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Articles
Frank J. Oteri

Sounds Heard—Liaisons: Re-Imaging Sondheim from the Piano

To give some hint of the range of the Liaisons project, we asked two of the composers Anthony de Mare commissioned—Annie Gosfield and Eve Beglarian—to share with us the some of the back story behind their idiosyncratic takes on Sondheim songs.

Articles
Ben Houge

Vinfonies, Nessun Dorma, and Gastromorphology

It’s easy to recognize several time scales to a meal, from the succession of courses (even simply saving dessert for last) to the entropy that occurs as a hot dish cools or a frozen dish melts to the succession of individual bites. Recognizing these time scales is straightforward, but synchronizing music to them is a much trickier proposition.

Articles
Nell Shaw Cohen

Music Inspired by Visual Art

A distinction needs to be made between music that uses a work of visual art as a source of inspiration and music that has been envisioned expressly for the purpose of illuminating, commenting upon, and conversing with visual art—music where viewing the art while listening to the music is, in some sense, essential to the full realization of the composer’s vision.

Articles
NewMusicBox Staff

2015 Koussevitzky Commissions Announced

The Foundation has announced that it will award a total of five commissions for the creation of new musical works. The commissions, awarded to both American and international composers, are granted jointly by the foundation and the performing organizations (also both American and international) that will present performances of the newly composed works.

Articles
Jeff Dunn

Cabrillo and the Post-Alsopian Future

Alsop’s final festival next year will be her 25th, leaving behind a deep legacy. Her successor will have giant shoes to fill, and multiple challenges.

Articles
NewMusicBox Staff

Seven Musicians Are Among the 37 New USA Fellows Announced for 2015

United States Artists (USA) has announced the 37 new USA Fellows for 2015. Each individual artist or collaborative will receive an unrestricted award of $50,000 to support their artistic practice and professional development.

Articles
Ben Houge

Bridging Gastronomy and Art Requires Making Connections

As we’re moving beyond the mere novelty of pairing sound or visuals with a meal, the focus needs to shift to what is being communicated by the resulting amalgamation; it’s not enough to simply put things side by side.

Articles
Nell Shaw Cohen

New Music for Learning

Has an experience with music ever helped you to better understand or appreciate an idea, a realm of knowledge outside of music itself, or some other aspect of life? Have you observed this happening for others? What elements of the musical content and/or its presentation do you think made that experience particularly effective?

Articles
Ben Houge

Tasting Notes

Studies show that loud sounds dull our sense of taste, which may explain why airplane food tastes so bland, and why people order more tomato juice on planes, as umami flavors are the most resilient to volume.

Interviews
Sam Hillmer

Arto Lindsay: Space, Parades, and Confrontational Aesthetics

Not only did Arto Lindsay found arguably the most important band from New York’s early-’80s No Wave scene, he is a well-known figure in Brazilian pop, collaborator of Matthew Barney’s, leader of parades, and thrower of sounds in space. He sat down with Sam Hillmer to chat sound design, confrontational aesthetics, and much more.

Electricity Substation High Voltage Transformer, power substation
Articles
Meghann Wilhoite

Close Listening: Music and Power

Systemic bias is nowhere near its death throes and we all need to be vigilant against it. Be mindful of what you vote for with your dollars and your attention.

Articles
John Supko and Jeffrey Edelstein

Unbroken Art

Composer John Supko and critic Jeffrey Edelstein discuss collaboration.

Articles
NewMusicBox Staff

Two American Composers Among Five Chosen for Gaudeamus Shortlist

One of five composers will receive the 2016 Gaudeamus Award, an international prize eligible to composers under the age of 30 consisting of a composition commission worth € 5,000.

Articles
Frank J. Oteri

It’s Difficult to be a World Showcase with Limited Resources: The 2015 ISCM World Music Days

All in all, the 2015 edition of the World Music Days was filled with lots of truly memorable music that was very well performed and I was very happy that I had the opportunity to be there to experience it firsthand. Still, I could not help thinking that this one-of-a-kind new music assemblage could be so much more than what had been presented in Ljubljana.

Articles
NewMusicBox Staff

2016 NEA Jazz Masters Announced

The National Endowment of the Arts has announced the 2016 NEA Jazz Masters honorees will be vibraphonist Gary Burton, saxophonists Pharoah Sanders and Archie Shepp, and jazz advocate Wendy Oxenhorn.

open sign broad through the glass of window at coffee shop
Articles
Meghann Wilhoite

Close Listening: Music and Race

It should make us all deeply uncomfortable how white the new music scene is. We must address the fact that we are missing out on certain new music because it is being classified for different communities, or not being classified at all.

Musicians at peaceful demonstration on Union Square, New York
Articles
Aaron Gervais

Are Unions Relevant to New Music?

New music musicians are generally left-leaning and pro-labor, yet much of the new music field is non-unionized. Why is that?

Articles
John Supko and Jeffrey Edelstein

Para-composition

Composer John Supko and critic Jeffrey Edelstein on when composers get a little help from their friends.

Articles
NewMusicBox Staff

Musical America Announces Recipients of Its 2016 Awards

Musical America’s 2016 awardees include several prominent new American music champions.

Rainbow Loom bands different collors sorted in a beg
Articles
Meghann Wilhoite

Close Listening: Music and Genre

There is this split between the media’s impulse to categorize and the artist’s impulse to resist classification.

Articles
Molly Sheridan

Linda Oh: Lean In and Listen

Bassist and jazz bandleader Linda Oh offers insights on bridging training and personal expression, ditching stifling preconceptions, and the fundamental value of truly listening to the people around you.

Articles
John Supko and Jeffrey Edelstein

[Title]

Would music by any other title sound the same? Composer John Supko and critic Jeffrey Edelstein contemplate the naming game.

closeup of a young man listening to music with headphones in front of the sea, with a filter effect
Articles
Meghann Wilhoite

Close Listening: Music and Us

Is the idea that musicians should be allowed to participate fully in our country’s economy unrealistic? A meditation on reversing the devastating effects that the digital age has wrought.

Independent thinking and open mind concept as a freedom metaphor for an innovative thinker as a cement prison with open metal jail bars shaped as a human head.
Articles
Astrid Baumgardner

Positive Power: Develop the Growth Mindset of Success

Musicians feel intense pressure to excel, but positive psychology offers strategies to help deal with and overcome the obstacles.

Funders

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.