Sixteen Jazz Composers’ Works to be Performed by Three Orchestras
Between May and September, three different orchestras will give public readings of new works for symphony orchestra written by a total of sixteen jazz composers as part of the third Jazz Composers Orchestra Institute (JCOI) Readings.
Listening to Protest and Resistance in the “Little Cities of Black Diamonds”
Certain sounds of resistance—shouting, speeches, chanting, and singing—simultaneously bring together and diffuse, and meaningfully hold in suspension situations that could easily descend into chaos and violence.
The Case for Radio
How do you define radio in this day and age of digital platforms? If you were in charge of a new music radio show, 24/7 stream, or podcast, what would you include?
Why Pastiche Has Taken Over Music
Just look at the names: new complexity, neo-romanticism, post-minimalism—three of the broadest trends in contemporary music, all with echoes of pastiche baked right into their labels. Clearly artists have always taken ideas and materials from other sources—how could we not?—but never before have we so celebrated the attribution of those sources.
Songs by David Lang and J. Ralph Denied Oscar Performance
During a year in which the Oscars have received strong criticism for their lack of diversity, this seems an especially odd move–not only in terms of the music itself, but also when considering that it means the absence of Korean soprano Sumi Jo and transgender performer ANOHNI.
Listening to Social Life in the “Little Cities of Black Diamonds”
New and archival recordings offer a glimpse of social life in the Little Cities–sonic insights that open up an archive of ideas for a careful listener willing to jump on a carnival ride or blow the dust off a forgotten piano keyboard.
Remembering Steven Stucky (1949-2016)
Steven Stucky had an astounding intellect, but perhaps more important were his warmth, graciousness, and generosity of spirit. He gave unstintingly of his time to many organizations; perhaps even more important, he did the same for his friends and his students.
MacArthur's Creative and Effective Institutions and Bielecki Foundation Awards Announced
No application necessary (or accepted): MacArthur Award for Creative and Effective Institutions and Robert D. Bielecki Foundation awards announced
An Ode to Community
The Seattle new music community is exploring new ways they can support one another. What’s working in your community?
Daniel Wohl: The Seamless Ideal
Wohl’s talent for seamless integration of acoustic and electronic timbres generated significant buzz after the 2013 release of his album Corps Exquis, and it is praise that will likely only cling more tightly in the wake of his full-length follow-up Holographic.
Congrats to the 2016 Grammy Award Winners
Whether or not you caught the glitz, the glam, and the shade-throwing acceptance speeches during the 2016 Grammy Awards ceremony broadcast last night, you still may have missed out on the jazz and classical awards presented earlier in the day. And the winners are…
Listening to Labor in the “Little Cities of Black Diamonds”
For miners, sound often answers questions about work and safety. For composers, recording and carefully listening to the sounds of a region can suggest ways of bridging between place and creative sound works.
Steven Stucky (1949-2016)
It is with great sadness that we report American composer Steven Stucky died of brain cancer in Ithaca, New York on February 14, 2016.
Composer Advocacy Notebook: A Tale of Three Cities
Over the course of the last eight weeks I attended three significant national music events which were extremely different from each other in terms of scope and scale—the 2016 Minnesota Orchestra Composer Institute, the annual Chamber Music America conference, and the Midwest Clinic, the world’s largest music gathering.
Overthinking Genre
It can feel impossible to label and organize the diversity of music that falls under the “new music” heading. Does that hurt our advocacy for the music we care about?
Tracing Influence
We have always had cultural gatekeepers: artists, publishers, concert promoters, radio producers, teachers, etc. At the top of this filtering process is the mind and ears of the artist. What can help provide context for the music and enrich and inform the listening experience? Will that change the end result, deepen the experience, or help uncover influence?
Place, Sound, History, Now: Listening to the “Little Cities of Black Diamonds”
Archival and contemporary sounds of a place connect the listener to the people and history of an area. This sonic ethnography may then become material for creative projects in unique ways and push creative practice into direct social engagement.
What I Didn’t Learn in Music School
In the trenches of balancing one too many ensembles, practice time, class, papers, group projects, and more practicing, it can be hard to stomach the thought of adding something else. But there are a few other things may want to make sure you learn while you’re still in school.
New Music USA Awards $276,770 to 53 Projects
New Music USA has announced its fifth round of project grants awards, totaling $276,770 in funding to support artistic work involving a wide range of new American music.
Courting the “Lay” Listener
What musicians create serves many purposes, but it is all in vain if we are not genuinely connecting with the listeners. We owe it to ourselves to deepen their listening and to maximize our communication.
The Forgotten Man: Teo Macero and Bitches Brew
Miles didn’t make Bitches Brew by himself; it was the product of a unique compositional collaboration between the trumpeter and his longtime, essential producer at Columbia Records, Teo Macero (1925-2008), an in-house composer, arranger, and producer for Columbia Records who also shaped and directed essential albums by Thelonious Monk, Charles Mingus, Dave Brubeck, Johnny Mathis, and Tony Bennett as well as a recording of music by Alan Hovhaness plus the soundtrack to The Graduate.
A Few Things I Failed to Mention
Just as these kids are not afraid of clicking this or that button on today’s technology (which both my husband and I very much are), they are not afraid of poking into any musical corner. There doesn’t seem to be any outside to the box marked Music. Everything is inside.
Where Is Do?
When presented with new music, there is a question my voice students ask in quiet panic: “Where is do?” According to the established choral curriculum, we just cannot agree.
Kate Soper: Real Communication
Extended techniques and integrated theatrical elements are a hallmark of Kate Soper’s compositional style, and presenting her work herself is a good way to push the performer into new territory with confidence. “I will do anything as a performer that I as a composer ask me to do.”
