NewMusicBox

Your home for the diverse and timely stories, news, opinions, and voices of new music creators and practitioners across the United States.

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Guest Editor series
Elyn Kazarian

dublab - Composing for Film: A Conversation with Emily Rice

For this edition of dublab x New Music USA, join Elyn Kazarian and film composer Emily Rice as they discuss the process behind composing, collaborating with directors, finding your own voice, and ways to build a strong financial foundation. The first hour of the program will include a 30 minute mix of songs from various film scores composed by women.

Interviews
Julia Adolphe

Frank Ticheli: Overcoming Anxiety & Trusting the Subconscious

Composer Frank Ticheli shares his experience with Generalized Anxiety Disorder.

Interviews
Frank J. Oteri

Anthony Davis: Any Means Necessary

For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it’s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns.

Interviews
Frank J. Oteri

Sarah Hennies: Getting at the Heart of a Sound

How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates. Despite the extremely broad stylistic range of her output, everything from her early collaborative work as part of an experimental rock band to a multimedia documentary to extended duration solo and chamber music compositions for various instrumental combinations, it all shares a concern for extremely precise sonic gestures and involves a great deal of repetition. While Sarah Hennies prides herself on scores that are extremely economical (a score for a nearly 34-minute piece is a mere two pages), the sonorities feel extremely generous.

Interviews
Frank J. Oteri

Alice Parker: Feeling the Same Emotion at the Same Time

Composer, arranger, conductor, and teacher Alice Parker has been a fixture of the choral music community since working with the legendary Robert Shaw Chorale when she was fresh out of college in the late 1940s. Parker has devoted herself almost exclusively to music for the voice, since she strongly believes that people find their common ground through singing together.

Huang Ruo
Interviews
Frank J. Oteri

Huang Ruo: Creating Four Dimensional Experiences

For Huang Ruo, music–like theater–exists in a four-dimensional space. There is also a larger purpose in most of Huang Ruo’s work, whether it is to call attention to stories of people, particularly Asians and Asian-Americans, whose voices have often not been heard, or to provide an environment for reflection and healing.

Interviews
Julia Adolphe

Ryan McAdams: How Myths of Artistic Leadership Fuel Destructive Behaviors

Conductor Ryan McAdams shares how the myth of the “ideal” conductor, perpetuated at conservatory and within Western culture, glorifies destructive lifestyles such as living in isolation, excessive behaviors, constant striving for perfection, appearing omniscient, and hiding all human vulnerabilities.

Interviews
Frank J. Oteri

Matthew Aucoin: Risking Generosity

Among the recurring themes of our conversation with composer-pianist-conductor Matthew Aucoin was generosity and risk-taking, something that is in abundance in Aucoin’s own music as well as his personality. Over the course of an hour we talked about his opera Eurydice which was just performed at the Metropolitan Opera, the first commercial recording of his music, his just released new book about opera, The Impossible Art, which was also just released, his desire to develop new musical repertoire that addresses climate change, and much much more.

Interviews
Frank J. Oteri

Terri Lyne Carrington: A World of Sound Waiting for Us

Terri Lyne Carrington was practically born into jazz, but she is not a traditionalist. By embracing elements from rock, rhythm and blues, and hip-hop into her own compositions, she is making music that is very much about the present moment. And in founding the Berklee Institute for Jazz and Gender Justice and now partnering with New Music USA on the new Next Jazz Legacy program, Terri Lyne hopes to build a future that dismantles the jazz patriarchy and eliminates the gender imbalance among instrumentalists.

Renée Baker
Interviews
Frank J. Oteri

Renée Baker: Nothing's Gonna Stop You From Creating

Spending an hour over Zoom chatting with Renée Baker about her more than two thousand musical compositions and perhaps almost as many paintings was inspirational as well as motivational. Renée does not let anything deter her and while her music is extremely wide ranging and gleefully embraces freedom of expression, her daily schedule is precise and meticulous.

Interviews
Frank J. Oteri

Adolphus Hailstork: Music is a Service

“Music is supposed to have meaning,” says Dr. Adolphus Hailstork whose music captures the tribulations and the occasional triumphs of African Americans in this country. Hailstork’s 80th birthday year got off to an impressive start with a performance of his music as part of the Presidential Inauguration ceremony of Joe Biden. Since then there has been a world premiere of a concert aria he composed to commemorate the centenary of the Tulsa Massacre and he awaits the premiere of his recently completed Fourth Symphony.

Interviews
Frank J. Oteri

Susie Ibarra: Hybrid Culture

Susie Ibarra’s collaborative approach has informed her work with jazz, classical, indie rock, and traditional Philippine musicians.

Interviews
Frank J. Oteri

Ricky Ian Gordon: My Way of Enveloping a Story

For the past 20 years, Ricky Ian Gordon has been creating works for the stage—operas, musicals, or one-of a-kind music/theater hybrids—and getting them produced one after another, seemingly without a pause. But 14 months ago, everything came to a screeching halt as the world went into lockdown due to the pandemic.

ARS ELECTRONICA 2008; A NEW CULTURAL ECONOMY: Sonorous Embodiment- Gro§e Konzertnacht; Brucknerhaus - Pamela Z: voice and electronics.
Foto: rubra
Interviews
Frank J. Oteri

Pamela Z: Expanding Our Imaginations

The only thing that is almost as exciting as watching and listening to a multimedia performance by Pamela Z is to hear her talk about it.

Judith Lang Zaimont at home via Zoom
Interviews
Frank J. Oteri

Judith Lang Zaimont: The Music She Has to Write

Judith Lang Zaimont is defiantly unwilling to be typecast for creating music in a particular style, which makes her music always a welcome surprise.

An interview with composer and artist Kris Bowers was the focus of our first “Table for Ten” event.
Interviews
Frank J. Oteri

Kris Bowers: In Love With Accompaniment

Kris Bowers creates music that is attuned to whatever project he is working on–whether it’s the score for the 2018 motion picture Green Book, the 2019 EA Sports videogame Madden NFL 20, the 2020 Phyllis Schlafly-inspired Hulu series Mrs. America, or the 2021 Netflix sensation Bridgerton.

Interviews
Frank J. Oteri

Julie Giroux: A Wind Band is a Box of 168 Crayons

Julie Giroux, who creates music primarily for wind band, takes musicians and audiences on a journey that is a real sonic adventure and, at the same time, is always fun.

Interviews
Frank J. Oteri

Valerie Coleman: Writing Music for People

Valerie Coleman is committed to storytelling through her music, no matter the idiom. “I recognize that there are stories that are yet untold that if they were told, they would transform all those who would hear them. So it’s my job to create music that allows that transformative power to happen.”

Interviews
Imani Mosley

Nebal Maysaud: Rumored "Death" of Classical Music Has Been Greatly Exaggerated

A year after writing “It’s Time to Let Classical Music Die,” Nebal Maysaud says, “I still believe … that classical music as a field does still have a lot of conservative and neoliberal values. But what I’ve seen also indicates that, while our structures and power structures reinforce these racial hierarchies of white supremacy, there are a lot of individuals who are aware of that and want to make a change in that power structure; and are not content with how we abusing people of color in the field of classical music.”

Interviews
Frank J. Oteri

Third Coast Percussion: The Collaborative Process

David Skidmore, Robert Dillon, Peter Martin, and Sean Connors of Third Coast Percussion explain how they introduce audiences to percussion instruments, how they each came to devote their lives to making music, the dos and don’ts for writing and performing for percussion music, the staggering range of music they have nurtured from an extraordinarily wide range of creators as well as some of their own original compositions, and finally what they are all have been doing to cope during our present unprecedented and uncertain time.

Interviews
Frank J. Oteri

Nathalie Joachim: Stepping Into My Own Identity

Nathalie Joachim’s exuberant, forward-looking attitude about music-making and her inspiring comments about how she came to follow her creative path still represent our collective future once we are able to get past the tragedy currently affecting all of our lives.

Interviews
Alexandra Gardner

Viet Cuong: Game for Anything

Although Viet Cuong’s compositional output began with works for wind ensemble, he has branched out into numerous other mediums including chamber and orchestral music.

Interviews
Frank J. Oteri

Molly Joyce: Strength in Vulnerabilty

Composer/performer Molly Joyce explains why perpetuating the notion that only a small select few are physically worthy enough excludes most people from the experience of making and ultimately enjoying art.

Interviews
Alexandra Gardner

Bonnie Jones: The Sounds of Not Belonging

Bonnie Jones’s music, which fuses electronic noise and text, emerges in large part from the sounds of her childhood, growing up on a dairy farm. Those sounds made an impression, but Jones’s first artistic interest was in creative writing.