This live performance by Jeremiah Chiu and Marta Sofia Honer took place at the dublab studios featuring some of the music they composed together as part of their recent album, Recordings from the Åland Islands, out now on International Anthem.
dublab co-founder Mark “Frosty” McNeill visits Griffith Park to chat with Noah Klein, co-founder of the Floating collective which hosts a weekly series of roving soundscapes and soundbaths activated in unique and natural spaces. During the course of their conversation, Klein discusses his personal musical practice, history of community organizing through the lens of music, deep love of nature, and dedication to creative placemaking.
This mix illustrates the ways west coast & primarily Los Angeles based composers from the past and present experiment with timbre, tone, electronics & genre to create a distinct sound that can only be found through the geographical & natural landscape of the west coast.
Boston has the most classical music per capita of any U.S. city (using “classical” in the broadest sense of the word). On the contemporary front alone, we are home to over 40 ensembles with a mission that specifically includes new music! Plus we have independent record labels such as Disposable America, art and culture publications like Boston Hassle and Allston Pudding, and a thriving house show scene that encompasses mostly the Allston/Brighton neighborhoods but extends into Jamaica Plain and Dorchester.
As we launch dublab’s collaboration with New Music USA, we welcome the opportunity to feature the work of many musicians we believe represent the current landscape of contemporary music composition as well as to bring up questions that are uniquely relevant to our current times.
New Music USA launches NewMusicBox Guest Editor series with forward-thinking artists and organizations across the US First partnership kicks off today with Los Angeles-based radio station dublab, which will present original content that explores the current landscape of music composition New Music USA‘s web magazine NewMusicBox today launches its new ongoing Guest Editor… Read more »
It’s been two weeks since I returned from Aotearoa New Zealand where I was attending the overlapping International Society for Contemporary Music (ISCM) World New Music Days and Asian Composers League festivals in Tāmaki Makaurau Auckland and Ōtautahi Christchurch, but I still haven’t been able to completely wrap my brain around everything I experienced during the 12 days I was there.
I’m not a political analyst or a climatologist; I don’t hold a doctorate, just a master’s degree in Music Composition. Far be it from me, then, to forecast what the next ten years will hold. But as I consider the best and worst possible outcomes for our trajectory and the role music might play, anxiety clouds my vision.
Victoria Shen’s needle nails technique, which was appropriated earlier this summer in a Beyoncé video, is just one of many new approaches to making sounds that Shen (who performs under the moniker Evicshen) uses in her provocative performances and installations.
This article is a collection of actionable tips primarily from my own experience as a composer-educator and founder of the You(th) Can Compose! Summer Workshop. These strategies can be adapted to group or private lesson settings and don’t require that educators have extensive background in composition. Though these approaches are geared towards middle and high school students, many of these tips can be adapted to create lessons for students of different age groups.
The ideas below came to me in a dream. Some of them seem a little unusual—I should probably apologize for that. I had a couple glasses of a very fine Barolo from the Monforte region of northern Italy before falling asleep, so maybe that played a factor.
Composer/Bassoonist Joy Guidry shares how they protect their own mental health while exploring personally traumatic content in their art.
While the idiosyncratic graphic scores of 2022 Pulitzer Prize winning composer Raven Chacon are stunningly original in their conception and have been recognized as works of visual art in their own right (several are in this year’s Whitney Biennial), they have a larger social purpose.
The ASCAP Foundation has announced the 23 recipients of its 2022 Morton Gould Young Composer Awards as well as 15 additional composers who received honorable mentions.
Composer Frank Ticheli shares his experience with Generalized Anxiety Disorder.
Everywhere you turn, someone is brewing their own beer, bottling their own hot sauce, writing a novel, or building their social justice-driven non-profit from the ground up. The spirit of imaginative resourcefulness that keeps Portland “weird” and alive is exactly the reason the new music scene thrives. The music community is intimate and supportive of one another.
Because composers’ processes are diverse and often opaque, potential commissioners sometimes don’t know how to value what we do. This lack of understanding can result in a reluctance to discuss compensation and often justifies gross demands on our time and abilities.
BMI (Broadcast Music, Inc.), in collaboration with the BMI Foundation (BMIF) has announced the seven winners and three honorable mentions in the 70th Annual BMI Student Composer Awards during the first in-person ceremony for these awards in three years.
For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it’s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns.
Mezzo-soprano Sasha Cooke shares her experience of imposter syndrome, a feeling that one is not worthy or deserving of one’s success.
Raven Chacon has been awarded the 2022 Pulitzer Prize in Music for Voiceless Mass. The annually awarded $15,000 prize is for a distinguished musical composition by an American that has had its first performance or recording in the United States during the previous year. The work, which premiered on November 21, 2021 in Milwaukee, Wisconsin,… Read more »
I engage the future not as something that comes later on, that replaces a complete and whole present, but rather that the future is a method of thinking that shows something that is already here.
Austin’s economic and social reality is complex and our art communities are forever adapting to the challenges and opportunities presented by these realities.
Ukrainian-born violinist Dr. Myroslava Khomik shares how anyone with creativity and compassion can work as a spiritual leader during times of global crisis.
