Our Magazine

NewMusicBox

All NewMusicBox Content

  • Filter

Articles
Frank J. Oteri

The Best Blogs?

Richard Schickel wrote an impassioned plea for the continued relevance of criticism despite its predicted demise as a result of the democratizing force of the blogosphere, but can’t there be meaningful, substantive commentary online?

Articles
Belinda Reynolds

Rent Control

In the world of pre-college music education, there is a lot of frustration among players and teachers regarding the affordability of buying or renting new music.

Articles
Molly Sheridan

The Friday Informer: Where Are They Now?

Professionals who would have better served humanity had they chosen another career, or never gotten out of bed in the first place.

Articles
Randy Nordschow

ASCII-ing for Virtual Cake

The conception of “digital space” has infiltrated the multitude of ways in which we compose, even if the byproduct is good old-fashioned acoustic music.

Randy Nordschow

NewMusicBoxOffice: What (I Wish) I Did During Summer Vacation

Get ready for some serious jet-setting new music style, from the major premieres and oh-so-hip festival circuit to those funky little must-sees that you usually hear about long after the fact.

Articles
Kenneth LaFave

There's No Business Like Show Business

Theaters are hungry for new musicals, whereas orchestras are already saddled with centuries of masterpieces, with sad results for living composers.

Articles
Colin Holter

Ripping More From the Headlines

A scuffle at the Boston Pops is one thing, but the news that a ten
year old has been convicted of beating a homeless man requires more of a
response from us.

Articles
Keith Carpenter

Remembering Ellsworth Milburn

Despite only studying two years with Ellsworth Milburn, he left an indelible mark on my identity as a composer and composition teacher.

Articles
Frank J. Oteri

All The Doors Are Open, But You Still Need To Enter

While it is possible (and in my opinion desirable) to listen to all music, individuals’ listening modalities span a wide and often irreconcilable gamut.

Articles
Belinda Reynolds

Residential Architecture

What can we as composers and administrators do to help those performing organizations that have a true desire to continue to involve living composers, but are still green to it?

Articles
Molly Sheridan

The Friday Informer: Bad Boys, Bad Boys (of Classical Music)

If we learned anything from COPS, it’s that you can’t commit a crime in America while wearing a shirt. That applies even to orchestra patrons, apparently, and we’ve got it on tape.

Articles
NewMusicBox Staff

AMC Toasts New Music at 67th Annual Celebration

A selection of photos highlights the American Music Center’s 2007 Annual Meeting and Award Ceremony.

Articles
Colin Holter

Can't Name That Tune

Is free improv undertaken for the benefit of the performers or the audience?

Articles
Lara Pellegrinelli

Thinking About Thinking About Music: EMP Pop Conference '07

EMP is the Elvis Costello of conferences.

Articles
Frank J. Oteri

May The Force Be With You

I know that exciting new music performances happen around the country throughout the year, but April and May really do feel like a double contemporary American music month in New York City. But what can we do make a louder splash about new music among the general public?

Articles
Belinda Reynolds

Opening Up Pandora's Box

The thought of having my special own radio station sounds fantastic, but the idea that my tastes can be defined by an algorithm based upon an absolute set of parameters does somewhat unsettle me.

Articles
Molly Sheridan

The Friday Informer: Much, Much Too Much Information

Mother would be shocked.

Articles
Randy Nordschow

Let It Be Something

The music I find myself attracted to avoids the middle-of-the-road-ness of being all things, all of the time.

Articles
J. Mark Scearce

Even Orpheus: A North Carolina Group Ponders Music's Meanings

The value of music in society was the theme of a day-long series of talks at the National Humanities Center in Research Triangle Park, North Carolina.

Articles
Colin Holter

The Importance of Being Authentic

The Replacements’ Let It Be is abundant in “authenticity.” Should we care?

Articles
Frank J. Oteri

Eight is Not Enough

Today we’re celebrating our eighth anniversary online, but it seems like we’ve still only scratched the surface.

Interviews
Frank J. Oteri

After School Specialists

It’s hard to imagine two ensembles as different as eighth blackbird and ICE. But both formed at Oberlin, both are devoted exclusively to new music, and both are really successful at it.

Articles
Belinda Reynolds

A Sliver of Rehearsal Time Can Go a Long Way

I recently asked a chamber ensemble if it would be possible to take five minutes to read through one of my student’s pieces; instead of doing it behind closed doors, the group offered to do the reading as part of a public rehearsal/workshop.

Articles
Dave Allen

New Music News Wire

Erin Gee and Yotam Haber win Rome Prize, Wind band recordings are Grammy eligible, Federal court rules in favor of digital music services, Shelton Berg named dean of Miami’s Frost School of Music, musicians union lifts boycott against Delta, 400-piece orchestra will perform for Jamestown anniversary.

Funders

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

Click here for more

NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.