Tag: industry news

Rhiannon Giddens and Michael Abels Jointly Win the 2023 Pulitzer Prize in Music

Posted on May 8, 2023 by - Uncategorized

The front and back sides of a Pulitzer Prize medal

Rhiannon Giddens and Michael Abels have been awarded the 2023 Pulitzer Prize in Music for their jointly composed opera Omar. Omar was commissioned by the Spoleto Festival USA where it received its world premiere performance on May 27, 2022 at the Sottile Theatre in Charleston, S.C. It was subsequently staged by the LA Opera (October 2022), Carolina Performing Arts (February 2023), and Boston Lyric Opera (May 2023), will be done at the San Francisco Opera (November 2023), and has been published by Subito Music. The annually awarded $15,000 prize is for a distinguished musical composition by an American that has had its first performance or recording in the United States during the previous year. This prize is the very first time the award has been given to two creators for a jointly-composed work. Omar is based on the autobiography of Omar ibn Said (1770-1864), an Islamic scholar from what is now Senegal who was adbducted in 1807 and taken aboard one of the last trans-Atlantic slave ships to arrive in the United States where he was enslaved for the remainder of his long life. The Pulitzer citation describes Omar as “an innovative and compelling opera about enslaved people brought to North America from Muslim countries, a musical work that respectfully represents African as well as African American traditions, expanding the language of the operatic form while conveying the humanity of those condemned to bondage.”

Rhiannon Giddens, a 1977 native of Greensboro, North Carolina, first became widely known as a founding member of the Grammy Award-winning Carolina Chocolate Drops, an eclectic old timey country band in which she played fiddle and banjo and was the lead singer. She has since recorded four solo albums, the most recent of which, They’re Calling Me Home, a 2021 collaboration with Francesco Turrisi, received the 2022 Grammy Award for Best Folk Album. In 2017, she was award the MacArthur Foundation’s “Genius” grant. Ms. Giddens serves on New Music USA’s Advisory Council.

Michael Abels, born in 1962 in Phoenix, Arizona, has composed music in a wide variety of genres ranging from the hip-hop influenced film score for the 2019 Jordan Peele film Us to the string quartet At War With Ourselves which was premiered by the Kronos Quartet. He has also produced an album with the late Rev. James Cleveland, who was one of the most significant Black gospel singers and songwriters.

Also nominated as finalists for the 2023 music prize were Monochromatic Light (Afterlife) by Tyshawn Sorey which premiered on February 19, 2022 at the Rothko Chapel, Houston, Texas, and Perspective by Jerrilynn Patton (a.k.a. JLin) which was recorded by Third Coast Percussion on Cedille Records and released on May 13, 2022.

The jury for the 2023 Pulitzer Prize in Music was: John V. Brown, Jr., Vice Provost for the Arts and Professor of the Practice of Music, Duke University (Chair); past Pulitzer Prize-winning composers Raven Chacon and Du Yun; Arturo O’Farrill, Founder/Artistic Director, Afro Latin Jazz Alliance and Professor, Global Jazz Studies, University of California, Los Angeles; and Carol J. Oja, William Powell Mason Professor of Music, Harvard University. It is the first time in the history of the Pulitzer Prize in Music that all three of the works submitted as finalists by the jury, from which the winner is selected by the Pulitzer board, were by Black composers.

The announcement of this year’s Pulitzer Prizes was made online by Pulitzer Administrator Marjorie Miller via a stream posted on the Pulitzer website which can also be streamed on YouTube.

American Composers Orchestra President Michael Geller Departing in December

Posted on September 19, 2016 by - Headlines, Ledes

After 20 years as executive leader of American Composers Orchestra (ACO), President and CEO Michael Geller will depart the organization at the end of 2016. He is leaving to attend to personal and family obligations while considering new professional opportunities. ACO’s Board of Directors is seeking a new executive director who will continue to build upon the success and stability that Geller has spearheaded over the past 20 years.

“Michael Geller’s contribution to ACO has been enormous,” according to ACO Artistic Director Derek Bermel.  “Through a combination of vision and commitment, he has steered the orchestra through two exciting decades of evolution and innovation.” ACO Music Director George Manahan said, “Working with Michael for my past six years as ACO’s Music Director, I have seen first hand his strong commitment and devotion to the orchestra. We owe him our sincere gratitude for his many years of leadership.” ACO Board of Directors Chairman Frederick Wertheim added, “Thanks to Michael’s skilled leadership, his dedication to ACO and his passion for new music, ACO has survived and even thrived during some challenging periods for arts organizations. The board is very grateful for all he has done for ACO.”

Geller leaves ACO in a strong position financially and artistically. The organization’s endowment has tripled since his arrival in 1996, and ACO’s programs have expanded significantly. Geller said, “ACO’s balance sheet is stronger than it has ever been. And with the conclusion of our second New York City-wide SONiC festival, our third nationwide Jazz Composers Orchestra Institute, and our 11th season of Orchestra Underground at Carnegie Hall, ACO has offered up some of its boldest and most diverse programming ever. This is also a time for planning what the next generation of ACO’s artistic agenda will be, and thus a great moment for a new executive to dive in and pursue that work.”

Geller has guided ACO for a generation, and his accomplishments include ACO’s first touring performances in 20 years; the Orchestra Tech initiative which integrated digital technology into the orchestra; the Jazz Composers Orchestra Institute (JCOI), which trains jazz composers and diversifies  orchestra repertoire, taking it in new directions; Coming to America, which explored the continual evolution of American music through the work of immigrant composers and won the inaugural MetLife Award for audience engagement, becoming an industry model for engaging multi-generational audiences in the emerging field of arts-based civic dialogue; Playing It UNsafe: coLABoratory, ACO’s R&D lab, which developed a model for creative experimentation in orchestra music; the creation and growth of ACO’s first educational program, Music Factory, now working with more than 15 schools and community organizations and reaching over 3,000 schoolchildren annually; the launch and growth of the EarShot network, sharing ACO resources and expertise with orchestras around the country, leveraging ACO’s mission, building new partnerships, and creating multiple expanded opportunities for emerging American composers in orchestras from Berkeley, CA to Buffalo, NY, and orchestras as large as the New York Philharmonic; overseeing and implementing the first digital releases and online streams undertaken by the orchestra, making dozens of world premiere recordings available around the world for the first time; conceptualizing and implementing Orchestra Underground, redefining the orchestra with new influences and multidisciplinary collaborations, premiering 90 new works in its first 12 years; the launch of major initiatives to promote diversity in orchestra music, including fellowships for minority composers, education programs, and career development programs for women and other under-represented artists in orchestra music; planning and executing two SONiC (Sounds of a New Century) festivals, the largest undertakings in ACO’s history, including 200 emerging composers with a diverse array of music, all of it composed in 21st Century.

ACO’s Board of Directors has formed a search committee to be aided by an executive search firm to fill the vacancy left by Geller’s departure.

Founded in 1977, American Composers Orchestra is the only orchestra in the world dedicated to the creation, performance, preservation, and promulgation of music by American composers. ACO makes the creation of new opportunities for American composers and new American orchestral music its central purpose. Through concerts at Carnegie Hall and other venues, recordings, internet and radio broadcasts, educational programs, New Music Readings, and commissions, ACO identifies today’s brightest emerging composers, champions prominent established composers as well as those lesser-known, and increases regional, national, and international awareness of the infinite variety of American orchestral music, reflecting geographic, stylistic, and temporal diversity. ACO also serves as an incubator of ideas, research, and talent, as a catalyst for growth and change among orchestras, and as an advocate for American composers and their music. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. Among the honors ACO has received are special awards from the American Academy of Arts and Letters and from BMI recognizing the orchestra’s outstanding contribution to American music. ACO is the 2015 recipient of the Champion of New Music Award given by American Composers Forum. ASCAP has awarded its annual prize for adventurous programming to ACO 36 times, singling out ACO as “the orchestra that has done the most for American music in the United States.” ACO received the inaugural MetLife Award for Excellence in Community Engagement, and a proclamation from the New York City Council.

(—from the press release)