Tag: composers as activists

GLFCAM — Rain, unreal and biblical

Images of Gabriela Lena Frank with GLFCAM and New Music USA logos

Yesterday, after almost a month of rain and floods here in California — unreal and biblical — Jeremy and I enjoyed several hours of very welcome sunshine. What struck us was how much life there was everywhere, a testament to how the earth wants to grow, to exist in health, to be a paradise even after the stresses humans have imposed on it. We found groves of matsutake mushrooms that are currently drying in front of our fireplace, and I fried up cat’s ear leaves (a bit like sweeter dandelion greens) for dinner. New yarrow, lavender, and Cleveland sage went into bedtime tea for little old lady me, and magenta and purple potatoes that had been washed out of their wine barrels by the storm are on the counter now, waiting to be baked. The ground has a spongy spring to it, no longer brittle and hard from our years-long drought. The dogs have been boinging around, no longer cooped up inside, loving all of the fresh smells and chasing insects.

That was yesterday. For most of the month before, as Jeremy was frantically diverting water flows on our Boonville property to minimize damage to our structures, including our new fire break pond, I was laid up with my first, and hopefully last, slipped disc. The timing couldn’t have been worse, to really see how out of shape I am when a couple hours of gardening put me in such straits. In these fires we’ve been suffering the past six years, the very young, the very old, and the disabled have been the ones to perish first; I had my first frightening glimpse of physical vulnerability as being able to evacuate quickly, to carry scared pets or precious belongings, to be mentally alert and not distracted by pain, is an imperative. I also felt much guilt that Jeremy, exhausted and covered in mud, had to help me out of bed, take care of meals, and scan the weather reports for lifts in the rain so he could drive whatever roads were precariously open to get me meds.

A scary powerful brain-chemistry-changing (!) muscle relaxant got me feeling better and I’ve been cautiously doing back exercises, with a view out my large studio windows to our valley, thinking: I want to be able to walk and run on that land, even if it’s burning or flooding, but hopefully, neither of those. I’ve since formed a small women’s group to walk several days a week, and I think we might even pump a little iron when our garage gym is complete. This is in addition to two neighborhood fire safety groups we belong to, an active local foods group, and of course, the local youth music program we’re trying to encourage through GLFCAM. Formerly pretty solitary when I was still a Bay Area urbanite, the reality of the climate crisis has had me creating more local community than I have ever done. That’s not necessarily comfortable for me but I think the crisis will only be effectively addressed en masse, including with our immediate neighbors.

I owe you music, but I’ve held your attention long enough and will send that along another time. Have a beautiful and safe week, all!

GLFCAM — NoMowMay

Images of Iman Habibi with GLFCAM and New Music USA logos

More than anything, our climate change studies have helped me gain tremendous perspective, to understand climate change from the vantage point of the individuals experiencing and digesting it, and to hear of their struggles, worries, and aspirations as they ride the rogue waves of this crisis. And while it is necessary to learn about the experiences of those most immediately affected by climate change in various parts of the world, I am equally interested in the stories I have heard from every one of you. As a fellow musician, I often find your thoughts and solutions to be more easily applicable in my own life.

In the wunderschönen month of May, the foliage in Ontario transitions (over a few days) from lifeless frozen grey to a tropical rain forest with a hundred shades of green. We have been experiencing many temperature oddities this year, a very mild winter, followed by an erratic April and May that swung between 25-30 (centigrade) degree temperatures, and freezing cold, setting many records along the way for the hottest and coldest days for the time of year. As I type, we are in the middle of a heat wave warning. This year, we are participating in a campaign called “#NoMowMay“: Those with a lawn are encouraged to mow less, and to not mow at all in the month of May, a critical time especially for butterflies, bees and other bugs to feast on wild flowers. The campaign was initiated by Plantlife, and caught on quickly around the world and has been circulating widely on social media. Sadly, we seem to be the only people participating in our neighborhood. Next year, I hope we can have a #NoMowMay sign put in our yard, both to let the neighbors know why our house looks like a meadow, and to spread the word and hopefully encourage others to consider doing the same.

Thanks to this initiative, we discovered all sorts of new wildflowers in our own backyard, which we had cut in previous years before they had a chance to appear. We now share our home with a beautiful Eastern Bumble Bee who lives in a screw hole on the stairs to our house, and feasts on the wildflowers, as well as many varieties of butterflies (pictures of our yard-meadow, the Bumble Bee enjoying a Solomon’s seal, and a mourning cloak butterfly having a seat in our yard attached). As you may know, there has been a significant reduction in the population of many butterfly and bee species in recent years, and they are fighting for survival by changing their breeding patterns.

I am also continuously thinking of ways in which we can make our practice, as musicians, more green and sustainable. The hardest part has been to identify the priorities, the areas needing the most immediate attention (apart from the obvious one being frequent long-distance travel). Like many of you, I have also been receiving strong resistance from organizations when I suggest alternative approaches in their plans going forward. It boggles my mind: many of them imply that they are short on funds coming out of the pandemic, perhaps as an excuse to offer subpar rates, yet they are unwilling to consider more economical solutions. It has been my hope that we might be more able to ask for a hybrid of in-person and virtual appearances going forward, and support local musicians, but at this stage, most organizations seem to be tired of the virtual platform, and very eager to go back to an in-person format, start traveling/touring, and collaborating with international names again.

Please feel free to send me your thoughts!