiding all human vulnerabilities.

Funders

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.