A visual that inspires the composer or improviser is sure to also inspire audiences to a fuller and more moving experience. The Kentler International Drawing Center is driving this connection home with its now-touring exhibition Music as Image and Metaphor.
Co-hosts of the Trilloquy podcast Garrett McQueen and Scott Blankenship share their experiences with depression, therapy, medication, cannabis, creativity, and addiction.
I never thought I would feel so grateful for the small sounds of people coexisting with me, yet there I was, bobbing my head along, feeling pure contentment and gratitude for sharing this space with all of these strangers.
Susie Ibarra’s collaborative approach has informed her work with jazz, classical, indie rock, and traditional Philippine musicians.
The lingering anxiety that appears while I write can actually serve as a tool in the editing process, provided it remains in check and in direct dialogue with my work.
Christopher Trapani evades and encodes the filter of depression into his music, as he tells Julia Adolphe in the latest episode of her LooseLeaf Notebook podcast. They also discuss myths about the tortured artist, medication, and therapy, and how mental health challenges can be better addressed in the workplace and in schools.
Tania León has been awarded the 2021 Pulitzer Prize in Music for her orchestra work Stride which received its world premiere in a performance by The New York Philharmonic conducted by Jaap van Zweden in David Geffen Hall in New York City on February 13, 2020. According to the Pulitzer Prize guidelines, the annually awarded… Read more »
In our final pair of excerpts from the M³ anthology, The Art of Being True, Val Jeanty explains how Vodou Culture has informed her own artistic practice and Tomeka Reid shares her recipe for Sunflower Butter.
In our 5th installment of excerpts from the M³ anthology, Lesley Mok explains how conservatories co-opt the politics of “anti-racism” and Romarna Campbell describes the multiple identities contained for her in the word “skin.”
Julia Adolphe shares her thoughts on why the myth of the tortured artist has been attractive to society as well as to herself personally as she was struggling to come to terms with Anxiety Disorder.
In our latest installment of excerpts from the M³ anthology, Sumi Tonooka remember Philly Joe Jones — “the last band leader that any parent would want to see their teenage daughter go out on the road with!” — and Jen Shyu contemplates parenthood: “Don’t wait for your ‘clock’ to start ticking. You might not hear it.”
It’s crucial that the perspective of Native America be witnessed through the work of artistic practices.
The ASCAP Foundation has announced the 21 recipients and 17 honorable mentions of the 2021 ASCAP Foundation Morton Gould Young Composer Awards, which encourage talented young creators of concert music ranging in age from 13 to 30.
[Ed. Note: Beginning on April 30 and continuing on consecutive Fridays until the next round of concerts of M³ (Mutual Mentorship for Musicians) taking place on June 12 and 13, 2021 under the auspices of the National Jazz Museum (and which have received funding from New Music USA), NewMusicBox is publishing excerpts from each of… Read more »
Violinists and yoga instructors Melissa White & Elena Urioste discuss the impact of abusive or unsupportive teachers and methodologies in conservatory life that strip power from students instead of inspiring self-care and compassion.
In our 2nd installment from the anthology of writings by the members of M³, Erica Lindsay states that the goal of sonic creation is to “express what is beyond your own understanding” and Sara Serpa decries the difficulties of balancing an artistic career with parenthood.
For the past 20 years, Ricky Ian Gordon has been creating works for the stage—operas, musicals, or one-of a-kind music/theater hybrids—and getting them produced one after another, seemingly without a pause. But 14 months ago, everything came to a screeching halt as the world went into lockdown due to the pandemic.
To celebrate today’s publication of The Art of Being True, an anthology of writings by the members of M³, and in anticipation of their upcoming concerts on June 12 and 13, we will be publishing excerpts from each of the 12 participants’ contributions, 2 per week, every Friday between now and June 12.
There are stark differences between imaginative impulses and anxious physiological signals.
While people who looked and sounded like us were being taken from their homes, we presented a song cycle underscoring how human and relatable immigrants actually were.
Conductor and composer Daniela Candillari reflects on her personal experience with performance anxiety, how emotion shapes our perception of time, and why her memories of living through the wars in the former Yugoslavia have returned to her during the pandemic.
This three-decade-old episode of an attempt to diversify the world of contemporary composition––amidst a landscape of increasing arts austerity, loud Congressional battles over avant-garde art, and public backlash from prominent composers––has much to offer today’s attempts at fostering inclusion.
The only thing that is almost as exciting as watching and listening to a multimedia performance by Pamela Z is to hear her talk about it.
New Music USA has submitted six works for consideration in the call for scores for the 2021 International Society for Contemporary Music (ISCM) World New Music Days which, pandemic willing, is scheduled to take place in Shanghai and Nanning from September 17-25, 2021. Each of these six works is by a composer who was chosen to participate in New Music USA’s Amplifying Voices program.
