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Articles
Brett Mitchell

New Music: It's Not Just for Your Classical Series

It may actually be easier to include contemporary works on education, family, community outreach, and pops concerts than on the typical classical subscription concert.

Brian Sacawa

Sounds Heard: Dirty Projectors—Bitte Orca

While they’re not exactly the hipster answer to King Crimson, Dirty Projectors are creating music that tests the boundaries of what you’d expect from a group that gets filed under “indie rock.”

Articles
MikelRouse

Remembering Merce

My own story with Merce started as a friendship and turned into a number of wonderful collaborations, experiences, and life altering moments, which I’m only now beginning to fully appreciate.

Articles
Multiple Authors

Guess Who's Invited to the White House?

Although we’ve been conditioned to a compartmentalized view of policy, new political and economic realities present an opportunity to work towards a more integrated (and hopefully more sustainable) ecosystem: one where culture, creativity, and artists are valued across the board—from the Department of Agriculture to the FCC.

Articles
NewMusicBox Staff

Copland Fund Awards $400K to 43 New American Recording Projects

The 2009 Copland Fund Recording Program grantees include five American operas, a ten-CD collection of music composed for the Merce Cunningham Dance Company, a three-disc retrospective of the music of Charlie Morrow, the sacred music of Mary Lou Williams, the Afro-Latin jazz of Roland Vazquez, the steam punk big band music of Darcy James Argue, a new work for the Bang on a Can All-Stars by Terry Riley, and works by 13 different composers performed by the American Composers Orchestra.

Articles
Frank J. Oteri

Chatter on Hiatus During AMC Move

We are putting Chatter on a brief hiatus and advise you to hold your comments until further notice.

Articles
NewMusicBox Staff

$300K Awarded to 31 Composers Under MTC's 'New Music Stimulus Package'

In response to the economic crisis, Meet The Composer has doubled the amount of money given out in recent rounds of its Commissioning Music/USA—a program of national scope supporting the creation and multiple performances of new musical works—as well as its program for new music ensembles and presenters in New York City, the Cary New Music Performance Fund.

Articles
NewMusicBox Staff

J. Mark Scearce Wins 2009 Sackler Prize

North Carolina State University Music Department Director J. Mark Scearce has been named the recipient of the eighth Raymond and Beverly Sackler Music Composition Prize.

Articles
Linda Dusman

The (Music) World (Still) Isn't Flat (Yet)

What was surprising, and also revealing, was how empowering it was to be in conversation where women in music were at the center, rather than on the margins of the discussion.

Interviews
Frank J. Oteri

Ikue Mori: At Home in Strange Lands

Ikue Mori’s sensitivity to sound and pacing, from intuitively exploring rhythms first behind a drum set and then on drum machines, has made her one of the most fascinating laptop artists. Read the interview…

Articles
DanVisconti

The Vagabond Life

I’m looking forward to being home for nearly eight months—without a doubt the longest I’ve managed to stay put since I was enrolled in school.

Articles
Colin Holter

Tell Me Who's Watching

One of the best perks of being a Twitterer is that occasionally someone will screw up and type 140 or fewer characters that he didn’t mean to.

Articles
Frank J. Oteri

Making Sense of the Perfume of Hearing

Back in 1990, Diane Ackerman came up with a definition of music which is still making my head spin: “Music is the perfume of hearing.”

Articles
NewMusicBox Staff

George Russell (1923-2009)

Composer, arranger, pianist, and educator George Russell died in Boston at age 86 on July 27, 2009.

Articles
Frank J. Oteri

Sounds Heard: James Mulcro Drew—Animating Degree Zero

Equally inspired by modernism, conceptualism, and a wide range of vernacular traditions, Drew has forged a compositional language that is completely his own and which is difficult to make generalizations about.

Articles
NewMusicBox Staff

American Choreographer Merce Cunningham Dies at 90

American choreographer Merce Cunningham died Sunday night in Manhattan, reports the New York Times. He was 90.

Articles
Daniel J. Kushner

7 Composers Selected For 2009 Minnesota Orchestra Composer Institute

Seven up-and-coming composers have been selected from an applicant pool of 143 for the 2009 Minnesota Orchestra Composer Institute, which will be held from November 17-22, 2009 in Minneapolis.

Articles
NewMusicBox Staff

Chamber Music America Awards 12 Ensembles Through "New Jazz Works"

Chamber Music America (CMA) has awarded $253,000 in grants to 12 ensembles through “New Jazz Works: Commissioning and Ensemble Development.” The recipients were chosen from 161 applicants by an independent panel of jazz professionals.

Articles
DanVisconti

The Natural

I have a friend who has this incredible facility at hearing notes, rhythms, and timbre.

Articles
NewMusicBox Staff

Osvaldo Golijov Signs with Boosey & Hawkes

Boosey & Hawkes has signed Osvaldo Golijov to its roster of composers.

Articles
Trevor Hunter

Chris McIntyre: Integral Force

Chris McIntyre’s work within the field helps codify a disparate mass into this thing that we call “the new music community”.

Articles
Colin Holter

That Was Nice

A successful execution of a lackluster concept, particularly one whose raison d’être is the demonstration of competence, is much less appealing to me than a flawed or even failed execution of a fascinating concept.

Articles
Frank J. Oteri

In No Sense Nonsense

As a composer I’m constantly put in the position of having to imagine sounds before I can ever hear them in the corporeal world and abstract them using music notation; but most recipes, aromatic formulas, and SmartDraw diagrams are as comprehensible to me as Ancient Babylonian cuneiform tablets.

Articles
Brian Sacawa

Sounds Heard: Flexible Music

In the present new music milieu of countless oddly staffed ensembles, Flexible Music has one of the more exciting combinations of instruments and probably one of the most, um, flexible out there in terms of their ability to capture such a broad range of sounds and styles.

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.