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Molly Sheridan

The Friday Informer: I Wonder If They'll All Make 2.6 Million

The New York Phil had a dream of young conductors and new music. Oh, wait, no—that was me.

Articles
Randy Nordschow

Standing on the Corner

Composing music is like creating a fictional character, we have to fully realize each toenail and eyelash if our goal is to generate something convincing.

Articles
Ruth Longobardi

Using Dreams to Explore Silence: Wakonda's Dream Premieres in Omaha

Despite my familiarity with an emerging American opera that tangles with contemporary history, Anthony Davis’s Wakonda’s Dream, which received its premiere last month at Opera Omaha, still surprises me.

Colin Holter

Beautiful Music, R.I.P.

Can new music have at once the same quality of “pushing at the edge of the conceivable” that Beethoven’s had in its day as well as its emotional resonance?

Articles
Frank J. Oteri

Complaining Doesn't Work

For the brief all-too-finite period of time of the ASCAP I Create Music Expo we were all one community, albeit one that is defiantly not monolithic, even within individual stylistic paradigms.

Articles
Molly Sheridan

(New Music + Bunny Slippers) / Long Day = Perfect Evening?

Is listening to a new music concert online at home a danger to the live concert experience?

Articles
Belinda Reynolds

Must We Supersize Our Music?

Do we artificially make symphonic music into the gold standard, the quality and importance of which other genres must live up to?

Articles
NewMusicBox Staff

Obituary: Jazz pianist and composer Andrew Hill, 75

Jazz pianist, composer, and bandleader Andrew Hill died on April 20 at 4 a.m., several years after being diagnosed with lung cancer. He was 75.

Articles
Molly Sheridan

The Friday Informer: Hell Raisin' Philistines (of New Music)

Maybe all you really need is an umlaut?

Articles
Randy Nordschow

The Problem with Opera

If we’re going to sing something in German nowadays, maybe we can update things a little and cast Fergie in the lead role.

Articles
Colin Holter

Too Much Sax and Violins on Stage Leading to Social Peril?

I’d like to expound on the presence of violence in classical and contemporary music and on whether that presence suggests that we (i.e. the American art music community) are complicit in the mass-media promotion of socially problematic behavior.

Articles
Mark Winges

The Voices in Your Head: Some Thoughts on Choral Music

There’s always room for new good literature in any genre, but composing for chorus can be particularly rewarding. Shouldn’t your composing diet include choral music?

Articles
Frank J. Oteri

The Times They Are a Changing

I’m simultaneously ecstatic and somewhat puzzled by the choice of Ornette Coleman’s Sound Grammar as the winner of the 2007 Pulitzer Prize in Music

Articles
Frank J. Oteri

Ornette Coleman Recording Wins 2007 Pulitzer Prize in Music

Ornette Colemanrecording has been awarded the 2007 Pulitzer Prize in Music.

Articles
Belinda Reynolds

All In the Family

How do you legitimize the right of young persons’ music to be listened to by an audience beyond their peers?

Articles
Molly Sheridan

The Friday Informer: Overheard in New Music

The things she does with 4/4 time!

Articles
Randy Nordschow

Nothing Seems Right in Cars

Does an archetypal new music composer ride exist?

Colin Holter

If Composers Wore Capes

What does professional wrestling have in common with modern composition?

Articles
Alan Fletcher

Built To Last: Ensuring That New Works Enter the Repertory

If we accept the premise that music should grow and change, and should reflect its own times as well as help us remember a nostalgic past, then we need to confront a few key issues.

Articles
Frank J. Oteri

Bell Curve

It is impossible to assess the general public’s receptivity to “good music” from passers-by ignoring a performance by Joshua Bell; all you can assess from this stunt is the basic human need for filters and frames to guide perception.

Articles
Belinda Reynolds

Enlisting Civilians

For most of us, it seems to come down to believing whether the majority of people have the ability to appreciate non-commercial contemporary music.

Articles
Dave Allen

New Music News Wire

Boosey & Hawkes signs Andrew Hill, Seattle Opera commissions Daron Hagen, Princeton’s Institute for Advanced Study appoints Paul Moravec, and the Guggenheim Foundation awards fellowships to eleven composers.

Articles
Molly Sheridan

The Friday Informer: Sometimes a One-Liner Will Do

Is less really more?

Articles
Randy Nordschow

Who Cares If You Step In Gum

All and all, composers are a harmless bunch, although, come to think of it, I did almost puke at a Francisco Lopez concert, but that was more my fault than his.

Funders

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.