1.0New Music USAhttps://newmusicusa.orgDafna Naphtalihttps://newmusicusa.org/nmbx/author/dafna-naphtali/Delays, Feedback, and Filters: A Trifecta - New Music USArich600338<blockquote class="wp-embedded-content" data-secret="yRx73rWnSk"><a href="https://newmusicusa.org/nmbx/delays-feedback-and-filters-a-trifecta/">Delays, Feedback, and Filters: A Trifecta</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://newmusicusa.org/nmbx/delays-feedback-and-filters-a-trifecta/embed/#?secret=yRx73rWnSk" width="600" height="338" title="“Delays, Feedback, and Filters: A Trifecta” — New Music USA" data-secret="yRx73rWnSk" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://newmusicusa.org/wp-content/uploads/2022/02/NMUSA-logo-social-2.jpeg1500826Interaural time difference, interaural level difference, and head shadow are useful not only for an audio engineer, but are also important for us when considering the effects and uses of delay in electroacoustic musical contexts.