Die Jim Crow Records began as an idea to basically make the greatest concept album of all time. In 2013, inspired by Michelle Alexander’s landmark book The New Jim Crow and Pink Floyd’s rock opera The Wall, artist/activist Fury Young embarked on the quixotic journey to make an epic double album about racial injustice in the U.S. prison system.

The initial idea was to work with formerly and currently incarcerated black musicians to form a collective narrative that spanned pre-prison, prison, and reentry. Though Young, who identifies as a “New York Jew,” had never been incarcerated or produced a single song before, his personal experiences with friends who had been to prison led to him pioneering the project with a ceaseless conviction.

For six years, while working full time as a carpenter, Young pursued DJC as a passion project and had the diligence to gain access to prisons across the country for recordings. During this time he built close relationships with several musicians and writers both in and once-in of the system.