1.0New Music USAhttps://newmusicusa.orgRobert Carlhttps://newmusicusa.org/nmbx/author/robertcarl/rich600338<blockquote class="wp-embedded-content" data-secret="dBXRNa8t3J"><a href="https://newmusicusa.org/nmbx/music-after-life-twists-of-fate/">Music After Life: Twists of Fate</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newmusicusa.org/nmbx/music-after-life-twists-of-fate/embed/#?secret=dBXRNa8t3J" width="600" height="338" title="“Music After Life: Twists of Fate” — New Music USA" data-secret="dBXRNa8t3J" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://newmusicusa.org/wp-content/uploads/2015/08/Morton_Feldman_1976.jpg8491132The reputations of certain composers seem to be actually growing with time, even though conventional wisdom earlier on would have predicted just the opposite. They present one possible answer to the question of how music becomes “survivable.”