[Ed. Note: Beginning on April 30 and continuing on consecutive Fridays until the next round of concerts of M³ (Mutual Mentorship for Musicians) taking place on June 12 and 13, 2021 under the auspices of the National Jazz Museum (and which have received funding from New Music USA), NewMusicBox is publishing excerpts from each of the 12 M³ participants’ contributions to a debut anthology of writings (poetry, essays, and more) edited by author, journalist, and musician Jordannah Elizabeth, entitled The Art of Being True, which are published in their entirety on Elizabeth’s website Publik/Private. Back in December, in support of M³’s debut concerts, which were also presented online by the National Jazz Museum in Harlem, we asked all twelve of the initial participating musicians involved in this initiative to write about how mutual mentorship and creative collaboration have affected their artistic process. The first set of excerpts published on April 30 are available here and the second set published last Friday are available here, but to read all these writings in their entirety, please visit the dedicated portal for the anthology on Publik/Private. – FJO]
From Caroline Davis’s poem ‘Aretes of the New Cyrene’
Eyes open / examining phonics, texture, phraseology of binding wounds.
Do we heal the injuries / is ours an iterative loop / or are we.
I / your lack of femininity might be addressed with a dress.
And I / you will have few roadblocks in your career due to re:dress.
And so I / I took the liberty of shaping your hips in the final edits.
From Maya Keren’s essay ‘Reminder to Self’
In what I imagine is a common experience for many throughout this pandemic, I feel I have lost sight of my power: my sense of inner assurance; my direction; my fire. These past couple months have felt especially hard. Maybe it’s that I’m only socializing with the few people I live with in my Covid bubble as I finish up a semester of Zoom classes. Maybe it’s that I haven’t felt that rush that comes with playing and listening to live music in too many months. I’m realizing my well-being relies on a communal web far more expansive than I ever imagined. I’m familiar with the amounts of time I need with close friends and by myself, but maybe I need the embarrassed thrill of meeting new people; the same conversation with that one friend I had class with every Wednesday; the hellos and nods and gossip and flirtation and animosity. All these invisible threads holding us in silent trembling equilibrium.