Commissioning Fees Calculator
Commissions form an important financial pillar that supports many composers’ careers, but negotiating compensation is often an uncomfortable topic. “Commissioning Music: A Basic Guide” continues to provide a baseline at which to begin the conversation.
Ensembles come and go. Venues come and go. Styles and trends, too. And how about that recording industry? The business and technology surrounding new music bear little resemblance to what was standard fifty years ago. But commissions continue, forming an important pillar that supports many composers’ careers.
And so our Commissioning Music: A Basic Guide continues. It’s a modest document, really. A few key ideas and a few numbers delivered in a terse, to-the-point style. It is perhaps this directness and simplicity that has allowed it to last longer than many other things. Even the organization that originally created it has become part of something different. Yet this little guide-that-could is still here, giving composers and commissioners a shared baseline at which to begin their negotiation. It endures as a testament to the vision of Meet The Composer: composing is a profession deserving adequate compensation.
In the spirit of this week of music and money conversation, we present it here in interactive fashion, an offering to set out just what “adequate” means. (If you prefer a document, that’s also still available here.)