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Articles
Molly Sheridan

The Friday Informer: Of Hacks and Heroes

When was the last time you saw an orchestra musician flash a little leg at Carnegie Hall?

Articles
Randy Nordschow

Name That Tune

If your music were a game show, which one would it be?

Articles
Carl Stone

Sound Ecologies

The Japanese soundscape, whether in the office or outdoors in the neighborhood, is neither particularly silent nor even relatively quiet—it’s full, rich, and for the most part quite noisy.

Articles
Alex Shapiro

All The Things You Are: Five Suggestions for Composing Your Happiness

A rewarding music career begins with three distinctly non-musical concepts: positive vision, abundant thinking, and a sense of self-worth.

Articles
Colin Holter

Operatic Intentions

As is the case every time I see an opera, I am seized anew with
the desire to write and produce my own.

Articles
Frank J. Oteri

Fuzzy Math

If having only seven million viewers is a failure, how can anyone succeed? It’s a question of scale.

Articles
Yotam Haber

The Sadness of Eating Jellyfish

Forget the abstractness of music—aren’t I trying to express ideas and emotions that we all have?

Articles
Mark N. Grant

Roots, Pop, World, or Art Music? How Ireland's Ceol Cuts the Edge for the Planet

From a country that produced such world-class writers as Joyce, Yeats, and Beckett and that is so intensely musical in its folk culture, why has there never been a “great” Irish classical composer?

Articles
Randy Nordschow

NewMusicBoxOffice: Don't Get Run Over By A Reindeer

There’s a concert out there for everyone this December—naughty or nice.

Articles
Molly Sheridan

The Friday Informer: Which Side Are You On?

Try this at home. Then, try and get arrested (for the good of your career!).

Articles
Randy Nordschow

Practice, Practice, Practice

You know, this might sound almost too simplistic, but perhaps simply keeping busy is the key to a successful career as a composer—not to mention being a good musical citizen as well.

Articles
Carl Stone

Meta-NoNotes

What tricks or techniques do you have to get the creative juices flowing and that compositional ball rolling?

Articles
Colin Holter

Wild Thing

Anyone can reject European influence, but how is it possible to write music as new and fresh as, say, Harry Partch or Charles Ives without developing equally bizarre sets of reference points?

Articles
Edward Ortiz

The Suffering Artist: Not Something to Aspire To

Performance injury among musicians is an issue of no small matter: a recent study identified that as much as 65 percent of the music student population suffers from a performance injury. But spreading awareness among composers of the potential that compositions may have on performer’s bodies is in its infancy.

Articles
Frank J. Oteri

Why I Still Buy Records

A physical recording is a reminder of the when-ness of something; it provides historical context and a portal into the mindset of another time.

Articles
Yotam Haber

I Spy

Exploring Naples with visual artists allowed me to see things I would have easily missed on my own.

Articles
Mark N. Grant

Hey Orpheus, Show Me the Money!

Who can afford to be a practitioner of that most labor-intensive, under-compensated, high-overhead of art forms, art music composition, unless you live in music-crazed Finland.

Articles
NewMusicBox Staff

New Music News Wire

Mason Bates has been named Young American Composer-in-Residence by the California Symphony. Phyllis Chen has received Concert Artist Guild’s 2007 New Music/New Places Fellowship. Trumpeter Ambrose Akinmusire wins the Thelonious Monk Institute of Jazz’s Competition.

Articles
Molly Sheridan

The Friday Informer: You Don't Say?

There’s a a new music betting pool for that?

Articles
Randy Nordschow

Accordion As Hermaphrodite

Composers obsess on strange things. For me, it’s the gender role stereotypes and sexuality surrounding any given instrument.

Articles
Carl Stone

Life—fluid, invisible, inaudible...

LIFE—fluid, invisible, inaudible… is simple yet deep in its fundamental concepts, important in its themes, and excellent in its realization.

Interviews
Frank J. Oteri

David Rakowski: The Piano Etude Guy

David Rakowski combines hardcore intellectual rigor with unabashed humor and, at times, pure silliness.

Articles
Colin Holter

Everything New Is Old Again

Desperately seeking orchestra music that is new in every regard.

Articles
Frank J. Oteri

Did I Write That?

While one can argue about the importance of remaining true to one’s ideals, when writing music for a large ensemble such as an orchestra, what is practical is ultimately what will get done.

Funders

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.