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Articles
DanVisconti

Don’t Glom!

In real, human, one-on-one relationships, people don’t want to perform/record/commission your music because they are trying to give you something you want; they decide to take action because doing those things becomes something that they want.

Articles
Isaac Schankler

Mutually Exclusive

Practically everyone in new music feels like the victim of some kind of persecution, often while being completely oblivious to the persecutions they themselves are perpetrating.

Articles
Matthew Guerrieri

New England’s Prospect: Twistin’ the Night Away

Giver of Light takes chances, and if not all of them pay out, still, it’s a lot better than cautiously going through the motions. It’s the sort of piece that Guerrilla Opera is made for: original and a little bit speculative, in need of realization to hone in on its identity.

Articles
Alexandra Gardner

Sounds Heard: Big Farm

The mission of Big Farm revolves around expressive freedom for each artist, and as a result, calling their debut album “eclectic” would be an understatement.

Articles
NewMusicBox Staff

New Music USA Awardees Celebrated at the New Museum

Meredith Monk, John Luther Adams, Anthony Braxton, John Kander, William Kraft, Pacific Serenades, the JACK Quartet, and the Grand Canyon Music Festival’s Native American Composers Apprentice Project were honored by New Music USA during a private ceremony at the New Museum of Contemporary Art in New York City on May 13, 2013.

Articles
NewMusicBox Staff

Derek Bermel Named New Artistic Director of American Composers Orchestra

Composer and clarinetist Derek Bermel has been named the new artistic director of the American Composers Orchestra commencing with the 2013-14 season. He succeeds composer Robert Beaser who has been ACO’s artistic director since 2000 and was ACO’s artistic advisor from 1993.

Articles
Ratzo B Harris

Gathering Stones

Going through my mother’s effects has been like traversing an emotionally charged landscape that unrolls to reveal a fascinating design of discovered and rediscovered possessions of a person I’ve known from the start of my life. The material that currently has my attention is vinyl.

Articles
Rob Deemer

Oklahoma: New Music North of the Red River

My first introduction to Oklahoma was driving up I-35 in 2003 the day after a previous tornado had hit Moore. When I left, however, my impressions were not of windswept plains but of a surprisingly strong community of musicians and audiences who are open to performing and hearing new music.

Articles
Alexandra Gardner

Commissioning Music and Stuff

A performer friend and I were recently daydreaming about new possibilities for music commissioning—of chamber music, in particular. What if commissioning music were more a part of everyday life?

Articles
Matthew Guerrieri

New England’s Prospect: Polytropos

I come to generalize about an entire cohort of composers, based solely—sample size be damned—on the Boston Modern Orchestra Project’s May 17 concert at Jordan Hall.

Articles
Daniel Felsenfeld

What’s The Matter With Being Academic?

We all know what is meant when the accusation of academicism is lobbed: that person (or their line of thinking) is cloistered, out of touch, has little bearing on the real world. But really, there is no “real world” and no “general public.” They are ghosts we chase or sticks with which we composers use to beat ourselves up.

Articles
Frank J. Oteri

2013 BMI Student Composer Awards Announced

Ten young composers received cash prizes totaling $20,000 during the 61st Annual BMI Student Composer Awards. Among the winners were Juan Pablo Contreras who received the William Schuman Prize, the top honor, and Michael D. Parsons who received the Carlos Surinach Prize, awarded to the competition’s youngest winner, for the second consecutive year.

Articles
Molly Sheridan

Sounds Heard: Burr Van Nostrand—Voyage in a White Building 1

I may know better than to judge a CD by its cover, but it was hard to resist the poetic allure of the graphic score which unfolds across the front of Voyage in a White Building 1, a New World Records-issued recording of three pieces by Burr Van Nostrand.

Articles
Frank J. Oteri

A Temple for the Familiar

The centerpiece of the concert I attended on Saturday night was Tchaikovsky’s Symphony No. 5, a piece of music that is performed almost every season by virtually every orchestra in the world. While I attended the concert because of a new work on the program, I have to admit that most of the people in the audience wanted to hear Tchaikovsky.

Articles
Frank J. Oteri

2013 ASCAP Concert Music Awards Honor León, Deak, Smith, Gould, and 28 Young Composers

Tania León, Jon Deak, Steve Smith, the late Morton Gould, and 28 young composers were honored by the American Society of Composers, Authors and Publishers (ASCAP) during its 14th Annual Concert Music Awards, an invitation-only event held at Merkin Concert Hall at the Kaufman Center in New York City on Friday, May 17, 2013.

Articles
Ratzo B Harris

Monterrey Afterword

Though luckily there were no drug cartel-associated mass murders in Monterrey as their had been on the opening night of last year’s festival and again on the morning after the last performance, this year’s Encuentro Internacional de Jazz y Música Viva was framed by its own internal controversy that emerged from its saxophone competition.

Articles
Frank J. Oteri

One Tradition Deferred--No Rain at the 2013 Ceremonial

This year the academy gave out a total of $910,000 to 68 visual artists, architects, writers, and composers during the 2013 Ceremonial. Bob Dylan was inducted as an honorary member of the academy.

Articles
Rob Deemer

Lost to the Ages

Obviously there are some genres–jazz quickly comes to mind–in which specific musical creative events occur and are lost on a daily basis. We can’t keep everything, so it goes, but when it comes to our musical creations, this is how we as composers are going to be remembered.

Articles
AndrewSigler

Different Spaces: Erewhon and Fusion

Aside from the spectacular content, these shows illustrated (to me at least) the impact of the venue and how spaces shape the experience and help guide the audience.

Articles
Alexandra Gardner

Recycling

I’m curious about composers recycling their work. As useful as repurposing material can be for stimulating ideas, has it become in some instances a shortcut by which we avoid the hard work of creating truly new material “out of thin air”?

Articles
Isaac Schankler

My First Negative Review

Last week I was the recipient of my first negative review! I was surprised at how angry and upset I was when I first read it, and how long it took me to calm down about it. In short, as much as I thought I was prepared for this inevitable moment, I wasn’t.

Articles
Frank J. Oteri

Troy Herion: Sonic Imaging

Troy Herion’s interest in making movies grew directly out of making music. It was a way to further extend the possibilities of what music can be. And in works like Baroque Suite and New York: A City Symphony, Herion has fused visual and sonic elements together so symbiotically that it is difficult to imagine them independent of one another.

Articles
DanVisconti

Sounds Heard: Derek Bermel—Canzonas Americanas

This collection of Bermel’s music provides a helpful point of entry for those curious to know just what has made this composer so consistently stand out: his music’s fusion of quasi-minimalist beat-based sensibilities with a dizzying diversity of popular and/or indigenous sound sources from across the globe.

Articles
Frank J. Oteri

American Repertoire Spring

The only way that any music created on our own soil will ever be able to compete with the standard repertoire—both in terms of audience devotion to it and the high level at which it is regularly performed—is for our own music to be programmed more frequently. Luckily that seems to be starting to happen!

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.