Buddhist music-making: how meditation could transform the way you work
We musicians know that silence is as precious as sound itself. But we also, like most human beings, fear the idea of a long silence. Is it safe—is it even possible—to pause our perpetual inner soundtrack and be truly alone with our chaotic thoughts, our chaotic selves?
2014 ASCAP Morton Gould Young Composer Awards Announced
Twenty-seven young composers have been selected from nearly 630 submissions. The award winners share prizes of more than $45,000 and receive complimentary copies of Sibelius software, donated by Avid.
Juan Orrego-Salas: I’ve Written All I Have to Write
Juan Orrego-Salas (b. 1919) is the last surviving member of a major group of mid-20th century American composers. He was a protégé of Aaron Copland, Randall Thompson, and Luigi Dallapiccola, and a personal friend of Irving Fine, Lukas Foss, and Pablo Neruda, among others. He also founded the Latin American Music Center. His is an important story in the annals of American music.
Phill Niblock & Elodie Lauten Receive Top FCA Awards
The Foundation for Contemporary Arts announced the recipients of awards totalling $500,000: the biennial John Cage Award, the second Robert Rauschenberg Award, and 14 Grants to Artists awards in the disciplines of dance, music/sound, performance art/theatre, poetry, and visual arts.
New England's Prospect: The Gift of Sound and Vision
Multimedia is a provocative tool to combat conformity, but hardly a foolproof one. Filmmaker/sound artist Ben Russell and musician Robert A. A. Lowe (a.k.a. Lichens) presented a joint show at Cambridge’s Middlesex Lounge, and that tension in the multimedia concept proved to be a running theme.
Goofing off, Perfected: Lessons from Fluxus
Fluxus and their Event Scores point to our human condition in a way that is wildly dynamic. The score is an invitation, a call to action, and first-hand study and performance of these scores would be healthy for any of us.
Jazz Audience Development: The Gender Factor
Casual observation of the audience for jazz reveals that it is predominantly male, which also reflects the average jazz band personnel. One wonders aloud whether consumers witnessing more women on the bandstand might ever translate to an increase in women in the jazz audience.
Sounds Heard: These Just Out
This week features three hot off the press releases by Puppet’s Records, Cantaloupe, and New World Records.
David Lang and Alvin Singleton to be Inducted into the American Academy of Arts and Letters
The American Academy of Arts and Letters has announced that composers David Lang and Alvin Singleton will be among the nine new members inducted during its annual induction and award ceremony in mid-May.
SXNY – The Big Apple heads to Austin
Two Big Apple bookends operating outside of the SXSW machine served to salvage an otherwise lost Spring Break. Jace Clayton was joined by narrator/singer Arooj Aftab and pianists David Friend and Emily Manzo to perform The Julius Eastman Memorial Dinner, while Brooklyn Rider played the first of two shows of their ten-day residency with Texas Performing Arts.
1, 2, 3… Action
For the last article in my series on women in jazz this month, I would like to reflect on a 20th annual series of concerts that we just completed with an eight-piece all female group in celebration of Women’s History Month and to conclude with action steps towards an inclusive future.
Getting Out of the Box
I’ve spent much of March travelling around to meet with composers and other people involved in music in different parts of the country. It was a valuable reminder that there is no adequate substitute for direct personal contact with people, plus I learned about some really great music.
On the Purpose of Art in 700 Words or Less
Moving to a new town has triggered something inside of me that makes me question everything I do. In trying to analyze the elements of music—Where does it take place? With whom? In what notation? With what instruments?—I’ve been pulled back to a central question: What is our music for?
Joel Puckett: Real Life Inspiration
“Write what you know” is a commonly heard piece for advice for artists, but composer Joel Puckett has taken to heart a slightly different version of this sentiment, which could be stated, “Write what you live.”
Sounds Heard: Zwerm—Underwater Princess Waltz
The Belgian/Dutch electric guitar quartet Zwerm presents a fascinating collection of one-page pieces by American composers that rely on everything from more-or-less traditional notation to what one might characterize as “Marvel comic super heroes battle a graphic score.”
Marin Alsop, Frances Richard & Steven Schick to Receive ACF Champion of New Music Awards
The American Composers Forum will present its 2014 Champion of New Music award to conductor Marin Alsop, retired ASCAP Vice President of Concert Music Frances Richard, and percussionist Steven Schick, at public ceremonies this spring in Baltimore, New York City, and Saint Paul.
Vicki Ray Reflects on 20 Years of Piano Spheres
The Piano Spheres concert series, a Los Angeles institution dedicated to expanding the repertoire for the instrument, was a risky proposition at first. But the LA new music community has changed in the past 20 years, and the series has evolved right along side it.
But Can She Play?
The likelihood of a female teenager volunteering for an improvised solo in front of her peers that includes the option of failure is certainly smaller than her male band mate stepping out to show off his unique personality.
Broken Notions of Why Art Matters
The tricky part of advocating for the arts is that the really important parts are harder to put numbers on. This shouldn’t be surprising; the awesomest parts of art itself are the parts that are hardest to quantify.
Remembering Robert Ashley (1930-2014)
Since Ashley’s work was by design extremely collaborative, we wanted to honor his memory on NewMusicBox by having his key collaborators—each of whom are important creators in their own right—share their personal stories about working with him over the decades.
Tilting the Frame: Notes on an Alternative Education
If our aim is to become smart and savvy makers of sound and performance, what models can be adopted from other fields to encourage the development of new works, new ideas, and new musics hitherto unknown? How can we best support the newest generation of composers, performers, sound artists, and thinkers?
Inspired Collaboration: No Idea Festival 2014
The No Idea Festival started its second decade of improvisation with six shows over a four-day period in Austin and San Antonio. Founder Chris Cogburn assembled another amazing collection of performers this year, drawn from across the country as well as Mexico.
Is Contemporary Music Ready for a Baby Boom?
The Affordable Care Act made maternity coverage more accessible for freelance musicians. But is contemporary music—its career arcs, social scenes, traditions, and infrastructure—ready for a baby boom?
Sounds Heard: The Quiet Ones
These three recordings have been sitting patiently and quietly in the pile on my desk without flash or fanfare, waiting to be listened to. Two of the discs are from just down the road in Washington, D.C., while another comes from San Francisco, and the music they contain couldn’t be more diverse.