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Molly Sheridan

Sounds Heard: Michael Hersch—Sonatas Nos. 1 & 2 for Unaccompanied Cello

Michael Hersch’s disc of two sonatas for unaccompanied cello showcases the kind of work that doesn’t miss the emotionally engaging forest for the technically sophisticated trees.

Articles
David Smooke

Rub and Spare Change

By David Smooke
Michael Formanek’s new disc out ECM is simultaneously beautifully moving and excitingly raw.

Articles
Nora Kroll-Rosenbaum

Two Glorious Moments of Listening

By Nora Kroll-Rosenbaum
I’m hungry for the almost-lost ideal of audiophiles craving the best in sound. But there is real utility and community online.

Articles
Frank J. Oteri

Stranger In a Strange Land

By Frank J. Oteri
On the television this morning (I need some sound in order to combat the jet lag) I watched a performance of a cello concerto with extremely slick camera work as I was channel surfing. I also noticed two different channels devoted to pop music videos; in America, so-called music television stations have been taken over by reality TV programs.

Articles
NewMusicBox Staff

Music Alive 2011-13 Residencies Announced

Meet The Composer and the League of American Orchestras have announced awards totaling $325,000 to five composers and five orchestras who will participate in the 2011-13 Music Alive program.

Articles
NewMusicBox Staff

2010 Pew Fellowships in the Arts Recipients Announced

The Pew Center for Arts & Heritage through Pew Fellowships in the Arts announced the names of 12 new fellows, each of whom will receive a $60,000 award.

Articles
Alexandra Gardner

Ask Not What Your Social Media Can Do For You

By Alexandra Gardner
Everyone is supposedly using these online tools, including more and more companies and organizations, because apparently it has become necessary to do so in the interest of “audience engagement”. But are these really the most effective methods for doing that?

Articles
Michael Straus

Getting Settled

By Michael Straus
I am finally getting settled after more than a month in Oslo. The time is literally flying by, as the city loses over five minutes of sunlight a day.

Articles
Colin Holter

The High-Voltage Danger of Electronic Music

By Colin Holter
One facet of enjoying a festival of electronic music is simply waiting for the inevitable tech meltdown or three to occur, paralyzing the whole deal.

Articles
NewMusicBox Staff

Roulette Awarded $447,000 from the Office of Brooklyn Borough President

Roulette has been awarded $447,000 by the Office of the Brooklyn Borough President, Marty Markowitz that will be applied towards the acquisition of new audio and visual equipment for their new permanent space in Downtown Brooklyn.

jack vees

Life Without Art – Remembering Art Jarvinen (1956-2010)

Arthur Jarvinen (1956-2010) was a dynamo whose output seemed to be just a matter of course in a normal day for him, with his output switching gears seamlessly from concert pieces, to music with deeply imbedded theater, to his own self-created genre which he called physical poetry.

Articles
Nora Kroll-Rosenbaum

The Joys and Sorrows of Digital Audio

By Nora Kroll-Rosenbaum
Between the familiarity with the look of a sound (like how amazing a Fender Rhodes’ waveform appears) to developing odd relationships with time because of digital editing, I have to say that my interaction with music at large has been fundamentally altered by these digital dimensions.

Ann Starr

Sounds Heard: Steve Butters—Oomaharumooma

Steve Butters’s twenty-three brief movements for solo percussion on a text from Henry Miller’s Tropic of Cancer were composed, staged, performed, videotaped, and edited in his home studio over the course of six months; it has never been performed since and may never be performed again because of its many technical challenges.

David Smooke

Don't Hem Me in, Bro

By David Smooke
Our teaching of art generally errs towards setting norms, creating a myth of standard musical practices while avoiding discussion of the original thinkers who were uncharacteristic of their times.

Articles
Frank J. Oteri

Getting On The List

By Frank J. Oteri
Opinions seem to have more credibility if they can somehow be parsed as databases, and nowhere do these lists seem more pervasive than in how the pundits write about music.

Articles
NewMusicBox Staff

24 California Artists Awarded Investing In Arts Grants

The Center for Cultural Innovation (CCI) has announced $200,000 in grants to twenty‐four recipients in its Investing in Artists grants program for California artists.

Interviews
Frank J. Oteri

Henry Threadgill: No Compromise

Surprise, but not compromise, is a fundamental component to Henry Threadgill’s aesthetic.

Articles
Alexandra Gardner

Defying Geography

By Alexandra Gardner
Concert simulcasting is taking place more and more throughout the country, making performances available to a significantly broader audience.

Articles
DanVisconti

Musical Graffiti

By Dan Visconti
In the end, it’s lack of feedback that’s truly terrifying in a commercial gig.

Articles
Colin Holter

Making Sparks Fly

By Colin Holter
The Spark Festival of Electronic Music and Arts is about to light up Minneapolis; for the eighth year, this nigh-week-long freakout will bring artists from all over the world to the Twin Cities to do their respective things.

Articles
Mark N. Grant

Does a Composer's Body Need to be Tuned?

Professional singers and dancers have always been trained to think of their bodies as delicate instruments that need constant maintenance, instrumentalists less so, but is it possible that we have not recognized heretofore that a composer’s body is itself an instrument, too?

Articles
NewMusicBox Staff

Jason Moran Awarded MacArthur "Genius" Grant

The only composer among this year’s 23 fellowship recipients, the so-called $500,000 “Genius grants,” Jason Moran (b. 1975) has been recognized as “the most provocative thinker in current jazz” by Rolling Stone magazine.

Articles
Frank J. Oteri

Sounds Heard: David First—Privacy Issues

While using the “droneworks” moniker perhaps warns folks away from David First’s 3-CD Privacy Issues who are unable to deal with unwavering musical processes, the results in these compositions spanning the past 14 years are extraordinarily varied and sonically bountiful.

Articles
David Smooke

Late to the Party

By David Smooke
Last week, Baltimore’s City Paper published its 2010 Best of Baltimore issue, and the experimental music scene cleaned up in shocking fashion.

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.