Our Magazine

NewMusicBox

All NewMusicBox Content

  • Filter

Articles
NewMusicBox Staff

How did your education shape your attitudes about music?

Annie Gosfield Composer “I was taught the importance of creativity and individual expression early in life…” Jonathan Sheffer Composer Founder, Conductor and Artistic Director of the Eos Orchestra “My musical education began at the Westport School of Music, where as a preschooler I was taught the basics of major and minor scales…” Amy Rhodes Director… Read more »

Interviews
NewMusicBox Staff

An Arts Education Symposium

The legendary American educational philosopher Maxine Greene (b. 1917) met with Hollis Headrick (Executive Director, The Center for Arts Education), Polly Kahn (Director of Education, New York Philharmonic), Richard Kessler, and Frank J. Oteri to discuss the role new music could p[lay in arts education.

Articles
NewMusicBox Staff

How did your education shape your attitudes about music? Jonathan Sheffer, Composer; Founder, Conductor and Artistic Director of the Eos Orchestra

Jonathan Sheffer Photo by Stephanie Berger My musical education began at the Westport School of Music, where as a preschooler I was taught the basics of major and minor scales, and began piano lessons. I recall we were rewarded often with candy. The next most important influence in my musical education was the Bernstein Young… Read more »

Articles
NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center Vivian Perlis, Director, Oral History of American Music, Yale University

Vivian Perlis photo by NewMusicBox While working with Aaron Copland’s papers that were filed in the basement of his house in Peekskill, New York, I came upon six assignment books for Rubin Goldmark, the celebrated composition teacher in Manhattan. Copland was astonished to see things he had not looked at for over sixty years. “Holy… Read more »

Articles
NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center Patrick Hardish, Composer; Co-Director, Composers Concordance

Patrick Hardish photo by Barry Cohen Courtesy of Patrick Hardish Otto Luening was a great mentor and influence as well as being a close personal friend. He was important to my development as a composer and on the progress of our organization, the Composers Concordance. I got to know Otto in July 1980 at Bennington… Read more »

Articles
NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center Sylvia Goldstein, Former Senior Vice-President, Boosey & Hawkes

Sylvia Goldstein photo by NewMusicBox Sylvia Goldstein own music in the repertoire, Aaron Copland always had time for others. One incident involving the program for a concert he was to conduct at Carnegie Hall comes to mind. The composer of a listed symphony was unknown to me or others in the office. When asked about… Read more »

Articles
NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center John Duffy, Composer; Founder and Former Executive Director of Meet The Composer

John Duffy photo by Jay K. Hoffman courtesy of John Duffy The AMC was a rich haven for me during my student days. How glad I was to be there as it was the only place to see and study scores by living American composers. It was there that I first encountered Aaron Copland, which… Read more »

Articles
NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center Samuel Adler, Composer; Professor Emeritus, Eastman School of Music; Professor of Composition, The Juilliard School

Samuel Adler photo by Katherine Cumming Courtesy of Samuel Adler In a 1926 speech, Aaron Copland said of Howard Hanson: “Hanson and Sowerby’s sympathies and natural proclivities make them heirs of older men such as Hadley and Shepherd. Their facility in writing and their eclectic style produce a kind of palatable music that cannot be… Read more »

Articles
Karissa Krenz

Help! New Music Service Organizations Answer the Call

Karissa Krenz photo by Melissa Richard Music abounds more than ever these days. On any given night you can hear any type of music in the concert hall, on the web, on the radio (and of course, on your stereo). One might think that in these technologically-advanced days, it is easy for a composer to… Read more »

Articles
Frank J. Oteri

Soundtracks: November 1999

There are over 60 American composers featured in this month’s round-up of new recordings, which is a wonderful way to celebrate the 60th anniversary of the American Music Center this month! And, as always, the range of composers shows an astonishing array of diversity. Perhaps the most momentous release this month is the long-awaiting 10-CD… Read more »

Articles
Frank J. Oteri

The 60th Anniversary of the American Music Center

Frank J. Oteri Photo by Melissa Richard November is an important month here at the American Music Center. Sixty years ago this month, the dreams of Aaron Copland, Howard Hanson, Otto Luening, Quincy Porter, Marion Bauer and Harrison Kerr became a reality and the American Music Center was born. To celebrate the occasion, we have… Read more »

Articles
NewMusicBox Staff

Personal Anecdotes About the Founders of the American Music Center

Personal Anecdotes About the Founders of the American Music Center Samuel Adler Composer; Professor Emeritus, Eastman School of Music; Professor of Composition, The Juilliard School “…I handed Hanson’s letter to Copland who opened it immediately. His face brightened, and yet there were tears in his eyes as he read the letter…” John Duffy Composer; Founder… Read more »

Interviews
Frank J. Oteri

A "Virtual Séance" with the Founders of the American Music Center

In celebration of the 60th anniversary of the founding of the American Music Center, the history of the AMC is here presented exclusively in the words of its six founders–Aaron Copland, Howard Hanson, Otto Luening, Quincy Porter, Marion Bauer, and Harrison Kerr–culled from archival interviews, books and letters and then shuffled and re-organized to emulate a conversation.

Articles
NewMusicBox Staff

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years? Paul Lansky

Paul Lansky Photo courtesy New Albion I’d like to reply by first rephrasing the question: how do you think your music will change as a result of technology? I haven’t the faintest idea. All I know is that technology has already had, and will continue to have a radical effect on the music I write… Read more »

Articles
NewMusicBox Staff

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years? Pamela Z

Pamela Z Photo by Lori Eanes Technology (whether “high” or “low”) has always had an effect on my work, and I have no reason to believe that will change in the next 25 years. I think that all artists are to some extent influenced by the tools they use to make their art. In my… Read more »

Articles
NewMusicBox Staff

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years? Morton Subotnick

Photo courtesy Morton Subotnick The speed of information access and the amount and low cost of memory will make MIDI output devices unnecessary in the performance of my music. More and more I am ONLY using a computer. I think we will see a major evolution in the recorded media. It will change to DVD… Read more »

Articles
Joseph A. Paradiso

American Innovations in Electronic Musical Instruments

Joseph A. Paradiso photo by Rich Fletcher The desire for musical expression runs deeply across human culture; although specific styles can vary, music is generally considered a universal language. It is tempting to surmise that one of the earliest applications of human toolmaking, after hunting, shelter, defense, and general survival, was probably to create expressive… Read more »

Articles
NewMusicBox Staff

Soundtracks: October 1999

Of the 24 discs featured in our current SoundTracks round-up, only 2 are discs of electronic music: David Doty‘s multicultural microtonal synthesizer landscapes and the unique multi-tracking experiments of Robert Paredes. A third CD, Future Flute — Margaret Lancaster’s recital disc of works by four composers, features works which combine flute with computer electronics. Still,… Read more »

Articles
Tod Machover

Technology and the Future of Music

Anyone pursuing music, either as a composer, a performer or a listener, cannot escape technology.

Articles
NewMusicBox Staff

What role, if any, do you think technology will play in the composition and performance of your music in the next 25 years?

Morton Subotnick “More and more I am ONLY using a computer…” William Duckworth “…some of us are already beginning to develop new virtual instruments and to conceive of ways to facilitate live performances on line…” Pamela Z “Each time I have introduced a new tool into my arsenal, it has resulted in new ideas and… Read more »

Articles
Frank J. Oteri

Tod Machover: Technology and the Future of New Music

Tod Machover shares some of the extraordinary new musical interfaces he has been creating at the MIT Media Lab and explains how and why these new technologies will redefine music in the 21st century.

Articles
NewMusicBox Staff

Describe your best and worst memories of premiere performances David Del Tredici, Composer

David Del Tredici Photo by Robin Holland courtesy Boosey & Hawkes Best: 1976 premiere of FINAL ALICE in Chicago with Solti conducting and Barbara Hendricks, soprano soloist. Because the piece was so tonal — long stretches in the purest D Major — I was terrified the piece would be ridiculed by the public, press and… Read more »

NewMusicBox Staff

Describe your best and worst memories of premiere performances Laurel Ann Maurer, Flutist

Laurel Ann MaurerPhoto courtesy Laurel Ann Maurer I have to admit that the quality of “open-mindedness” that I believe that I possess serves me well in terms of finding the value in a new piece, but does not serve me as well when thinking of a least favorite experience. I truly work to find the… Read more »

Articles
NewMusicBox Staff

Describe your best and worst memories of premiere performances Tim Page, Former Classical Music Critic of the Washington Post

Tim Page Photo courtesy St. Louis Symphony Orchestra I’ll have to choose the world premiere of Steve Reich’s Music for 18 Musicians — April 3, 1976 at Town Hall in New York — as the most influential concert I ever attended. It opened new sonic worlds to me and literally pushed me into criticism: I… Read more »

Funders

ASCAP Foundation Logo

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

Click here for more

NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.