Looking For Red, White and Blue Between Bach, Beethoven And Brahms: Can American Music Be Found at American Music Festivals?
Mic Holwin photo by Lost In Brooklyn Studio Music festivals in America take on added pleasure in the summer, when a concertgoer can claim a spot on the lawn surrounding a stage, spread out a quilt handed down from an aunt in Pennsylvania, uncork a bottle of California Zinfandel, slice some Vermont Cheddar and Wisconsin… Read more »
Music festivals in America take on added pleasure in the summer, when a concertgoer can claim a spot on the lawn surrounding a stage, spread out a quilt handed down from an aunt in Pennsylvania, uncork a bottle of California Zinfandel, slice some Vermont Cheddar and Wisconsin Blue, lay back and listen to the sounds of…long-dead European composers.
Something doesn’t fit in this American portrait. Since this country has more festivals than you can shake a baton at, it would follow that American music would be on them, right up there with the Mozart, Beethoven and Dvorák. But what is the reality? Can American contemporary music — or any contemporary music for that matter-be found at American music festivals?
Surprisingly, yes. But you have to look.
The treatment of American and contemporary music at festivals is as diverse as the wide range of topography in America where that quilt might be spread — at the edge of a maple and beech forest in the Berkshires (Tanglewood), beneath the soaring majesty of the Rocky Mountains (Aspen, Grand Teton), or on the dry grass of a high desert chapparal (Ojai). Some festivals are dedicated to it (Bang On A Can). Some allot a portion of time from the festival — a week or a few concerts-to it (Bowdoin, Lincoln Center Festival). Some program contemporary composers right along with the Shostakovich and Bach (Spoleto, Santa Fe). Some wedge it in more surreptitiously (Chamber Music Northwest, Ravinia). And some try to ignore it completely (Interlochen, Newport). A sampling of American summer festivals from the east coast to the west yields a variety of approaches.
Festivals that program contemporary American music fall into two camps: those that carve out a “contemporary” week or so, thereby creating a mini-festival within the festival to attract contemporary music afficionados (and in effect post warning signs to those wearing “If it ain’t Baroque, don’t fix it” T-shirts) and those that sprinkle in new American and international music amongst the more traditional European works, treating a Danielpour string quartet no differently than a Mendelssohn piano trio.
Some of these festivals have already taken place for this summer; some are happening right now. So if you haven’t already visited one of them, what are you doing sitting in front of a computer terminal reading this?
- Aspen Music Festival
- Bowdoin Summer Music Festival
- Chamber Music Northwest
- Grand Teton Music Festival
- Interlochen Arts Festival
- Lincoln Center Festival
- Newport Music Festival
- https://newmusicusa.org/nmbx/looking-for-red-white-and-blue-between-bach-beethoven-and-brahms-can-american-music-be-found-at-american-music-festivals/9/” rel=”noopener” target=”_blank”>Ojai Music Festival
- Ravinia Festival
- Santa Fe Chamber Music Festival
- Spoleto Festival USA