<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>New Music USA</provider_name><provider_url>https://newmusicusa.org</provider_url><author_name>Morton Subotnick</author_name><author_url>https://newmusicusa.org/nmbx/author/mortonsubotnick/</author_url><title>The Electric Heat of Creativity&#x2014;Remembering Donald Buchla (1937-2016) - New Music USA</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="aC8EDFdVw3"&gt;&lt;a href="https://newmusicusa.org/nmbx/the-electric-heat-of-creativity-remembering-donald-buchla-1937-2016/"&gt;The Electric Heat of Creativity&#x2014;Remembering Donald Buchla (1937-2016)&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://newmusicusa.org/nmbx/the-electric-heat-of-creativity-remembering-donald-buchla-1937-2016/embed/#?secret=aC8EDFdVw3" width="600" height="338" title="&#x201C;The Electric Heat of Creativity&#x2014;Remembering Donald Buchla (1937-2016)&#x201D; &#x2014; New Music USA" data-secret="aC8EDFdVw3" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/* &lt;![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]&gt; */
&lt;/script&gt;
</html><thumbnail_url>https://newmusicusa.org/wp-content/uploads/nmbx/2016/10/SubotnickBuchlaBanner.jpg</thumbnail_url><thumbnail_width>950</thumbnail_width><thumbnail_height>533</thumbnail_height><description>Donald Buchla and I remained close for 53 years, although for about 30 years, the friendship was without the virtual electric connection we had in the early days. But he showed me how his new 200e worked and I took it with me to Europe on tour. At the end of the first concert there, for an encore, I looked at the 200e, made a few adjustments, and it was as if it was 1966 in my studio on Bleecker Street.&#xA0; I was ecstatic; the audience was ecstatic. Since then until his recent death, we shared again, that wonderful electric heat of creativity.</description></oembed>
