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Articles
Carl Stone

Song, Sentiment, and Sake

What “sad” music do you like to listen to, and does it make you feel happily sad, or sadly happy?

Articles
Colin Holter

Frozen Inspiration

Can brutal frigidity be good for productivity?

Articles
William Kraft

The Audience is Not the Only Arbiter

What is the purpose of the “gift” if the composer doesn’t follow his muse?

Articles
Frank J. Oteri

Something Not Even a Mother Can Love

If the music that is so central to us is something that not even our mothers can love, might there be something fundamentally wrong with what we’re doing?

Articles
Yotam Haber

Free Write Now

At what point in your career can you afford to turn down a non-paying request for music?

Articles
Teresa McCollough

No Job Requirements

Just because certain composers can play the piano, it doesn’t make them write well for the keyboard—and vice-versa.

Articles
Mark N. Grant

Dual Threat Composers and Professional Hat Tricks

A look at the rarest of rara aves in the annals of double-threat composers: successful composers who sustain wholly separate, successful careers as artists in other forms.

Articles
NewMusicBox Staff

Peter Lieberson's Neruda Songs Wins 2008 Grawemeyer

Neruda Songs, a song cycle written by composer Peter Lieberson that became a parting gift to his dying wife, Lorraine Hunt Lieberson, has earned the 2008 University of Louisville Grawemeyer Award for Music Composition.

Interviews
Frank J. Oteri

Tan Dun: Tradition and Invention

Tan Dun has found a way to simultaneously be an experimenter and a populist.

Articles
Molly Sheridan

The Friday Informer: Mind the Gap

There are dangerous addictions lurking in the world of classical music, and I’m not talking about that business with Liszt and the crystal meth.

Articles
Randy Nordschow

Alms for the Poor

Will the new Sweeney Todd movie be a tepid Disneyization of the original?

Articles
Carl Stone

Music, Correct At Least Twice a Day

Only now, 16 years later, is the irony fully apparent—that the technology that created a Goliath music industry also has served as the stone that threatens to topple it.

Articles
Trevor Hunter

In Conversation with Barry Blesser and Linda-Ruth Salter

The authors of Spaces Speak, Are You Listening? discuss aural architecture, auditory spatial awareness and the gradual transformation of the listening experience into primarily an aural privacy completely divorced from physical surroundings.

Articles
Multiple Authors

Spaces Speak, Are You Listening?

With the evolution of advanced electroacoustic tools, musical space became increasing fluid, flexible, abstract, and imaginary.

Articles
Colin Holter

John Q. Public

Writing music is not about meeting statewide criteria of competence.

Articles
Yotam Haber

Dangerous Listening

I’m exploring an interesting psychosomatic illness—rapid heartbeat, dizziness, confusion, and even hallucinations in the face of too much beautiful art.

Articles
Frank J. Oteri

Avoiding Turkeys on Thanksgiving

There’s really no appropriate music to go along with the fourth Thursday of November’s annual gobble fest but there still are plenty of interesting possibilities.

Articles
NewMusicBox Staff

New Music News Wire

ASCAP and the Lotte Lehmann Foundation announce winners of 2007 Art Song Competition, the BMI Foundation receives $250,000 donation and awards first Evelyn Buckstein scholarship, the Herb Alpert Foundation pledges $30 million for UCLA music department, and six musicians have been awarded $50,000 fellowships from the United States Artists Foundation.

Articles
Colin Holter

Here Comes the Judge

Last weekend I helped judge scores for the upcoming Spark Festival of Electronic Music and Arts here in Minneapolis. I can’t guarantee that my findings are universal, but in any case it was a tremendously enlightening couple of hours.

Articles
Frank J. Oteri

Face the Music

What’s really interesting about Facebook from a new music-minded perspective is how many people involved with new music are there.

Articles
Yotam Haber

On Vacation from Rome

I’ve been in Paris and Prague, on “vacation” from the AAR, visiting friends and exploring cities that I don’t know very well, hoping that may spark a measure or two of music that needs to get written soon.

Articles
Mark N. Grant

Composers (and other artists): Does It Take One to Know One?

An artist’s view of a fellow artist has a different kind of validity than a critic’s or scholar’s.

Articles
Molly Sheridan

The Sonic Poetry of Michael Djupstrom

Pianist and composer Michael Djupstrom may have been born in 1980, but don’t come to his work expecting trendy, genre-bending, “I want my MTV!” sonic pop-culture references.

Articles
NewMusicBox Staff

New Music News Wire

Elliott Carter receives BSO’s Horblit Award, Morten Lauridsen and Les Paul receive 2007 National Medal of Arts Awards, and Musical America names its Musicians of the Year.

Funders

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.