Category: Ledes

2015-2016 Rome Prize Recipients Announced

Composers Nina C. Young and Christopher Cerrone

Composers Nina C. Young and Christopher Cerrone

Composers Christopher Cerrone and Nina C. Young have been named recipients of the of the 2015-2016 Rome Prize. They—along with 29 other artists and scholars in the fields of ancient studies, architecture, design, historic preservation and conservation, landscape architecture, literature, medieval studies, modern Italian studies, renaissance and early modern studies, and visual arts—will be provided with a fellowship that includes a stipend, a study or studio, and room and board for a period of six months to two years in Rome.

The winners are selected by independent juries through a national competition process, and approximately thirty individuals working in the arts and humanities are invited to Rome to expand their own professional, artistic, or scholarly pursuits, while drawing on their colleagues’ knowledge and experience and on the resources that Italy, Europe, and the academy have to offer. The annual application deadline is November 1. The academy community also includes a selected group of residents, affiliated fellows, and visiting artists and scholars.

OPERA American Awards $100,000 to 7 Female Composers

Opera Grants for Female Composers

(l to r): Jing Jing Luo, Odaline de la Martinez, Kitty Brazelton, Kamala Sankaram, Su Lian Tan, Patricia Leonard, and Laura Karpman.

OPERA America has announced the recipients of Discovery Grants from the Opera Grants for Female Composers program, made possible through The Virginia B. Toulmin Foundation. From among 61 eligible applicants, an independent adjudication panel selected seven composers to receive a total of $100,000 to support the development of their opera compositions.

The recipients of Discovery Grants are:

Kitty Brazelton for The Art of Memory
Laura Karpman for Balls
Patricia Leonard for My Dearest Friend
Jing Jing Luo for Ashima
Odaline de la Martinez for Imoinda
Kamala Sankaram for The Privacy Show
Su Lian Tan for Lotus Lives

The Opera Grants for Female Composers program, launched in December 2013, is implemented in two-year cycles. The focus of the program alternates between Discovery Grants, which are awarded directly to composers, and Commissioning Grants, which are given to opera companies. This recent group of Discovery Grants initiates the second cycle of granting. Discovery Grants aim to identify, support, and help develop the work of female composers writing for the operatic medium, raising their visibility and promoting awareness of their compositions. In addition to receiving financial assistance, grant recipients will be introduced to leaders in the field through a feature in Opera America Magazine and at future New Works Forum meetings and annual conferences. Supported works will be considered for presentation at future annual conference New Works Samplers.

The independent adjudication panelists for the Discovery Grants included director Sam Helfrich, composer Laura Kaminsky, composer Libby Larsen, mezzo-soprano Margaret Lattimore, conductor Anne Manson, and coach/conductor Laurie Rogers.

Information for the second round of Commissioning Grant applications will be announced in December 2015.

(–from the press release)

 

Four Composers Chosen for 2nd Berkeley Symphony EarShot Readings

Headshots of the four 2015 Berkeley EarShot composers

The four 2015 Berkeley EatShot composers (pictured from left to right): Ryan Carter, Emily Cooley, Natalie Williams, and Michael Laurello.

EarShot (the National Orchestral Composition Discovery Network) and the Berkeley Symphony continue their partnership for the 2014-2015 Under Construction Program, designed as an opportunity for emerging composers to develop their works with a professional orchestra. This season, four composers will have a new symphonic work workshopped and read by Berkeley Symphony at the Osher Studio in Berkeley on May 2, 2015 at 3pm (the first public unveiling of the composers’ works) and on May 3, 2015 at 7pm (a run-through of the completed pieces). The selected composers and their works, which were chosen from a national pool of applicants, are:

Ryan Carter (b. 1980): The Clock Behind Me
Emily Cooley (b. 1990): Green Go to Me
Michael Laurello (b. 1981): Promises
Natalie Williams (b. 1977): Les Chants du Maldoror

Under Construction has served as an incubator for emerging composers for more than 20 years, offering the unique opportunity to develop skills and gain practical experience in writing for a professional orchestra. Each selected composer has completed a symphonic work to be presented at two separate readings, allowing composers the chance to hear their concepts realized and audiences the opportunity to have a window into the creative process. They will receive feedback and mentoring from composers Ken Ueno and Derek Bermel in private and small group sessions, as well as from Music Director Joana Carneiro and key orchestra members. This program is the result of a new partnership with EarShot, a nationwide network of new music readings and composer-development programs. As the nation’s first ongoing, systematic program for identifying emerging orchestral composers, EarShot provides professional-level working experience with orchestras from every region of the country and increases awareness of these composers and access to their music throughout the industry. The program is administered by the American Composers Orchestra (ACO) in partnership with the American Composers Forum, the League of American Orchestras, and New Music USA.

In addition to Under Construction with Berkeley Symphony, EarShot partnerships have included the New York Philharmonic, Detroit Symphony, Buffalo Philharmonic Orchestra, Colorado Symphony Orchestra, Memphis Symphony Orchestra, Nashville Symphony Orchestra, Pioneer Valley Symphony (MA), New York Youth Symphony, and the San Diego Symphony. To date, over fifty composers have been selected for New Music Readings with orchestras. For more details, visit the EarShot website.

(–from the press release)

2015 Guggenheim Fellowship Awards Announced

The official logo of the John Simon Guggenheim Memorial Foundation (1925 inscribed in a circle)

In its ninety-first competition for the United States and Canada, the John Simon Guggenheim Memorial Foundation has awarded 173 Fellowships (including two joint Fellowships) to a diverse group of 175 scholars, artists, and scientists. Appointed on the basis of prior achievement and exceptional promise, the successful candidates were chosen from a group of over 3,100 applicants. There are 11 composers among this year’s awardees:

Darcy James Argue
Matthew Barnson
Richard Carrick
Etienne Charles
Chihchun Chi-sun Lee
Steve Lehman
George E. Lewis
Andreia Pinto-Correia
Sean Shepherd
Rand Steiger
Amy Williams

Two additional music-related fellowships have also been awarded to music critic Alex Ross in the category of general non-fiction and University of Chicago-based music theorist Thomas Christensen in the field of music research. For a complete list of 2015 Guggenheim fellows, please visit the Guggenheim website.

2015 Class of Doris Duke Artists Announced

Doris Duke Artists 2015

The Doris Duke Charitable Foundation has announced the 2015 class of Doris Duke Artists. Twenty performing artists will each receive $275,000 in flexible, multi-year funding as an investment in and celebration of their ongoing contributions to the fields of contemporary dance, theater, and jazz. With this year’s class, the foundation will have awarded $22 million among 80 Doris Duke Artists since the awards program’s inception.

The 2015 Doris Duke Artists are as follows.

In jazz:

Muhal Richard Abrams
Ambrose Akinmusire
Darcy James Argue
Steve Coleman
Okkyung Lee
Yosvany Terry

In dance:

Camille A. Brown
Ronald K. Brown
Ann Carlson
Nora Chipaumire
Alonzo King
Stephen Petronio
Doug Varone

In theater:

Paul S. Flores
Cynthia Hopkins
Daniel Alexander Jones
Linda Parris-Bailey
Mildred Ruiz-Sapp
Steven Sapp
Shawn Sides

Muhal Richard Abrams, a recipient in the jazz category, commented, “This award will give me additional time and facility for expanding and exposing my work to a wide audience. It’s energizing when something like this award happens, and it encourages me to keep working hard. The variety of challenges that are inherent in the music are quite stimulating. I’m accessing a world of raw material that’s infinite, and the inexhaustibility of it is the challenge.”

The program is one of two awards offered through the Doris Duke Performing Artist Awards, which is part of a larger $50 million, 10-year commitment of the Doris Duke Charitable Foundation to empower, invest in and celebrate artists by offering flexible, multi-year funding in response to financial challenges that are specific to the performing arts and to each artist.

To learn more about the 2015 Doris Duke Artists and to view samples of each artist’s work, visit
www.ddpaa.org.

(–from the press release)

ACO Announces Composers Chosen for Underwood Readings

A composite image from photos of the 7 composers chosen for the Underwood readings

The seven 2015 Underwood composers (top row, from left to right): Igor Santos (photo by Kazimierz Turek), Jules Pegram (photo by Wendy Riley), Yuanyuan Kay He (photo by Justin Kohlbeck); (bottom row:) David “Clay” Mettens (photo by Hanna Hurwitz), Polina Nazaykinskaya (photo by Christopher Smith), Carl Schimmel (photo by Chanel Parrott Apsey), and David Hertzberg (photo by Adam Moskowitz). All photos courtesy ACO.

The American Composers Orchestra (ACO) has announced that works by seven composers have been selected for the 2015 Underwood New Music Readings which will take place on Wednesday, May 6 and Thursday, May 7, 2015 at the DiMenna Center for Classical Music in New York City. The seven works, which were chosen from over 200 submissions received from around the country, are:

Yuanyuan Kay He (b. 1985): Passeig de Grácia
David Hertzberg (b. 1990): Spectre of the Spheres
David “Clay” Mettens (b. 1990): Sleeping I am carried…
Polina Nazaykinskaya (b. 1987): Nature’s Book of Life
Jules Pegram (b. 1991): Shadows of the Studio
Igor Santos (b. 1985): play, pivot
Carl Schimmel (b. 1975): Two Variations on Ascent into the Empyrean

Now in their 24th year, these readings, which are open to the public free of charge (though reservations are strongly recommended), give audiences a chance to look behind the scenes at the process involved in bringing brand new, stylistically diverse orchestral music to life. The first day of readings—a working rehearsal—will be presented from 10am to 1pm on Wednesday, May 6; the second day of readings will take place on Thursday evening, May 7, at 7:30pm, during which all selected pieces will be polished and performed in their entirety. ACO’s Artistic Director Derek Bermel directs the readings; George Manahan conducts. Mentor-composers are Gabriela Lena Frank and Kevin Puts.

Each composer participating in the Underwood New Music Readings receives rehearsal time, a full reading, and a digital recording of his or her work. Review and feedback sessions with ACO principal players, mentor-composers, guest conductors, and industry representatives provide crucial artistic, technical, and conceptual assistance. In addition, one of the seven composers will be selected to receive a $15,000 commission for a new piece to be performed by ACO during an upcoming season. The world premiere of 2013 Underwood Commission winner A.J. McCaffrey’s new work for ACO, Motormouth, was featured on ACO’s season opening Orchestra Underground concert on November 21, 2014 at Carnegie Hall’s Zankel Hall. The winner of the 2014 Underwood Commission, Andy Akiho, is composing a new piece that will premiere in October 2015 as part of ACO’s SONiC festival.

In addition to the readings, there will also be a series of career development seminars on Thursday, May 7 from 10am-4:00pm at the DiMenna Center for composers, students, or anyone interested in learning more about the business of being a composer. Workshop topics include intellectual property, copyright law and commissioning agreements, publicity and promotion, engraving and self-publishing, support and fundraising for composers, plus new developments with record labels. The cost for the seminar is $30, which includes lunch. Seating for the seminars is limited; reservations can be made on Eventbrite.

(—from the press release)

ASCAP Announces 2015 Morton Gould Young Composer Award Winners

ASCAP Logo

ASCAP Foundation President Paul Williams has announced the recipients of the 2015 ASCAP Foundation Morton Gould Young Composer Awards. Selected from an application pool of more than 600 submissions, 28 young composers (plus an additional seven accorded honorable mention) will be recognized at the annual ASCAP Concert Music Awards at Merkin Concert Hall in New York on May 21, 2015. The award-winning composers share prizes of over $45,000, including the Leo Kaplan Award, in memory of the distinguished attorney who served as ASCAP special distribution advisor, the Charlotte V. Bergen Scholarship for a composer 18 years of age or younger, and grants from The ASCAP Foundation Jack and Amy Norworth Fund. Jack Norworth wrote such standards as “Shine On Harvest Moon” and “Take Me Out to the Ballgame.” Award recipients receive complimentary copies of Sibelius software, donated by Avid.

The 2015 Morton Gould Young Composer Award recipients are listed below with their current residence and place of birth and their award-winning compositions:

Anahita Abbasi (b. 1985) of San Diego, CA (Shiraz, Iran): Distorted Altitudes II/Labyrinth for ensemble [7′]
Timo Andres (b. 1985) of Brooklyn, NY (Palo Alto, CA): Piano Quintet [22′]
Katherine Balch (b. 1991) of New Haven, CT (San Diego, CA): Passacaglia for orchestra [12′]
Jason Thorpe Buchanan (b. 1986) of Hudson, NY (San Mateo, CA): Double Concerto for two horns and chamber orchestra [8′]
Yihan Chen (b. 1994) of Bloomington, IN (Changzhou, China): Immolation for eight voices and cello [8′]
Jaehyuck Choi (b. 1994) of New York, NY (Gwacheon, South Korea): Concerto for Violin and Orchestra [12′]
TJ Cole (b. 1993) of Philadelphia, PA (Athens, GA): Death of the Poet for string orchestra [11′]
Erin Graham (b. 1995) of Rochester, NY (Lewisburg, PA): Five Poems of Edward Lear for solo baritone, clarinet, piano, violin, and cello [15′]
Saad Haddad (b. 1992) of New York, NY (Los Angeles, CA): Shifting Sands for piano and electronics [8′]
Brian Heim (b. 1993) of New Haven, CT (Brownsville, MN): Two Portraits after Moby Dick for sinfonietta [11′]
David Hertzberg (b. 1990) of Philadelphia, PA (Santa Monica, CA): Méditation boréale for string quartet [16′]
Andrew Hsu (b. 1994) of Philadelphia, PA (Fremont, CA): String Quartet No. 1 “idée fixe” [20′]
Jay Hurst (b. 1989) of Bloomington, IN (Cape Canaveral, FL): Still Lives for orchestra [10′]
Evan Ingalls (b. 1992) of Bellingham, WA: Sandburg Poems for chamber orchestra and folk singer [14′]
Sun Bin Kim (b. 1989) of Ringwood, NJ (Seoul, South Korea): Fantasy Concerto (Visions in the Night Forest) for piano and small orchestra [13′]
Scott Lee (b. 1988) of Durham, NC (St. Petersburg, FL): Bottom Heavy for small ensemble [7′]
Austin O’Rourke (b. 1995) of Fredericksburg, VA (Culpeper, VA): Hazel Colored Nebula for piano 4-hands and electronics [7′]
Nina Shekhar (b. 1995) of Ann Arbor, MI (Northville, MI): Postcards for solo piano [11′]
Shen Yiwen (b. 1986) of New York, NY (Shanghai, China): Reminiscence and Oblivion for orchestra [15′]
Daniel Silliman (b. 1993) of Los Angeles, CA (Syracuse, NY): strain for cello and orchestra [10′]
Gabriella Smith (b. 1991) of Princeton, NJ (Berkeley, CA): Tumblebird Contrails for orchestra [12′]
Andrew Stock (b. 1994) of Cleveland, OH (St. Louis, MO): Ruled by Caprice for violin and prepared piano [6′]
Gabriel Zucker (b. 1990) of Brooklyn, NY (New York, NY): Evergreen (Cancelled World) for trumpet, three tenor saxophones, string trio, 2 singers, piano, and bass drums

The youngest ASCAP Foundation Composer Award recipients range in age from 13 to 16 and are listed by state of residence:

Emily Bear, age 13 (IL): Les Voyages for orchestra [7′]
Michael Jon Bennett, age 16 (NY): Mysterii for solo piano [14′]
J.P. Redmond, age 15 (NY): Northeastern Sonata for solo piano [17′]
Karalyn Schubring, age 15 (AZ): Song of the Ancients for euphonium and piano [5′]
Renata Vallecillo, age 15 (AZ): Bright Angel for violin and piano [5′]

The following composers received Honorable Mention:

Eleanor Bragg, age 18 (MA): Dream Sequence for solo piano [5′]
Scott Feiner, age 17 (NY): Toccatas and Interludes for piano four-hands [10′]
Tengku Irfan, age 16 (NY): Movement for Sting Quintet [4′]
Paris Lavidis, age 13 (NY): String Quartet No. 2 [24′]
Vaibhav Mohanty, age 16 (SC): Altitude for concert band [4′]
Avik Sarkar, age 14 (MA): Mirror for chamber orchestra [7′]
Lauren Vandervelden, age 15 (ID): Prelude and Tricotee for violin and piano [7′]

Morton Gould

Morton Gould (1913-1996), photo courtesy ASCAP

Established in 1979 with funding from the Jack and Amy Norworth Fund, The ASCAP Foundation Young Composer Awards program grants cash prizes to concert music composers up to 30 years of age whose works are selected through a juried national competition. These composers may be American citizens, permanent residents, or students possessing U.S. student visas. Morton Gould, a Pulitzer Prize-winning composer, served as president of ASCAP and The ASCAP Foundation from 1986-1994. Morton Gould, an eminent and versatile American composer, was a child prodigy whose first composition was published by G. Schirmer when he was only six years of age. To honor Gould’s lifelong commitment to encouraging young creators, the annual ASCAP Foundation Young Composer program was dedicated to his memory following his death in 1996. The ASCAP composer-judges for the 2015 ASCAP Foundation Morton Gould Young Composer Awards were Lisa Bielawa, Steven Burke, Sebastian Currier, Daniel Felsenfeld, Robert Paterson, Alvin Singleton, and Aleksandra Vrebalov. More information about these awards is available on the ASCAP website.

[Updated with additional details on May 22, 2015.]

(—from the press release)

Aaron Jay Kernis to Direct New Nashville Symphony Composer Lab & Workshop

The Nashville Symphony Orchestra's official banner for its new Composer Lab & Workshop

The Nashville Symphony has announced a newly created Composer Lab & Workshop developed and guided by Nashville Symphony Music Director Giancarlo Guerrero and composer Aaron Jay Kernis, who will serve as Workshop Director and Chairman of the Selection Panel. The program aims to discover the next generation of outstanding American composers by providing them with the opportunity to develop their talents, gain hands-on experience working with a major American orchestra, and showcase their work for local audiences. Coupled with the announcement is a nationwide call for submissions for its inaugural session.

Kernis seated and wearing a open collared blue shirt

Aaron Jay Kernis, photo by Molly Sheridan

“I am delighted to again be working closely with the terrific Nashville Symphony in my new role as director of its Composer Lab and Workshop. Giancarlo Guerrero and the orchestra show tremendous dedication to and passion for new American orchestral music through their programming and award-winning recordings,” said Kernis. “Now they are taking this next bold step, engaging with musical creativity in America by going to its source—young composers—and creating this program, which will hone young artists’ skills in writing for the most complex and glorious instrument I know: the orchestra. I look forward with pleasure to helping the Nashville Symphony find the most talented composers of the new generation.”

“Creating and promoting new American orchestral music is at the very core of the Nashville Symphony’s artistic mission,” said Guerrero. “What better way to fulfill that mission than with a program that gives the next generation of composers a chance to develop their talents and gain wider exposure? Nashville is already home to a vibrant and diverse music scene, so it is only fitting that we should play host to some of the nation’s best and brightest composers, and we are all incredibly excited to hear the results.”

Giancarlo Guerrero standing and wearing a black shirt

Giancarlo Guerrero, photo courtesy Dworkin Company

Supported by founding sponsor BMI, the initiative is open to U.S. residents between the ages of 18 and 33. Works will be adjudicated by a world-class panel of composers and performers, and participants will be announced by July 1, 2015. The inaugural class of composers will travel to Nashville in October 2015 for performances of their music by the Nashville Symphony. The fellows will also work with Nashville Symphony staff, conductors, principal players, and community partners, learn from nationally recognized music industry professionals, and participate in one-on-one mentoring sessions with Kernis.

Participating composers’ works will potentially be selected for a performance during the Symphony’s 2016-17 Classical Series. The Symphony will provide airfare, hotel accommodations and a $1,000 stipend for all participants. In collaboration with Copland House—the creative center for American music based at Aaron Copland’s National Historic Landmark home near New York City—one participating composer may also be selected for a Copland House Residency Award or a fellowship at Copland House’s CULTIVATE emerging composers institute.

The Nashville Symphony is accepting submissions through May 15, 2015. Submitted works must not have received a performance by a major orchestra with an annual budget greater than $3 million, must be no longer than 15 minutes in length and be scored for a standard symphonic complement. Concertos, choral works, works with electronic elements, works with organ, and works solely for strings, winds or brass are ineligible. Compositions must have been written in the last three years and only one composition per applicant may be entered. More information on the Nashville Symphony’s Composer Lab & Workshop, including a full listing of submission guidelines and eligibility requirements, is available on the Nashville Symphony’s website.

(—from the press release)

The video below is from a talk we did with Aaron Jay Kernis last year. Our entire conversation with Kernis is available here.

Robert Dick’s The Other Flute Mocked on Network TV

Robert Dick Photo by Carla Rees Dawson

Robert Dick
Photo by Carla Rees Dawson

Composer and flutist Robert Dick, or rather his much-praised manual on extended techniques The Other Flute, made an unexpected appearance on network TV this week thanks to a Jimmy Fallon sketch. The segment was devoted to a short stack of books that Fallon suggested “you probably should avoid reading this year.”

It’s perhaps naive to expect sharp, music-based humor during late night television, but the 50 seconds Fallon devoted to talking about the book consisted exclusively of sexual innuendo and character assault related the book’s title and the author’s name. During Fallon’s final remarks on the book, he turns the author shot towards the camera and asks, “Does he look like a dick to you?” The audience cheers.


(Fallon’s comments on The Other Flute begin at 2:18.)
The responses under the YouTube posting of the segment are peppered with an uncharacteristic level of smart criticism, and now Dick himself is asking friends and colleagues to reach out to the Tonight Show and support his appearance on a future episode to play The Other Flute and “blow the minds of the national TV audience.” Those who wish to add their comments can contact the show online via the network’s website or Fallon’s Facebook page.

Meanwhile, it’s a book about modern flute technique. Can someone write Fallon some better material at least?

Unfamiliar with Robert Dick’s pioneering work? Catch up with this NewMusicBox piece or buy his book.

***
UPDATE: Robert Dick offers this further personal insight into the matter.

When I first saw the sketch “Do Not Read — THE OTHER FLUTE” on the Tonight Show, I was incredulous, hurt and angry. This was the same, lame, “dick humor” that I first encountered at age 5. And the jokes were way far from the best I’ve heard (or sometimes made). Then I realized that, in its own bizarre way, a unique opportunity had fallen out of the sky. Because my public persona is really funny and entertaining, I might have the chance to speak up for everyone who has been mocked for being different in some way. Can you hear me, Willy the Whale, with your three voices, shot dead on the stage of the Metropolitan Opera House? (I might have gotten the whole multiphonic idea from you, pal!)

And, I might have the chance to play my music for a huge audience and to show the world just how cool creativity really is. That’s why I’m asking everyone to contact the Tonight Show through their FaceBook page or to Tweet them (#InviteRobertDick @FallonTonight) to let them know that you’d love to see me on the show and that I will rock them to the core of their being.

The outpouring of support has touched me deeply. Oft times, we creators in the non-commerial realm feel that very few are listening to our music — in the last couple of days I’ve felt, as never before, that my life and work have made a difference to very many people. I’m truly humbled and grateful.

So please keep the flood of FaceBook posts and Tweets going to Tonight. If its going to happen, it will happen fast, so please act right when you read this.

With gratitude,
Robert Dick

16 Composers Receive More Than $200K from American Academy of Arts and Letters

The official seal of the American Academy of Arts and Letters

The American Academy of Arts and Letters has announced the sixteen recipients of this year’s awards in music, which total $205,000. The winners were selected by a committee of Academy members chaired by Joan Tower which also included Samuel Adler, Martin Boykan, Mario Davidovsky, Stephen Hartke, Stephen Jaffe, and Aaron Jay Kernis. The awards will be presented at the Academy’s annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy.

Arts and Letters Awards in Music

Four composers will each receive a $10,000 Arts and Letters Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $10,000 toward the recording of one work. The winners are Billy Childs, Harold Meltzer, Kevin Puts, and Kurt Rohde.

Walter Hinrichsen Award

Paul Kerekes will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer. This award was established by the C. F. Peters Corporation, music publishers, in 1984.

Benjamin H. Danks Award

Alex Mincek will receive the Benjamin H. Danks Award of $20,000 for a young composer of ensemble music.

Goddard Lieberson Fellowships

Two Goddard Lieberson Fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid-career composers of exceptional gifts. This year they will go to Scott Johnson and David Sanford.

Charles Ives Fellowships

Harmony Ives, the widow of Charles Ives, bequeathed to the Academy the royalties of Charles Ives’s music, which has enabled the Academy to give the Ives awards in composition since 1970. Two Charles Ives Fellowships of $15,000 will be awarded to Jason Eckardt and Erin Gee.

Charles Ives Scholarships

Julia Adolphe, Emily Cooley, Paul Frucht, Max Grafe, Polina Nazaykinskaya, and Christopher Trapani will receive Charles Ives Scholarships of $7500, given to composition students of great promise.

(—from the press release)