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NewMusicBox Staff

Pew Center Announces 2010 Philadelphia Music Project Grant Recipients

The Pew Center for Arts and Heritage has announced $1,141,900 in grants from the Philadelphia Music Project to 18 local music organizations.

Articles
Trevor Hunter

Olympics to New Slaves: A Short History of Zs

When Zs formed, there was nothing else on the scene quite like it; they’ve succeeded in bringing intellectual music to the club scene, and, for a while, they brought their raucousness into the realms of concert music.

Articles
NewMusicBox Staff

Russell Nadel Wins Guild of Temple Musicians' 2010 Young Composer's Award

The Guild of Temple Musicians (GTM), an affiliate organization of the American Conference of Cantors (ACC) which is dedicated to the promotion of Jewish liturgical music, has announced that 27-year-old Virginia-based composer Russell Nadel has been named the recipient of its 2010 Young Composer’s Award.

Articles
Colin Holter

Can't Touch This

By Colin Holter
Is it possible for people who don’t already know about art, likely through school or informal family socialization (both which are tied closely to class status), to experience it?

Articles
Frank J. Oteri

Life is Incomplete

By Frank J. Oteri
What can we do to ensure that the work we are creating will be around after we no longer are?

Articles
Multiple Authors

The ACO Underwood Readings' Blog: The Morning After

Was it traumatic after all: yup; was it worth it: yes, highly recommended!

Articles
David Smooke

That's a Mighty Big Umbrella

By David Smooke
By programming a diverse cross-section of today’s composers, Orchestra 2001 can present orchestral concerts filled with premieres and find a supportive audience. Meanwhile, Gutbucket has moved out of traditional concert halls in order to bring experimental sounds to a different audience.

Articles
Frank J. Oteri

Sounds Heard: Keith Jarrett and Charlie Haden—Jasmine

The conditions under which this album was made are akin to the extremely vulnerable settings in which most of the great golden age jazz recordings were made; it’s a condition to which the present album successfully aspires.

Articles
Joelle Zigman

Hip-hop, You Saved Me

By Joelle Zigman
If you sit down and transcribe the rhythms of your favorite hip-hop songs, generally you’ll end up bored and disillusioned; what sounds cool is never half as cool on paper.

Articles
Tamar Muskal

The ACO Underwood Readings' Blog: Be Prepared

By Tamar Muskal
We need to be in our highest level of alert, focus, and efficiency so we can quickly identify the problems and address the orchestra in the shortest and clearest possible way.

Articles
DanVisconti

Highway Hypnosis

By Dan Visconti
When the “lights are on” in our sense of self, it’s easy to discern between inner thoughts and the physical world outside; similarly, after dark our awareness of the outside world dims, replaced by the reflection of our own mental lights on the window panes of perception.

Articles
Danielle Kuhlmann

The ACO Underwood Readings' Blog: Musical Guinea Pigs

By Danielle Kuhlmann
We horn players are unfortunately familiar with being thrown into either extreme: three pages of rests and whole notes, or six pages of painful high notes, awkward leaps, and impossible fingerings.

Articles
Trevor Hunter

Sounds Heard: Bobby Previte—Diorama

By Trevor Hunter
What rescued Diorama from being just a gimmick is that it was an interesting, positive, memorable, and totally weird experience.

Articles
Colin Holter

Who's Got a Question?

By Colin Holter
In preparation for the web release of a compilation project, including pieces by a number of my colleagues at the University of Minnesota, I’ve happily taken on a new and unfamiliar mantle: interviewer.

Articles
Molly Sheridan

Shodekeh: Air Friction

You could call Shodekeh (a.k.a. Dominic Earle Shodekeh Talifero) a beatboxer or a vocal percussionist, if you want to feel a little more refined about it. But what the Baltimore-based musician seems to be more than anything is a chameleon, breathing out entire rhythm and bass tracks and blending them into a borderless range of performance situations.

Articles
Jose Serebrier

The ACO Underwood Readings' Blog: A Conductor's Reassurance

By José Serebrier
Even though our rehearsal time is extremely limited, we have had the scores for a couple of weeks, so performers and conductors have had an opportunity to see the music and prepare for it.

Articles
Tamar Muskal

The ACO Underwood Readings' Blog: A Composer's Anticipation

By Tamar Muskal
For some reason, with every orchestral piece that I write, I always have this “transposition fear” when it comes to the horns; but it has always been okay before, and most likely it will be this time as well.

Articles
Frank J. Oteri

Don't Call Me Stupid

By Frank J. Oteri
A ubiquitous New York City ad campaign with the message to “Be Stupid” implies that intelligence hinders creativity, but the reverse is true.

Articles
David Smooke

Renewal

By David Smooke
Each summer I plan for the future and create grander and grander plans, a process that helps me to take stock of where I stand artistically and focus on what I would like to accomplish in the near and distant future.

Articles
NewMusicBox Staff

Hank Jones (1918-2010)

Composer, pianist, and jazz legend Hank Jones died on May 16, 2010, in New York City after a brief illness.

Articles
NewMusicBox Staff

2010 BMI Student Composer Awards Announced

The recipients of the 58th annual BMI Student Composer Awards were presented with plaques and cash prizes totaling $20,000 at a reception held at the Jumeirah Essex House in New York City on May 14, 2010.

Articles
Joelle Zigman

Glee

By Joelle Zigman
In this competitive world of new music, sometimes the naivety of an upstart musician is refreshing.

Articles
DanVisconti

Long Distance Runaround

By Dan Visconti
Technology has in many ways opened up opportunities and collaborations that would not have been otherwise available.

Articles
Colin Holter

Composing From The Gut: Instinct vs. Practice

By Colin Holter
It’s easy to laurel people who proclaim that composers should stop fretting about the ramifications of their work and just create more art as bold truth-tellers and paragons of right thinking, but the proposition that we should think less about what we do makes me shudder.

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, and the National Endowment for the Arts; and with support from The Aaron Copland Fund for Music Inc., Alice M. Ditson Fund of Colombia University, and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.