Leveraging the Quarantine to Create an Online Music Camp
My plans to attend the Brevard Music Center’s Summer Institute had been canceled due to COVID-19, so we were planning out the logistics for me to host my own summer camp—The Composers Collaborative Project (CCP). It is my attempt to leverage the quarantine to create a unique opportunity for composers seeking a path to continue developing their skills.
“So is your father an entrepreneur to have worked with you through all of this?” asked Benjamin Taylor, composer and founder of the Music Creators Academy.
“That would be my mother.”
I remember my heart racing two months prior to that call on one of my regular walks around the neighborhood with my mother. Only a day before our walk, my plans to attend the Brevard Music Center’s Summer Institute had been canceled due to COVID-19, and we were already planning out the logistics for me to host my own summer camp.
“The demand is there,” I said, “I’m evidence enough of that! But this could be the biggest project I’ve ever undertaken…”
The Composers Collaborative Project (CCP) is an online series of lectures designed for the benefit of composers of all ages and skill levels. It has been my project of the last three months, and my attempt to leverage the quarantine to create a unique opportunity for composers seeking a path to continue developing their skills. The CCP currently features fifteen professional composition professors and freelancers – each teaching a 90-minute masterclass tailored to their individual strengths and passions. It has been one of the most exciting, nerve-racking, and fulfilling things I’ve ever attempted.
April 6th. The first email of many. If I was going to make this thing work, I would need a business entity. So I reached out to Steve Goldman, founding member of the National Young Composers Challenge (NYCC), in hopes of establishing a sponsorship or partnership. I wrote the email, took a deep breath, and pressed send.
Even though no professional partnership emerged from the conversation, Mr. Goldman was incredibly supportive and put me in touch with another NYCC judge, Dr. Alex Burtzos. Luckily for me, Dr. Burtzos had experience organizing festivals. He suggested that the best chance I had at seeing the project succeed was to turn it into a fundraiser. And with that, he introduced me to New Music USA’s Solidarity Fund. Though the Solidarity Fund would end earlier than I had expected, my mother and I decided to follow Dr. Burtzos’s advice, and – encouraged by their Solidarity Fund and other programs – evolved the project into a benefit for New Music USA. And with a warm conversation and a plan secured with their Development Manager Miles Freeman, my next step would be to find our teachers.
From the beginning, I was concerned that it would be difficult to find anyone interested in giving their time for the project. What I discovered instead was the incredible generosity of the composition community. The support was overwhelming. I started with teachers that I knew, and reached out to others they recommended from there. In a short time, we had enough support to schedule two weeks of masterclasses!
“It’s common for young composers to think of established composers as superstars. In reality, most composers are relatively unknown outside of the new music community… They will generally be excited to hear about your interest in their work, and much more open to donating their time than you might think.” – Alex Burtzos, on our call
As a high school student, it’s intimidating reaching out to any college professor. Imagine now if that professor was a Grammy award winner, or was commissioned by the New York Philharmonic, or is known around the composition world, or has judged the competitions you’ve entered, and so on! The humanity of the people I have worked with has been one of the most surprising parts of this process.
An example involving my initial conversations with Dr. Marcos Balter comes immediately to mind. I always do my best to research a person’s title before reaching out to them. In his case, I made the mistake of using ‘Mr.’ instead of ‘Dr.’. When, in the next email, I realized my mistake and apologized, he responded that it was no problem at all and that I could call him Marcos! I was blown away.
With the panel of teachers squared away, I needed to build a website. In many ways, this was a family affair. I worked on the layout and graphic design, my sister took care of the photography, and my mother wrote out the copy. Stuck in the house, my sister and I worked with what we had to create professional-looking backdrops: we rearranged my room and created props out of old manuscripts and an easel from years ago. The end result, I must say, I am very proud of.
The Composers Collaborative Project is my attempt to leverage the quarantine to create a unique opportunity for composers seeking a path to continue developing their skills.
I discovered the incredible generosity of the composition community. The support was overwhelming.
Of course, we were not the only ones creating a camp.
I will not be able to judge the success of the project until the very last minute.
Of course, we were not the only ones creating a camp. This brings us back to Benjamin Taylor’s quote from the beginning. Days before launch, I traded details with Joseph Sowa, a professor of the Music Creators Academy. He described his program as “a band camp with a heavy dose of creativity” for middle- and high-school students. I was antsy for sure; nervous at the prospect of competition. Nevertheless, both Dr. Sowa and the project’s founder, Benjamin Taylor, were incredibly kind, and given our conclusion that the two programs were meant for different audiences, we agreed to support one another in what ways we could.
This brings me another one of my favorite stories from this whole experience. Somehow neither I nor Dr. Sowa had told Dr. Taylor that I was a high school student. When we had our call and I referred to him as “Dr. Taylor”, he laughed and responded, “Should I call you Dr. Weinbaum?” He thought I was a composition professor! Now that’s a compliment if I’ve ever received one.
Launching the website and social media accounts brings us to where I am today. For the past few weeks and for the next few weeks, I have dedicated myself to promoting the event however I can: Email, Facebook, Instagram, Twitter, group chats, etc. I have had to stretch myself to get my head around many of these platforms; nevertheless, the results have been promising so far, and I continue to hope for the best!
Regardless, my heart still races. People generally prefer to wait until the due date to sign up for an event like this (as I have discovered talking to many people), and so I will not be able to judge the success of the project until the very last minute. If that doesn’t keep someone in suspense.
The lectures will take place from July 20-31 and registration will remain open throughout. If you are interested in learning more about the Composers Collaborative Project, please visit our website or send me an email. I would love to hear from you!