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Alexandra Gardner

Random Access Memory

By Alexandra Gardner

I have a song stuck in my head! And I can’t get it out!

Articles
DanVisconti

Opening Moves

By Dan Visconti
There’s no opening measure, line of verse, or premise so beyond redemption that it couldn’t possibly be spun into a successful whole.

Articles
Colin Holter

Life of Riley

By Colin Holter
Unlike more contentious composers of his same generation, Riley and his music seem to have become completely naturalized since the 1970s, but perhaps they should be regarded in a more controversial light than they are.

Articles
Douglas Detrick

Keeping Portland Creative

Portland boasts a wide variety of festivals, new music ensembles, and presenters, as well as a host of artists young and old who are finding new audiences for their music through creative programming and new approaches to communicating with the public.

Articles
David Smooke

In the Moment

By David Smooke
Through improvisational performances, I have been able to make music with fabulous musicians and to connect with audiences who crave new sounds.

Articles
Molly Sheridan

Sounds Heard: Gyan Riley—Stream of Gratitude

Far from the generic of solo guitar playing that crowds the sound systems of tapas restaurants and Pier 1 Imports retailers, Gyan Riley’s Stream of Gratitude is a collection of four pieces that show him to be a skilled performer of music that is both deeply personal and profoundly inspired.

Articles
Frank J. Oteri

Beatless Music

By Frank J. Oteri
Could there ever be a time when music without a regular beat would be popular with a large percentage of the population?

Articles
Ratzo B Harris

More on the Instrumental Prowess of Improvising Singers

By Ratzo B. Harris
I am still of the opinion that the best improvising singers also play an instrument.

Articles
Rob Deemer

Finding Time

By Rob Deemer
How we manage our own time provides a glimpse into how we create and subsequently who we are.

Articles
Alexandra Gardner

Composer Emerging

By Alexandra Gardner

Does an “emerging composer” turn into a straight up “composer” by finishing a doctoral degree, getting a tenure track teaching position or receiving a commission from a major orchestra?

Articles
DanVisconti

Looking for Answers

By Dan Visconti
In looking for answers, we often come to reevaluate the questions.

Articles
NewMusicBox Staff

Koussevitzky Foundation Announces Eight New Commission Winners

The Serge Koussevitzky Music Foundation in the Library of Congress and the Koussevitzky Music Foundation, Inc., have awarded commissions for new musical works to eight composers: John Corigliano; Justin Dello Joio; Fang Man; David Felder; Eric Moe; Augusta Read Thomas; Bright Sheng; and Jukka Tiensuu.

Articles
Dennis Bathory-Kitsz

Making 2011 the Year of the Composer

On February 17, 2011, Governor Peter Shumlin declared this the Year of the Composer in Vermont; what had happened in 30-plus years to bring Vermont from artistic backwater to being the first state to declare its commitment to new music?

Articles
Colin Holter

The Sum of the Parts (Sometimes Divided)

By Colin Holter
Without neglecting the convenience furnished by the modularity of the small pieces I’m working on now—they could occupy any amount of program space from three minutes to fifteen—the main attraction, for me, is that it allows me to organize my pieces into a sort of bulleted list.

NewMusicBox Staff

Terry Riley signs with G. Schirmer/AMP

Kristin Lancino, vice president of G. Schirmer/AMP noted that “the entire team on all continents looks forward to a long partnership with both his new composed works and the dynamic existing catalogue.”

Articles
Alexandra Gardner

Sounds Heard: Robert Poss—Settings

Although the fourteen works on Robert Poss’s latest CD, Settings: Music for Dance, Film, Fashion and Industry were made to be combined with other forces such as dance, they also stand on their own and together form an assortment of music full of interest and variety.

Articles
David Smooke

Excuses

By David Smooke
I had become so used to the idea that this work would exist at some distant point on the horizon of the future that actually buckling down and getting to composing proved to be a daunting task.

Interviews
Molly Sheridan

John Luther Adams: The Music of a True Place

In many cases, the aural images John Luther Adams creates can be directly traced to the powerful natural world that surrounds him in his home state of Alaska, a landscape that has undeniably left its imprint on his work. More broadly, however, Adams uses composition as a way to explore and understand the world around him, regardless of borders real and imagined.

Articles
Frank J. Oteri

You'll Never Experience It All

By Frank J. Oteri
I’ve spent most of my adult life voraciously trying to hear everything that’s out there and to experience as much as I can of sensory realms other than music in the time I can squeeze around listening; but we can’t hear it all, we can’t see it all, and we can’t experience it all.

Articles
Ratzo B Harris

Geography as Destiny

By Ratzo B. Harris
I have never, and probably will never hear Cleo Laine’s wonderful voice and mistake it for someone from New Orleans, Los Angeles, New York, Chicago, Rio de Janeiro, Indianapolis (my birthplace), or anywhere “this side of the pond.”

Articles
Rob Deemer

Discovering One's Own Life

By Rob Deemer
So many of us equate why we compose with why we started composing.

Articles
Alexandra Gardner

Creating A World

One of the greatest strengths of John Luther Adams is his ability to remind us through his music that the world is indeed a sacred space to be cherished and treated with the utmost respect.

Articles
DanVisconti

Recommendation Letters

By Dan Visconti
Any way you slice it, the recommendations process is sure to be absurd, uncomfortable, and excessively bureaucratic for all involved.

Articles
Colin Holter

A Hunk With a Heart

By Colin Holter
The retreat of classical music into celebrity culture has taken an alarming turn.

Funders

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.