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Articles
Frank J. Oteri

Watch Your Language

By Frank J. Oteri
In order for music to be popular it must have words.

Articles
Rob Deemer

Whither our Anthology?

By Rob Deemer
When this project got started, it seemed only right to make a good attempt to not only bring the words and thoughts of today’s composers to light, but also their music.

Articles
DanVisconti

The Show Must Go On

By Dan Visconti
Having several times witnessed conductors of symphony orchestras restart a movement or section of a piece, I’m intrigued thinking about the dangers in presenting a less than familiar opera; after all, that’s kids stuff compared to what can go wrong when lights, props, and staging directions are added to the mix.

Articles
Alexandra Gardner

Competition Curiosity

By Alexandra Gardner

I wonder about competitions that want compositions with unusual instrumentations. A piece written for eighth blackbird could be performed by a number of other groups, but what about that work for tuba, guitar, and accordion?

Articles
Judith Bettina

Intervals So Beautiful, Rhythms So Interesting: A Singer Remembers Babbitt

The discipline needed to learn any piece by Milton Babbitt helped me become a better musician.

Articles
Colin Holter

Writing about Writing About Music, Interactively

By Colin Holter
Who is the newspaper critic really writing for?

Articles
NewMusicBox Staff

Three Composers Named Finalists in Finale National Composition Contest

The American Composers Forum has announced the three finalists in the Finale National Composition Contest, a partnership with MakeMusic, Inc. and eighth blackbird. They are: Andy Akiho; Eric Lindsay; and Kurt Rohde.

Articles
Ann Starr

Sounds Heard: Erik Lund—by the line of the arc that they form

Erik Lund’s compositions take listeners beyond music, deep into the intersections of art forms and ideas.

Articles
David Smooke

Further Thoughts on Milton Babbitt

By David Smooke
I hope that we can continue to share our favorite reminiscences of Babbitt so that the next generation can understand some of the reasons why he is so well loved.

Interviews
Frank J. Oteri

Barbara Benary: Mother of Lion

Gamelan Son of Lion founder Barbara Benary’s generous approach to music-making is akin to parenthood. Read the interview…

Articles
Frank J. Oteri

If You Listen With Care

By Frank J. Oteri
As I ponder this joy of feeling safe as a result of totally being at ease in one’s usual surroundings, it makes me realize what an incredible leap it is to hear a new piece of music even though it’s a leap I’ve been committed to taking all the time.

Articles
David Rakowski

As Ever, Milton

A vast swath of America’s most distinguished composers studied with Milton Babbitt; that they are all different is a testimony to his teaching.

Articles
NewMusicBox Staff

Milton Babbitt (1916-2011)

Milton Babbitt died on January 29th of 2011 at the age of 94.

Articles
Rob Deemer

Untested Waters: Decisions, Decisions

By Rob Deemer
The process of decision-making for the book is very much like a work-flow for composing a piece, or for that matter curating a concert series.

Articles
DanVisconti

Balancing Act

By Dan Visconti
A desire to make sure one’s music is physically performable is one thing, but an excessive desire to please soon becomes a form of pandering.

Articles
Alexandra Gardner

Guess You Had To Be There

By Alexandra Gardner

Earlier this week Washington Post classical music critic Anne Midgette pointed to two contrasting reviews of the same concert, and asked readers to comment on the pros and cons of each.

Articles
Colin Holter

Playing to My Crowd

By Colin Holter
I might see five performances of my music (often it’s just three or four) and most of these performances take place in the academy. I think that this context probably insulates me from most of the really juicy comments that I might receive from listeners, particularly (but not only) negative ones.

Articles
Frank J. Oteri

Blogging MIDEM: Bring It All Back Home

By Frank J. Oteri
Whether it’s equity in terms of gender, age, geography, or musical style, etc., the only way we can change the business is to get more involved with it.

Articles
Francisco Nunez

Raising Young Voices

To mark the tenth anniversary of Transient Glory, the Young People’s Chorus of New York’s ongoing commissioning, performance, and recording program, YPC Founder and Artistic Director Francisco Núñez writes about how this important initiative first got started and how it has continued to flourish as it enters its second decade.

Articles
NewMusicBox Staff

Oscar Nomination News

In the flurry of a.m. Oscar nod news yesterday, the music and audio-related awards may have gotten a little drowned out. These are the nominees.

Articles
Alexandra Gardner

Sounds Heard: Joel Harrison—Life Force

Composer, guitarist, arranger and bandleader Joel Harrison’s 2010 CD Life Force, featuring Wendy Sutter on cello and Tim Fain on violin, spotlights five compositions inspired by and dedicated to relatives and close friends.

Articles
David Smooke

The Stork

By David Smooke
Where do ideas come from?

Articles
Frank J. Oteri

Blogging MIDEM: Wake Up Calls After All Yesterday's Parties

By Frank J. Oteri

If last night’s performance parties were envigorating, this morning’s panel discussions were somewhat less celebratory.

Articles
Frank J. Oteri

Blogging MIDEM: The Message, The Messengers, and the Platforms for Delivering the Message

By Frank J. Oteri
I’d much rather pay for music than the outrageous roaming charges I seem to be accruing.

Funders

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.