NewMusicBox

Your home for the diverse and timely stories, news, opinions, and voices of new music creators and practitioners across the United States.

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NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Aaron Jay Kernis, Composer, New Music Advisor, Minnesota Orchestra

Aaron Jay Kernis Photo by Daniel Vogel, courtesy G. Schirmer, Inc. Between visiting Tower, Music Boulevard on the Web and BMG Music Service (this is not paid advertising) I’ve recently seen about 6 recordings pass into my consciousness, but only briefly so far , since as I’m busily composing at the moment and can’t listen… Read more »

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NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Laura Kuhn, Director, John Cage Trust

Laura Kuhn Photo by Betty Freeman NewMusicBox is terrific, but I confess that what I’m listening to right now doesn’t really qualify as new American music: both CDs available of Dulce Pontes, entitled Caminhos and Lagrimas, and both extraordinarily beautiful.  American audiences may only be familiar with her work from the film “Primal Fear” (Ed… Read more »

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NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Robert Hurwitz, President, Nonesuch Records

I buy records for at least five reasons: professionally (I want to hear people I haven’t heard before, or I want to hear recordings that people I trust are talking about); I buy them for my children (records they want and records I think they might like); I buy them to hear musician friends when… Read more »

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Steve Smith

Off the Record! A Hyper-History of American Independent New Music Record Labels

Steve Smith photo by Andrew Kochera New music has always had a tough time finding a home to call its own. Faced with a lack of performances by mainstream classical performing groups, as we learned here last month, many composers and other devotees of the avant-garde took it upon themselves to found their own ensembles… Read more »

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Frank J. Oteri

American Music and the Future of the Recording Industry

The sad reality of being unable to hear a large amount of American repertoire or new music of any national origin in the concert hall or on the radio is countered by the ecstatic joy of being able to hear anything you want if you’ve got it in your record collection.

Articles
NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently?

Robert Hurwitz “I buy them to hear musician friends when they forget to send me a copy of their latest album…” Laura Kuhn “…I confess that what I’m listening to right now doesn’t really qualify as new American music…” Aaron Jay Kernis “I’ve always felt it important to hear as much new music in concert… Read more »

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NewMusicBox Staff

What makes you attend a music event? Jessica Lustig, President, 21st Century Music Management, Inc

Jessica Lustig Photo courtesy of Jessica Lustig When I attend new music events I feel a sense of adventure and hope. The adventure comes when I’m not sure what the music will sound like. The hope is that I may be lucky enough to be among the first to hear a work that will make… Read more »

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NewMusicBox Staff

What makes you attend a music event? Eugene V. Carr

Eugene V. Carr Photo courtesy of CultureFinder Former Executive Director, American Symphony Orchestra & President, CultureFinder (The Online Address for the Arts) Whenever I go to a modern dance performance I’m usually thrilled by the air of expectation in the house. People are eagerly waiting to see what their favorite dancers and choreographers are up… Read more »

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NewMusicBox Staff

What makes you attend a music event? George Steel

George Steel Photo courtesy of George Steel Conductor and Artistic Director, Miller Theater (Columbia University) The Elements of Style: What attracts me to a new music concert Free drinks: A concert is a celebration. It should feel like one. Any gesture of hospitality is always a lure. Unapologetic programming: Nothing makes a program more drab… Read more »

Articles
Ken Smith

Speak For Yourself! A Hyper-History of American Composer-Led New Music Ensembles

Ken Smith photo by Melissa Richard For a composer, the urge to assume creative control in your own musical matters is as American as…well, Aaron Copland. But whether your frame of reference is literally the Copland-Sessions Concerts of Contemporary Music, a four-season project from 1929-1932 where American composers first took charge of bringing their music… Read more »

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Frank J. Oteri

Taking Charge of American Music

Frank J. Oteri Photo by Melissa Richard In 1939, six American composers joined forces to create the American Music Center, the first-ever information center devoted to the promulgation of new music. For many years, the American Music Center served as the only repository of scores and recordings of a diverse array of repertoire. This effort… Read more »

Articles
NewMusicBox Staff

What makes you attend a music event?

What makes you attend a music event? George Steel “Free drinks: A concert is a celebration. It should feel like one…” Eugene V. Carr “Whenever I go to a modern dance performance I’m usually thrilled by the air of expectation…” Dean Stein “…The history buff in me wants to hear what writers and composers have… Read more »

Articles
NewMusicBox Staff

What makes you attend a music event? Dean Stein

Dean Stein Photo © Peter Schaaf Executive Director, Chamber Music America I’ve always been a bit of a history buff — not so much academically as romantically. For example, I love the theater and try to see the off-off, off and Broadway productions that crowd a typical New York season – experimental works, revivals, classics,… Read more »