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Frank J. Oteri

A Week of New Music Celebrations: the BMI Student Composer Awards, the Ceremonial & the Underwood Readings

The close proximity of the BMI Student Composer Awards, the American Academy of Arts and Letters Ceremonial, and the American Composers Orchestra’s Underwood New Music Readings, which have all taken place in New York City this week, have turned the penultimately week of May into a multi-day celebration of new music.

Articles
Dale Trumbore

Don't Wait Until You Hear Sirens

In a few weeks, Dale Trumbore is publishing a book about anxiety in the creative process—Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life. In advance, she shares her own journey toward listening to her mind and body and learning to ask for help when she needs it.

IMAGE: Cristina Gottardi
Articles
Daniel Temkin

Ethical Artistry: Does Any of This Really Matter? If So, What Practical Steps Can I Take?

The change we seek in our new music ecosystem isn’t going to occur by spouting off in anger on a Facebook thread. We have to take this passion and conviction we feel, and carry it through with real-world projects that directly engage others.

Articles
aaron irwin

Music Unbound

When Aaron Irwin began studying music, a clear line was drawn between jazz and classical. Yet today, they are meeting on an ever-widening aesthetic middle ground. Irwin explores the work of a few composers sharing in this communion of styles.

Image: Immo Wegmann
Articles
Daniel Temkin

Ethical Artistry: Changing our Approach & Evaluating our Efforts

Many of us care about ethical artistry, but how do we measure our efforts? And how do we balance competing demands? This week, Dan Temkin digs into some general tenets and tools that can aid us in evaluating our work.

Articles
Danielle Eva Schwob

Jack of All Trades or Master of Them All? Cross-Genre Creative Gambling

In the earliest days of her career, Danielle Eva Schwob was told to specialize. She never did.

Lisa Neher
Articles
Adam Schumaker

Artist Financial Profile: Dr. Lisa Neher, Composer & Performer

Adam Schumaker is back with another case study of a musician’s income—the next small chapter in an evolving theoretical Guide to Musician Finances. This time he speaks with Lisa Neher, a composer and performer, about the money taboo, the musician’s eternal hustle, realistically “making it,” adjunct teaching, and the ins and outs of working with your PRO.

Articles
Daniel Temkin

Ethical Artistry: Falling Short—Logistics, Programming, and the Moral Complexity of Well-Intentioned Decisions

As a musical community, we strive to promote positive virtues in our work, yet clearly problems persist. So why do we fall short? Dan Temkin is back this week to expose the ethical pitfalls lurking behind decisions we frequently face.

Articles
Danielle Eva Schwob

Do it right or do it right now?

In a creative project, the quest for quality development and preparation eventually meets the question of when exactly to pull the trigger. Danielle Schwob shares her experiences navigating that challenging line.

Research on Contemporary Composition Conference
Articles
Esther Morgan-Ellis

Teaching the Music of Now: A Mission, a Project, and a Conference

A survey course can easily convey the impression that “great” music is a finite resource generated by a handful of genius composers. When students become researchers, however, the picture changes.

The Aizuri Quartet performs at the Weis Center for the Performing Arts in Lewisburg, PA. The Intricate Machines tour traveled through Pittsburgh, Lewisburg, Philadelphia, Manhattan, and Brooklyn.
Articles
Daniel Temkin

Ethical Artistry: Are we really asking ourselves these tough questions?

Why are we doing this? This is one of the toughest and most deceptively simple artistic questions we face, and one easy to run from when planning a new project. Dan Temkin encourages us to take a harder look.

Frank J. Oteri interviews George Walker for NewMusicBox, with Molly Sheridan behind the camera.
Articles
Tim Rutherford-Johnson

How to Exist: 20 Years of NewMusicBox

We can’t quite believe it, but NewMusicBox turns 20 years old today! Tim Rutherford-Johnson is helping us kick-off our celebrations with a special feature looking at how things have changed—and how they haven’t—since 1999.

The audience during the presentation of the Classical:NEXT Innovation Award
Articles
Jennifer Dautermann

Listening to and Learning From Each Other

It appears from where I’m sitting (which is often in airplanes) that the world bubbles and froths with swirling, ever-shifting configurations of populations, each grappling with short and long-term political, social, and environmental issues. How can music, and the arts, be helpful? How can it, and we, connect with these populations in all of their individual and uniquely differing diversity?

Daria Novoliantceva (left) with Danielle Ferrari
Articles
Danielle Ferrari

The Importance of Women Role Models in This Industry

Having amazing female mentors and role models was and still is crucial to my growth as an artist. Meeting these women has significantly altered my perspective on my own reality: what is possible for me and where I see myself in the future. Without them, I wouldn’t be anything like who I am today.

Robert Palmer, 1943
Articles
Adam Tendler

In Search of Robert Palmer

Pianist Adam Tendler spent more than a decade researching the life and work of Robert Palmer and made an album of his music “when no one asked for it. But in my mind, I didn’t have a choice. I couldn’t imagine being the only one who knew what this all sounded like.”

Articles
Frank J. Oteri

Contrarian Spirit—Remembering Randy Nordschow (1969-2019)

From the moment composer and bon vivant Randy Nordschow started talking to NewMusicBox’s then associate editor Amanda MacBlane and I, more a cantankerous conversation we would have with someone in our new music community than a job interview, she and I instantly knew that he was the right fit for our team. Soon after Randy was hired and started working alongside us, he seemed to disagree with just about everything I said or wrote. But that only convinced me further that he was the perfect fit for NewMusicBox.

Articles
Holly Hunter

Hear It New!

This year’s Classical:NEXT opening concert, Hear It New!, highlights the breadth of National Sawdust’s work with composers, performers, filmmakers and designers, demonstrating the potential for true collaboration to create boundary-pushing new music which is relevant to our society.

Still from
Articles
Danielle Ferrari

The Impossible Dream: Scoring My First Documentary

As she explored different worlds of music, Danielle Ferrari found herself becoming more and more fascinated by soundtracks—how music has the power to transform stories and make characters feel larger than life. Her recent work on her first documentary project ended up completely changing the way she thinks about composition.

Articles
Jason Eckardt

Do you need a doctorate in composition?

There is value in attending a graduate program in composition, but it is not a panacea for career advancement and future job security. It is wise to consider what one wants and realistically what a composition doctorate can offer before assuming that it is the only path forward.

Ellen Reid sitting on a couch.
Articles
Frank J. Oteri

Ellen Reid Wins 2019 Pulitzer Prize

p r i s m, an opera by Ellen Reid, has been awarded the Pulitzer Prize in Music. The annually awarded $15,000 prize is for a distinguished musical composition by an American that has had its first performance or recording in the United States during the previous year.

Tanya Tagaq in performance
Articles
Fabienne Krause

Opening Concepts—The Themes That Shape Each Year’s Edition of Classical:NEXT

After raising my glass to the visitors at the welcome reception, I’ll already be looking forward to the first sounds of our opening concert. You can sense the hunger of the hundreds of art music people, and it’s a clear reminder that there remains no substitute for people meeting each other in person.

Northern Ohio Youth Orchestra
Articles
Colin Holter

A Newly Endowed Residency Program for Underrepresented Composers

Why are the seventy northeastern Ohio high-schoolers in this room so psyched to be playing music nobody’s ever played before? The short answer: because of Arlene and Larry Dunn, whose most recent gift to NOYO has endowed its composer-in-residence program.

Danielle Ferrari on teamwor
Articles
Danielle Ferrari

Teamwork in the Conservatory: In the Game of Music, We Can All Win

Creative artists come from different backgrounds with varying life experiences that contribute to our own unique skill sets. Rather than competing against each other, we can utilize our individual knowledge to work together and create immensely beautiful things. Life’s much more fun when you work with others!

Articles
Spencer Arias

What kind of music do you write?

What kind of music do you write? Composers get this question all the time, and the answer can often be quite complicated. However, the language that they ultimately use to describe their work is incredibly interesting and should not be ignored.

Funders

ASCAP Foundation Logo

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.