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Frank J. Oteri

Hearing Beyond The Categories of the 64th Annual Grammy Awards

There are many people to celebrate among the recipients of the 64th Annual Grammy Awards, and since several that we care about deeply were excluded from the TV show and, as a result, you might have missed them, we’re shining some light on them here.

Interviews
Frank J. Oteri

Sarah Hennies: Getting at the Heart of a Sound

How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates. Despite the extremely broad stylistic range of her output, everything from her early collaborative work as part of an experimental rock band to a multimedia documentary to extended duration solo and chamber music compositions for various instrumental combinations, it all shares a concern for extremely precise sonic gestures and involves a great deal of repetition. While Sarah Hennies prides herself on scores that are extremely economical (a score for a nearly 34-minute piece is a mere two pages), the sonorities feel extremely generous.

A photo of the staff members of Creatives Care shown reflected in the window of a high rise building foregrounding the Manhattan skyline.
LooseLeaf NoteBook
Julia Adolphe

Creatives Care: How Therapy Enables Creativity & Finding Affordable Care

Psychiatrist Alana Mendelsohn, MD, PhD, Catherine Hancock, and Katya Gruzgliina share the mission of Creatives Care, which aims to partner artists with affordable mental health care providers and help individuals assess what kind of therapy might be right for their specific needs.

Frank J. Oteri

2022 ASCAP Foundation Herb Alpert Young Jazz Composer Award Winners Announced

The ASCAP Foundation has announced the recipients of the 2022 Herb Alpert Young Jazz Composer Awards. The recipients, who receive cash awards, are selected through a juried national competition. All in all, 21 composers were awarded and an additional 6 received honorable mention.

Articles
Anna Pidgorna

Ukraine’s Musical Front

As Western orchestras, choirs, chamber groups and soloists scramble to find music by Ukrainian composers, and record renditions of the Ukrainian anthem, what is happening to the musicians who must live through this nightmare firsthand?

Articles
Peter Speer

Synthesizing Environmental Sounds

Let’s do a quick exercise: listen to a sound, any sound (a baby crying, a phone ringing), and ask yourself: can I hum it? Trace the movement of the sound with your hand in the air and observe: is it rising and falling in a pattern? The answers to these questions point toward the equipment needed to recreate them.

Interviews
Frank J. Oteri

Alice Parker: Feeling the Same Emotion at the Same Time

Composer, arranger, conductor, and teacher Alice Parker has been a fixture of the choral music community since working with the legendary Robert Shaw Chorale when she was fresh out of college in the late 1940s. Parker has devoted herself almost exclusively to music for the voice, since she strongly believes that people find their common ground through singing together.

LooseLeaf NoteBook
Julia Adolphe

Andrew Norman: Anxiety & Creative Process

Composer Andrew Norman shares how his creative anxiety has led him into a current period of writer’s block.

Baltimore
Articles
Multiple Authors

Different Cities Different Voices - Baltimore

No artist in Baltimore lives here because they’re making a lot of money or getting a lot of commissions or opportunities. These music creators live here because they’re inspired every day. This place is fertile ground for truly original artmaking.

Articles
Vanessa Ague

Genres Won't Go Away But They Won't Be The Same

When I think about music 10 years into the future, the one thing that jumps out in my mind most is the perennial question of genre: How we define it and how it’ll change. Will there be any genres in 10 years? What will post-genre and cross-genre and everything in-between look like? Which new genres will emerge and take over the musical landscape?

Articles
Belinda Reynolds

Then, Now, Tomorrow: Collaboration in Writing Music for Student Players

Contemporary music is still desperately needed in the teaching repertoire for most orchestral instruments. But I have found that EVERY style can be student friendly if it is tested and presented in a way as to welcome the learner into its universe and not alienate them.

Articles
Amelia Brey

Unbound by “Programming”: A Counter-Hegemonic Reimagining of Contemporary Performance

Can we foment a culture in which composers’ utterances are deemed valuable solely on the basis of having been uttered, regardless of hegemonic notions of musical quality?

Huang Ruo
Interviews
Frank J. Oteri

Huang Ruo: Creating Four Dimensional Experiences

For Huang Ruo, music–like theater–exists in a four-dimensional space. There is also a larger purpose in most of Huang Ruo’s work, whether it is to call attention to stories of people, particularly Asians and Asian-Americans, whose voices have often not been heard, or to provide an environment for reflection and healing.

Interviews
Julia Adolphe

Ryan McAdams: How Myths of Artistic Leadership Fuel Destructive Behaviors

Conductor Ryan McAdams shares how the myth of the “ideal” conductor, perpetuated at conservatory and within Western culture, glorifies destructive lifestyles such as living in isolation, excessive behaviors, constant striving for perfection, appearing omniscient, and hiding all human vulnerabilities.

Articles
Imani Mosley

Out of the Box: Plus C’est La Même Chose

Music is indelibly linked to space and place. It has only been until very recently that the idea of space and place has been limited to the tangible. That shift away from liveness (something that I believe was on its way) is a huge step in the future of new music.

Articles
Multiple Authors

Different Cities Different Voices: New Orleans

Different Cities Different Voices is a new series from NewMusicBox that explores music communities across the US through the voices of local creators and innovators. Discover what is unique about each city’s new music scene through a set of personal essays written by people living and creating there, and hear music from local artists selected… Read more »

LooseLeaf NoteBook
Julia Adolphe

Adjusting Creativity During Times of Crisis

Julia Adolphe shares her strategies for continuing to write during a time of personal hardship and discusses the pressures and myths surrounding creating art in response to moments of crisis.

Articles
NewMusicBox Staff

Call for Pitches - "How To" Content

Guidelines for how to pitch to NewMusicBox.

Interviews
Frank J. Oteri

Matthew Aucoin: Risking Generosity

Among the recurring themes of our conversation with composer-pianist-conductor Matthew Aucoin was generosity and risk-taking, something that is in abundance in Aucoin’s own music as well as his personality. Over the course of an hour we talked about his opera Eurydice which was just performed at the Metropolitan Opera, the first commercial recording of his music, his just released new book about opera, The Impossible Art, which was also just released, his desire to develop new musical repertoire that addresses climate change, and much much more.

LooseLeaf NoteBook
Julia Adolphe

Trusting Your Voice with a Mental Illness

You need to trust your voice in your personal life in order to fully trust your creative voice and vision as an artist.

LooseLeaf NoteBook
Julia Adolphe

Maia Jasper White: How Crisis Changes Artistry

Maia Jasper White shares how her relationship to music-making changed as she cared for her young daughter, who underwent surgery for craniosynostosis and a subsequent period of PTSD.

Interviews
Frank J. Oteri

Terri Lyne Carrington: A World of Sound Waiting for Us

Terri Lyne Carrington was practically born into jazz, but she is not a traditionalist. By embracing elements from rock, rhythm and blues, and hip-hop into her own compositions, she is making music that is very much about the present moment. And in founding the Berklee Institute for Jazz and Gender Justice and now partnering with New Music USA on the new Next Jazz Legacy program, Terri Lyne hopes to build a future that dismantles the jazz patriarchy and eliminates the gender imbalance among instrumentalists.

LooseLeaf NoteBook
Julia Adolphe

Letting Go Of Your Work

I reflect on why art is always imperfect and unpack a wave of anxiety that emerged for me while finishing a large-scale work.

LooseLeaf NoteBook
Julia Adolphe

Billy Childs: Creative Process, Internal Pressures & Racial Identity

Composer/pianist Billy Childs shares the impact of the pandemic and systemic racism in America on his creativity and how he returns to his writing process with practice and persistence.

Funders

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NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation.

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NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.

NewMusicBox receives major support from the Francis Goelet Charitable Lead Trusts and The ASCAP Foundation. NewMusicBox is funded in part by public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and with support from The Aaron Copland Fund for Music and The Amphion Foundation, Inc. Support for New Music USA and its many programs and activities is provided by foundations, corporations, government agencies, and hundreds of individual contributors.