Readers Respond to Death of Klinghoffer Simulcast Cancellation
It came as no surprise that the cancellation of the scheduled simulcast of John Adams’s The Death of Klinghoffer, slated for production at the Metropolitan Opera this fall, has inspired some very active comment section action. But have you heard the work yet? Let’s listen and chat.
It came as no surprise that the cancellation of the scheduled simulcast of John Adams’s The Death of Klinghoffer, slated for production at the Metropolitan Opera this fall, has inspired some very active comment section action (both on this site and on the New York Times post about the issue), in addition to volleys lobbed via social media. Much of what we’re seeing here sits firmly on the side of disappointment that the Met would withdraw the opportunity to experience the work outside of Lincoln Center, and respondents question the validity of the charge that it could be used as a tool to encourage anti-Semitism. As a commenter posting as Jim notes on our initial news story, “There’s nothing anti-semitic about the piece, which flatly condemns violence. The only people who would come away with anti-semitic views would have to have come in with them.”
While most of the conversation since the news broke has centered around concern or outright annoyance that a piece of art could be challenged and removed in this manner, others spoke out in support of the position of the Anti-Defamation League and the Klinghoffer sisters, with Tim Smith of the Baltimore Sun tweeting:
Wise chocie: @MetOpera to cancel ‘Klinghoffer’ HD airing in Nov. So easy to misunderstand and exploit this work in our uneasy world.
— Tim Smith (@clefnotes) June 17, 2014
Of the many comments, however, Nancy Lederman, posting to the New York Times’ piece, pointed out that “I can’t comment on the underlying debate about the opera I’ve never seen or heard. But controversy breeds sales. I think I’ll buy a ticket so I can see for myself.”
And so on that note, we encourage those on all sides of this debate to listen to the piece! There is a recording, a DVD, a perusal score available (free with log-in) or buy the reduction and play through it at the piano. There’s even a Spotify stream of the recording available, so take your pick and a couple hours. Then let’s chat.