Penelope and the Geese
Penelope and the Geese; it's not an opera--it's a manifesto.

Milica Paranosic
Milica Paranosic – composer short bio 2020 Milica Paranosic is a Serbian-born composer. Her music was described as “Amazing…astonishing,” (The New York Times), “Like liquor-filled pralines,” (Morgenpost), and “A painter, musical Jackson Pollack,” (SEAMUS).
Cheri Magid
Librettist
Mia Theodoratus
harpist/Lyre Player
Margaret Landcaster
Flute/Aulos Player
Hai-Ting Chinn
Penelopa/Mezzo Soprano
August 10, 2020
August 17, 2020
- Project Created By
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Project Location
Saugerties, New York
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Key Collaborators
Cheri Magid
Librettist
Mia Theodoratus
harpist/Lyre Player
Margaret Landcaster
Flute/Aulos Player
Hai-Ting Chinn
Penelopa/Mezzo Soprano
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Project Dates
Start Date
August 10, 2020End Date
August 17, 2020
Penelope and the Geese
Penelope and the Geese; it's not an opera--it's a manifesto.
Penelope and the Geese is an opera that is a feminist retelling of the Penelope story from The Odyssey. Our jumping off point is the issue of faithfulness, which has two different metrics in The Odyssey, one for Odysseus and one–with barely any room to breathe–for Penelope. With this opera, we level that playing field.
All the musicians in Penelope and the Geese are women; the chorus is made up of sopranos and Penelope is a mezzo. Odysseus does not speak, though he is present (and asleep) during the whole opera. With the opera, my collaborators and I give voice to dimensions of the female characters in The Odyssey that have not been explored in the original. And we’re doing this will all women creators and performers.
Media Highlights

Brian Raphael Nabors’s Upon Daybreak, Detroit Symphony Orchestra
Detroit Symphony Orchestra 3711 Woodward Avenue, Detroit, MI 48201

Written for Talea: Cheung, Sorey, Karchin premieres
DiMenna Center for Classical Music

I Give You My Home: Live Screenings at the Portland Museum of Arts
Portland Museum of Art 7 Congress Square, Portland, ME, 04101, United States