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NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Derek Bermel, Composer

Derek Bermel Photo courtesy Derek Bermel Last month I found some CD gems, among them Pittsburgh band Don Caballero‘s new album What Burns Never Returns (Touch and Go TG185CD) a minimalist rock album which takes King Crimson’s early 80’s stuff to the next level; the drummer Damon Che weaves some incredible polyrhythmic lines. Listening to… Read more »

Articles
NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Elliott Schwartz

Elliott Schwartz Photo by Joel Chadabe, courtesy Electronic Music Foundation As I’m living in England (on resident fellowship at Robinson College, Cambridge University) for the months of May and June, I’ve had a chance to hear some 20th century English music — ranging from the earliest part of the century (Vaughan Williams‘ wonderful song cycle… Read more »

Articles
NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Aaron Jay Kernis, Composer, New Music Advisor, Minnesota Orchestra

Aaron Jay Kernis Photo by Daniel Vogel, courtesy G. Schirmer, Inc. Between visiting Tower, Music Boulevard on the Web and BMG Music Service (this is not paid advertising) I’ve recently seen about 6 recordings pass into my consciousness, but only briefly so far , since as I’m busily composing at the moment and can’t listen… Read more »

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NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Laura Kuhn, Director, John Cage Trust

Laura Kuhn Photo by Betty Freeman NewMusicBox is terrific, but I confess that what I’m listening to right now doesn’t really qualify as new American music: both CDs available of Dulce Pontes, entitled Caminhos and Lagrimas, and both extraordinarily beautiful.  American audiences may only be familiar with her work from the film “Primal Fear” (Ed… Read more »

Articles
NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently? Robert Hurwitz, President, Nonesuch Records

I buy records for at least five reasons: professionally (I want to hear people I haven’t heard before, or I want to hear recordings that people I trust are talking about); I buy them for my children (records they want and records I think they might like); I buy them to hear musician friends when… Read more »

Articles
Steve Smith

Off the Record! A Hyper-History of American Independent New Music Record Labels

Steve Smith photo by Andrew Kochera New music has always had a tough time finding a home to call its own. Faced with a lack of performances by mainstream classical performing groups, as we learned here last month, many composers and other devotees of the avant-garde took it upon themselves to found their own ensembles… Read more »

NewMusicBox Staff

Soundtracks: June 1999

Last month, when we launched NewMusicBox we featured information about 56 new CDs of American music issued since January 1999. For our second issue, we feature yet another 40! The year is not yet half over and already there are almost 100 new recordings of American music floating around. And the range this month is… Read more »

Articles
Frank J. Oteri

American Music and the Future of the Recording Industry

The sad reality of being unable to hear a large amount of American repertoire or new music of any national origin in the concert hall or on the radio is countered by the ecstatic joy of being able to hear anything you want if you’ve got it in your record collection.

Articles
NewMusicBox Staff

What recordings do you buy and why? What recordings have you listened to recently?

Robert Hurwitz “I buy them to hear musician friends when they forget to send me a copy of their latest album…” Laura Kuhn “…I confess that what I’m listening to right now doesn’t really qualify as new American music…” Aaron Jay Kernis “I’ve always felt it important to hear as much new music in concert… Read more »

Interviews
Frank J. Oteri

Foster Reed of New Albion Records

One of the original “indie-classical” labels, San Francisco-based New Albion Records defined the West Coast Sound and helped to launch the careers of John Adams, John Luther Adams, Ingram Marshall, Paul Dresher, Stephen Scott, Chen Yi, Sarah Cahill, David Tanenbaum, Margaret Lang Tan, and many others. New Albion’s founder Foster Reed explains the label’s philosophy.

Articles
NewMusicBox Staff

What makes you attend a music event? Jessica Lustig, President, 21st Century Music Management, Inc

Jessica Lustig Photo courtesy of Jessica Lustig When I attend new music events I feel a sense of adventure and hope. The adventure comes when I’m not sure what the music will sound like. The hope is that I may be lucky enough to be among the first to hear a work that will make… Read more »

Articles
NewMusicBox Staff

What makes you attend a music event? Eugene V. Carr

Eugene V. Carr Photo courtesy of CultureFinder Former Executive Director, American Symphony Orchestra & President, CultureFinder (The Online Address for the Arts) Whenever I go to a modern dance performance I’m usually thrilled by the air of expectation in the house. People are eagerly waiting to see what their favorite dancers and choreographers are up… Read more »

Articles
NewMusicBox Staff

What makes you attend a music event? George Steel

George Steel Photo courtesy of George Steel Conductor and Artistic Director, Miller Theater (Columbia University) The Elements of Style: What attracts me to a new music concert Free drinks: A concert is a celebration. It should feel like one. Any gesture of hospitality is always a lure. Unapologetic programming: Nothing makes a program more drab… Read more »

Articles
Ken Smith

Speak For Yourself! A Hyper-History of American Composer-Led New Music Ensembles

Ken Smith photo by Melissa Richard For a composer, the urge to assume creative control in your own musical matters is as American as…well, Aaron Copland. But whether your frame of reference is literally the Copland-Sessions Concerts of Contemporary Music, a four-season project from 1929-1932 where American composers first took charge of bringing their music… Read more »

Articles
Frank J. Oteri

Taking Charge of American Music

Frank J. Oteri Photo by Melissa Richard In 1939, six American composers joined forces to create the American Music Center, the first-ever information center devoted to the promulgation of new music. For many years, the American Music Center served as the only repository of scores and recordings of a diverse array of repertoire. This effort… Read more »

Articles
NewMusicBox Staff

What makes you attend a music event?

What makes you attend a music event? George Steel “Free drinks: A concert is a celebration. It should feel like one…” Eugene V. Carr “Whenever I go to a modern dance performance I’m usually thrilled by the air of expectation…” Dean Stein “…The history buff in me wants to hear what writers and composers have… Read more »

Interviews
Frank J. Oteri

The Who and Why of Bang on a Can

For the premiere issue of NewMusicBox (May 1999), the three founders of Bang on a Can–Michael Gordon, Julia Wolfe, and David Lang–met at ASCAP for a lengthy conversation with Frank J. Oteri, Richard Kessler, and Fran Richard about the current state of new music.

Articles
NewMusicBox Staff

What makes you attend a music event? Dean Stein

Dean Stein Photo © Peter Schaaf Executive Director, Chamber Music America I’ve always been a bit of a history buff — not so much academically as romantically. For example, I love the theater and try to see the off-off, off and Broadway productions that crowd a typical New York season – experimental works, revivals, classics,… Read more »

NewMusicBox Staff

What makes you attend a music event? Matthew Sigman

Former editor of Symphony magazineCurrently an executive with R.R. Donnelley & Sons, a board member of the Chicago Civic Orchestra and of the American Music Center For several years, while I was on the editorial staff of Symphony magazine, it was my honor and anguish to edit the late great Ralph Black, a man whose… Read more »

Interviews
John Luther Adams

From California to Alaska: Lou Harrison in Conversation with John Luther Adams

Two major American maverick composers talk via telephone about creating music without compromise, the impending end of the 20th century, and how to develop new audiences for new music in the future.

Interviews
Richard Kessler

Libby Larsen: Communicating Through Music

Composer and American Composers Forum co-founder Libby Larsen talks about how she came to music, taking charge of her own path as a composer, and how to be a good musical citizen.

Interviews
Richard Kessler

Dave Liebman: Unabashed Eclectic

Saxophonist, composer, band leader, and one-time Miles Davis sideman Dave Liebman talks about the changing directions in jazz during his four decades involved in the scene.

Interviews
Richard Kessler

Paul Kellogg: Life Beyond Bohème, Carmen, and Traviata

Paul Kellogg, then artistic director of both Glimmerglass and New York City Opera describes how these opera companies “show people that there is life beyond Bohème, Carmen, and Traviata.”

Interviews
Richard Kessler

Thomas Hampson: Singing American Songs

Baritone Thomas Hampson describes his unending fascination with American art songs.

Funders

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.