Leo Ornstein: Sonata No. 1 for cello and piano

Leo Ornstein: Sonata No. 1 for cello and piano

Joshua Gordon, cello; Randall Hodgkinson, piano Those wonderful tone clusters that Henry Cowell allegedly invented actually surfaced in the lush hyper-Romantic solo piano music of Leo Ornstein several years earlier. They are one of the delights of Ornstein’s early chamber music as well, including the first of his two cello sonatas from 1915 featured on… Read more »

Written By

Frank J. Oteri

Frank J. Oteri is an ASCAP-award winning composer and music journalist. Among his compositions are Already Yesterday or Still Tomorrow for orchestra, the "performance oratorio" MACHUNAS, the 1/4-tone sax quartet Fair and Balanced?, and the 1/6-tone rock band suite Imagined Overtures. His compositions are represented by Black Tea Music. Oteri is the Vice President of the International Society for Contemporary Music (ISCM) and is Composer Advocate at New Music USA where he has been the Editor of its web magazine, NewMusicBox.org, since its founding in 1999.

Joshua Gordon, cello; Randall Hodgkinson, piano

Those wonderful tone clusters that Henry Cowell allegedly invented actually surfaced in the lush hyper-Romantic solo piano music of Leo Ornstein several years earlier. They are one of the delights of Ornstein’s early chamber music as well, including the first of his two cello sonatas from 1915 featured on a new recording finally collecting all of Ornstein’s works for cello and piano. In a chamber music context, Ornstein’s dense piano harmonies come across also sounding like a harbinger of Messiaen’s Quartet for the End of Time.