1.0New Music USAhttps://newmusicusa.orgPatrick Castillohttps://newmusicusa.org/nmbx/author/pacastillo131/rich600338<blockquote class="wp-embedded-content" data-secret="9ALTkvqYFN"><a href="https://newmusicusa.org/nmbx/help-me-help-you-what-orchestra-managements-need-from-the-new-music-community/">Help Me Help You: What Orchestra Managements Need from the New Music Community</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newmusicusa.org/nmbx/help-me-help-you-what-orchestra-managements-need-from-the-new-music-community/embed/#?secret=9ALTkvqYFN" width="600" height="338" title="“Help Me Help You: What Orchestra Managements Need from the New Music Community” — New Music USA" data-secret="9ALTkvqYFN" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://newmusicusa.org/wp-content/uploads/2018/11/16-Kahane-credit-SPCO.jpg19201080There are a great number of interlocking gears in motion behind every orchestral programming decision. Understanding this can help all of us in the new music community be constructive, rather than reactive, advocates for the repertoire we want to hear.