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Ruby Fulton

Gaudeamus Music Week 2010: The Winners Announced

By Ruby Fulton
The winners are announced on the final day of Gaudeamus Music Week 2010.

Articles
Ruby Fulton

Gaudeamus Music Week 2010: The Final Stretch

By Ruby Fulton
The festival is drawing to a close but the music keeps on coming.

Articles
Ruby Fulton

Gaudeamus Music Week 2010: A Few Good Surprises

By Ruby Fulton
Johannes Kreidler’s video Product Placements, “Night of the Unexpected” at Paradiso, and canal dragging for bikes.

Articles
NewMusicBox Staff

Orpheus Chamber Orchestra's Project 440 Names 12 Finalists

Orpheus Chamber Orchestra’s Project 440 began with 60 composer candidates and will conclude with the selection of four Orpheus commission recipients who will be revealed in early October.

Articles
Ruby Fulton

Gaudeamus Music Week 2010: Gamelan By Heart

Ruby Fulton
It makes me wonder if rehearsing and performing are more like the same thing to a gamelan ensemble, as opposed to the Western model, where everything is meant to be performed perfectly in order to be deemed worthy of being put behind the display case in a museum fifty years later.

Articles
Alexandra Gardner

History and The Power of Place

By Alexandra Gardner
I think that physical surroundings can play a huge role in one’s work; it can create the sense that what you are doing somehow fits into an historical timeline, even if you can’t quite see exactly how yet. It provides grounding, or a sense of belonging within the grand scheme of things.

Articles
Ruby Fulton

Gaudeamus Music Week 2010: A Cornucopia of Composition

By Ruby Fulton
Day three of the Gaudeamus Festival was even more music packed than the previous days, with three concerts in three different venues, and performances of eighteen pieces, including seven world premieres. Yowza!

Articles
DanVisconti

Getting the Most Out of an Undergrad Education

By Dan Visconti
These comments are specifically aimed at those enrolling in colleges and universities, not because it is the only path available for a compositional education, but rather because the academic environment is often particularly confusing, full of distracting funhouse mirrors that tend to distort the problem of learning how to be a composer instead of illuminating it.

Articles
Ruby Fulton

Gaudeamus Music Week 2010: Getting the Grand Tour

By Ruby Fulton
It’s cool that there are so many venues involved in the festival, inviting listeners to explore lots of different parts of the city.

Articles
Colin Holter

For Want Of A Nail

By Colin Holter
Mark-Anthony Turnage must really have liked “Single Ladies”, because he sure as hell put a ring on it with his recent BBC Proms premiere of Hammered Out; anyone who tells you otherwise, including the composer, is being either deliberately deceptive or frighteningly naïve.

Matthew Guerrieri

Complexity Wars

The Complexity Wars flared up again this summer—that seemingly annual outbreak of the opinion that various types of atonal modernism are just too complicated for proper musical consumption.

Articles
Ruby Fulton

Gaudeamus Music Week 2010: Reporting Live

Composer Ruby Fulton, whose orchestral piece Road Ranger Cowboy has been nominated for the 2010 Gaudeamus Prize, is currently live in Amsterdam and will be filing reports of the ongoing festivities throughout the week.

Articles
Nora Kroll-Rosenbaum

Outdoor Music, Part 2

By Nora Kroll-Rosenbaum
How can we make compelling visual choices that, when faced with curating live elements, direct the attention of the listener to see, and therefore hear, more musically, deeply and more organically?

Articles
David Smooke

Experience vs. Objects

By David Smooke
Each concert that you attend might be that transcendent experience that remains with you for the rest of your life. And scientists confirm that your money will be well spent.

Articles
Molly Sheridan

Sounds Heard: One Ring Zero—Planets

Planets, the latest release from Brooklyn lit rockers One Ring Zero, proves itself to be made up of lovely, carefully crafted music that dips into a whole mess of genre styles and timbral possibilities.

Articles
Frank J. Oteri

Thinking of the Music of a Rabid Racist on His Birthday

By Frank J. Oteri,br>
Music history is filled with embarrassing anecdotes and even more substantial character flaws present in many important composers of the past—there’s a reason it’s taboo to play Richard Wagner’s music in Israel#8212;but nothing compares to the vitriolic racism of American composer John Powell, born today, whose music has now been almost completely forgotten.

Articles
Alexandra Gardner

The Benefits of Living Abroad

By Alexandra Gardner
I know that for many people the idea of living in another country seems unrealistic, and perhaps a bit scary, but it is an adventure worth taking, whether for study or simply a change of scenery.

Articles
NewMusicBox Staff

Dan Visconti Wins 2010 Barlow Prize

The Barlow Endowment for Music Composition at Brigham Young University has awarded Dan Visconti the 2010 Barlow Prize, which carries with it a $12,000 cash award, to compose a major new work for piano trio.

Articles
DanVisconti

Working in the Shadow of the Master

By Dan Visconti
I’ve begun a month-long stay at Aaron Copland’s former house, and a few glances through old photos reveal that I am indeed using the same butt-cushion that A.C. did. These kinds of silly epiphanies are a welcome counterbalance to the sense of weight that comes from composing at the home of the guy who composed Fanfare for the Common Man.

Articles
Colin Holter

Analyzing the A-Ha!

By Colin Holter
If you don’t buy the notion that a divine wind is blowing into you (which I don’t), I guess it’s a question for the cognitive scientists; all that’s left for us to figure out is how to achieve these moments as regularly as we can.

Interviews
Frank J. Oteri

Imani Winds: Terra Incognita

Hearing the five members of Imani Winds talk about their history together and what keeps them going is like walking in on a great party. Read the interview…

Articles
Alexandra Gardner

Sounds Heard: Lisa Bielawa—In Medias Res

For three years beginning with the 2006-7 season, composer Lisa Bielawa served as the BMOP resident composer, and her BMOP/sound CD In Medias Res draws a map through her time working with the musicians of this group.

Articles
Nora Kroll-Rosenbaum

Outdoor Music

By Nora Kroll-Rosenbaum
The end of summer is always filled with aching tastes for crisp fall air and a sweet nostalgia for apricots past. People have drastically different relationships with summer music—specifically outdoor summer music. I think people dig this kind of musical experience for three reasons…

Articles
David Smooke

Dog Days

By David Smooke
I imagine that, if the procaninic and felinophilic composers began comparing musical styles, we quickly would find ourselves in the midst of an apocalyptic battle that would make the uptown/downtown tension of the 1960s and ’70s seem quaint by comparison.

Funders

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.