1.0New Music USAhttps://newmusicusa.orgJoan Arnau Pàmieshttps://newmusicusa.org/nmbx/author/joanarnaupamies/The Defeat of New Music - New Music USArich600338<blockquote class="wp-embedded-content" data-secret="jtaXbamUud"><a href="https://newmusicusa.org/nmbx/the-defeat-of-new-music/">The Defeat of New Music</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newmusicusa.org/nmbx/the-defeat-of-new-music/embed/#?secret=jtaXbamUud" width="600" height="338" title="“The Defeat of New Music” — New Music USA" data-secret="jtaXbamUud" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://newmusicusa.org/wp-content/uploads/2016/06/college-scaled.jpg25601283Because of Babbitt and others, contemporary music gained access to academia and did find some solace, but the price of admission was nevertheless very high. By fundamentally treating contemporary music as a field of scientistic exploration, this type of music neglected most of its bonds with modernity and its emancipatory project based on self-critique.