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NewMusicBox Staff

Soundtracks: July 2000

More probably than any component of NewMusicBox, SoundTracks inevitably reflects the diversity and ultimately uncategorizability of the music being created by American composers. Whereas each issue of NewMusicBox looks at a specific, albeit different, aspect of American music, SoundTracks always aims to be a reflection of what is being released on CD right now without… Read more »

Articles
Frank J. Oteri

Between Rock and Harder Places?

When classmates told me that the Clash were revolutionaries, I told them to check out pieces like Fontana Mix or It’s Gonna Rain and hear what revolution really sounded like.

Articles
NewMusicBox Staff

Where do you think that your music fits on the classical-popular divide? Why?

Diamanda Galas “…I think my performances, as independent as they may be from each other, allow me to reside, musically, under my own name…” Neil Haverstick “Ever since I was a young boy, stylistic classifications in music have meant absolutely nothing to me…” Erik Hoversten “…The most innovative music, after all, does not fit into… Read more »

Interviews
Frank J. Oteri

Gary Lucas: Ignoring Genre Divisions

Guitarist Gary Lucas has been one of the most in-demand in the realm of experimental rock for decades. Perhaps best known for his stint with Captain Beefheart and the Magic Band, Lucas was also the electric guitarist for the European premiere of Leonard Bernstein’s Mass. Lucas talks about Beefheart and Lenny as well as his numerous fascinating solo projects.

Articles
NewMusicBox Staff

Gideon Waldrop, Composer and Former Juilliard Dean, Dies at 80

Gideon Waldrop, a composer and administrator, who served as dean of the Juilliard School of Music for 24 years and was president of the Manhattan School of Music for nearly three years, died on May 19 at his home in Manhattan.

Articles
John Luther Adams

Rewriting History: Alternative Pulitzers

Reading through the list of Pulitzers, I’m struck by the rather orthodox view of American musical history it suggests.

Articles
NewMusicBox Staff

Has Winning the Pulitzer Made a Difference? Ellen Taaffe Zwilich, Winner of the 1983 Pulitzer Prize in Music

Ellen Taaffe Zwilich Photo by Andrew Sacks It’s a shame that my teacher Roger Sessions‘s work was not recognized with a Pulitzer until he was in his 80s. I was very lucky in that when I received the award I was young enough to get a good kick out of it and felt that I… Read more »

Articles
NewMusicBox Staff

Has Winning the Pulitzer Made a Difference? Charles Wuorinen, Winner of the 1970 Pulitzer Prize in Music

Charles Wuorinen Photo by Bob Adler It’s hard to tell what the Pulitzer meant to my career. The only direct result of receiving the prize that I’m aware of came in the form of a modest commission for a string quartet from the Fine Arts Quartet, who (I believe) had formed the habit of requesting… Read more »

Articles
NewMusicBox Staff

Has Winning the Pulitzer Made a Difference? Wayne Peterson, Winner of the 1992 Pulitzer Prize in Music

Wayne Peterson Photo by Jack McDonald, courtesy C. F. Peters Corp. Winning the Pulitzer has meant nothing for the piece that won. Back when Blomstedt was at the San Francisco Symphony, David Zinman conducted it and did a beautiful job. But they never did it again and nobody else has ever played it. It’s a… Read more »

Articles
Adam Silverman

Keep Your Ears on the Prize: A Hyperhistory of American Composition Awards

Adam Silverman Photo by Melissa Richard I used tell people at parties that I flew helicopters, even though I have never ridden in one and don’t know anything about piloting. But the story would draw people in, and by the time they discovered my lie, they would be primed to disbelieve the truth: that I… Read more »

Articles
NewMusicBox Staff

Soundtracks: June 2000

It is perhaps poetic justice that concurrent with our issue inspired by the winner of the 2000 Pulitzer Prize in Music that Bridge Records has released the world premiere recording of the Pulitzer winner from 1999, Melinda Wagner’s Flute Concerto. There are a number of other Pulitzer alumni among the featured composers this month: Howard… Read more »

Articles
Frank J. Oteri

Prizing American Music

Frank J. Oteri Photo by Melissa Richard Over the years, I have frequently bemoaned the fact that there is no Nobel Prize for Music. While only in my most musically zealous moments I’d claim that musical contributions are as significant as strides toward world peace, even in my soberest moments I know in my heart… Read more »

Articles
NewMusicBox Staff

Has Winning the Pulitzer Made a Difference?

Wayne Peterson “…My commissions have soared and everything I have written since that time has been published…” Christopher Rouse “…the number of commissions and performances of my music have remained about the same in my pre-Pulitzer and post-Pulitzer periods…” Charles Wuorinen “…as I look over the list of winners I am struck by how many… Read more »

Interviews
NewMusicBox Staff

Lewis Spratlan: Beyond the Pulitzer Prize

Shortly after learning that Lewis Spratlan had won the 2000 Pulitzer Prize in Music for part of an opera that had been completed in 1978 but was only performed in a concert version this past year, we trekked up to Amherst to talk to him about it.

Articles
NewMusicBox Staff

Has Winning the Pulitzer Made a Difference? Christopher Rouse, Winner of the 1993 Pulitzer Prize in Music

Christopher Rouse Photo by Alex Irvin, courtesy Aspen Music Festival I think the Pulitzer can have a variety of effects on a career. In my own case, I don’t believe it changed much; the number of commissions and performances of my music have remained about the same in my pre-Pulitzer and post-Pulitzer periods. However, I… Read more »

Articles
John Luther Adams

Does Radio Have a Future?

Is there a sustainable place on the airwaves for music other than the Top 40 Pop or Classical hits?

Articles
NewMusicBox Staff

Gunther Schuller: AMPPR Keynote Address 2000

Gunther Schuller Photo courtesy GM Recordings © 2000 by Gunther Schuller I appreciate very much being asked to present the keynote address at this Year’s annual Music Personnel Conference. Many of you know me only by name; some of you may know me as a composer, a few as a conductor; others of you know… Read more »

Articles
NewMusicBox Staff

When do you listen to the radio and what do you listen to? Joan Tower

Joan Tower Photo by Steven J. Sherman, courtesy G. Schirmer, Inc. Frankly, I only listen to the radio in the car and then I’m listening primarily to the local NPR stations. On long rides, I love to listen to Car Talk, which is entertaining and funny, or the News Forum from the Washington Press Club,… Read more »

Articles
NewMusicBox Staff

When do you listen to the radio and what do you listen to? Steve Metcalf

Steve Metcalf Photo by Paul Cryan As a child of the ’50s, I have a romantic attachment to radio, or at least the idea of radio. I even built a little crystal radio set from a kit, an achievement I recall to this day because it was the one and only time I have ever… Read more »

Articles
NewMusicBox Staff

When do you listen to the radio and what do you listen to? Andrew Litton

Andrew Litton Photo by Steven J. Sherman, courtesy Aleba Gartner I keep my clock radio tuned to Dallas’ classical music station, WRR-FM, the oldest radio station in Texas, and occasionally wake up to music that may trigger some programming ideas. At least, that is my excuse for delaying getting out of bed! I mean, one… Read more »

Articles
NewMusicBox Staff

When do you listen to the radio and what do you listen to? Milton Babbitt

Milton Babbitt Photo courtesy C.F. Peters Corp. I turn on the radio every morning and every night. But more often that not, I turn it off and put on a CD because in all the many years of listening to some half-dozen public stations, I have not heard a note of the most influential music… Read more »

Articles
Jenny Undercofler

Retuning the Dial: Rethinking the Relationship between Radio and New American Music

Jennifer Undercofler Photo by Brian Krinke Lately, it has gotten so that almost every time I turn in to my local classical music station, I feel as if I have been transported back to a very shiny version of the eighteenth century. Now, it’s not any secret to me that this public radio station is… Read more »

Articles
NewMusicBox Staff

Soundtracks: May 2000

As usual, the 34 CDs collected in this month’s round-up of new recordings of American repertoire reflect a stunning range of musical possibilities. A great amount of lost American musical history has been unearthed recently in recordings of symphonies by Virgil Thomson, George Antheil, and Paul Creston, organ concertos by Leo Sowerby, chamber music by… Read more »

Articles
Frank J. Oteri

Can Radio Be Friendlier to New American Music?

Frank J. Oteri Photo by Melissa Richard This month marks the one-year anniversary of NewMusicBox and I am thrilled to say that it has been extremely successful thus far. When we launched our first issue a year ago, we had a little bit more than 5000 user sessions to the site. Not bad for a… Read more »

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.